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Umberto - Prophecy Of The Black Widow album flac

Umberto New Wave Synth-pop Italodance Darkwave 2010 US

Performer: Umberto
Title: Prophecy Of The Black Widow
Style: New Wave, Synth-pop, Italodance, Darkwave
Released: 2010
Country: US
MP3 album: 1399 mb
FLAC album: 1273 mb
Rating: 4.2
Other formats: AU MP4 AIFF MP2 TTA MPC ASF
Genre: Electronic

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Get the Tempo of the tracks from Prophecy Of The Black Widow (2010) by Umberto. This album has an average beat per minute of 138 BPM (slowest/fastest tempos: 83/199 BPM). See its BPM profile at the bottom of the page. Tracklist Prophecy of the Black Widow.

Play full-length songs from Prophecy of the Black Widow by Umberto on your phone, computer and home audio system with Napster. Nearly everything about Prophecy of the Black Widow, from the campy song titles to the creepy textures, reads like an open love letter to Italian horror from the '70s. Indeed, an intense Goblin vibe permeates the album. But this isn't mere nostalgia - more like the delicious confusion of. A good chunk of Prophecy of the Black Widow, including the stuttering drum machines and synth stabs, sounds influenced by John Carpenter and Alan Howarth's soundtrack work.

Widow of the Web, 06:59. Black Candles, 03:12. Night Stalking, 06:42. Someone Chasing Someone Through a House, 06:40. Everything Is Going to Be Okay, 04:02. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations.

1. Temple Room (7:06) 2. The Psychic (4:43) 3. Red Dawn (4:28) 4. Widow Of The Web (6:57) 5. Black Candles (3:10) 6. Night Stalking (6:40) 7. Someone Chasing Someone Through A House (6:38) 8. Everything Is Going To Be Okay (4:02).

Matt Hill presents his sophomore Umberto album. It follows on from the Giallo soundtrack style he brilliantly aped on ‘From The Grav. deeper into the bowels of the early ’80s sound, leering creepily at John Carpenter and the more bewitching ends of Italo disco and new wavey bits. Many have tried this sound – step forward Zombi, Gatekeeper, Francesco Clemente, Anton Maiovvi – but far fewer have achieved it with as much grain and VHS-warped eeriness as this. supported by 8 fans who also own . 24 - UMBERTO "Prophecy of the black widow" LP. Catchy groovy and dance beats along with strong and sharp sound design. Silent EM - Foreign States by Detriti Records.

Tracklist

Temple Room

The Psychic

Red Dawn

Widow Of The Web

Black Candles

Night Stalking

Someone Chasing Someone Through A House

Everything Is Going To Be Okay

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
NNF212	Umberto	Prophecy Of The Black Widow ‎(LP, Album, Ltd)	Not Not Fun Records	NNF212	US	2010
NNF212	Umberto	Prophecy Of The Black Widow ‎(8xFile, FLAC, Album)	Not Not Fun Records	NNF212	2010
NNF212	Umberto	Prophecy Of The Black Widow ‎(8xFile, MP3, Album, 320)	Not Not Fun Records	NNF212	US	2010
NNF212	Umberto	Prophecy Of The Black Widow ‎(CD, Album, Dig)	Not Not Fun Records	NNF212	US	2010
SM020	Umberto	Prophecy Of The Black Widow ‎(Cass, Album, Ltd)	Sonic Meditations	SM020	US	2010
NNF212	Umberto	Prophecy Of The Black Widow ‎(LP, Ltd, TP)	Not Not Fun Records	NNF212	US	2010
NNF 212	Umberto	Prophecy Of The Black Widow ‎(LP, Album, RP, Red)	Not Not Fun Records	NNF 212	US	2011
NNF212	Umberto	Prophecy Of The Black Widow ‎(LP, Album, RP)	Not Not Fun Records	NNF212	US	2013
BFE 024	Umberto	Prophecy Of The Black Widow ‎(LP, Album, RP)	Burka For Everybody	BFE 024	Spain	2014

Comments: (3)

Raelin

Even though he has heavily cribbed from Goblin and Fabio Frizzi on this LP (the bass/synth lines almost veer on outright plaigarism), this set of cuts manages to carve its own identity (along with the early incarnation of Mata Suspiria Vision, these new millenial generational 'horror' inspired artsites were the first to sign post the heavily copied 80s synth merchants that were to come (culminating in the 'Stranger Things' phenomenon that we have now). Personally, this musical 'style' is now just repeating itself and is pretty reduntant on all levels (forcing itself in to a creative brick wall many moons ago). It's hard to hear this LP now and not feel it is tired because of the all 'imitators' that have followed in its wake (all these LP's to an imaginery film' have become pretty predictable and boring).... There's only two recent 'horror' scores out there that still stand up - Girl with all the Gifts by Cristobal Tapia de Veer and It Follows by Richard Vreeland - mainly because despite using that old school synth 'sound - these soundtracks have true power via dirty, filthy and unsociable drones...

Tetaian

"Temple Room" is a solid giallo epic, well structured remake of old school italo-horror style. "The Psychic" is a weak number with a percussive line and growling synths that mar the piece. A heroic melody arrives and continues making this track one to skip. Next we have "Red Dawn" starting with a vapid synth drone, but it picks up quickly with stark bass and pads. Somewhat lifeless but still evocative. Another tightly quantized number, "Widow Of The Web" finishes the side. Although it has extremely dry production like the other tracks, we see a looseness and blurry synth lines that soften the metronomic bass line of another joint well suited for slasher gore. Totally ridiculous synth-distorto-guitar but valuable nonetheless.The B side leads with "Black Candles", an introspective number with a creepy metallic marimba line and cheesy faux-vox. Darkly romantic with a searching resonant lead. Another appearance of epic synth-vox on "Night Stalking" that quickly jumps into a cheesy funk number with annoying modulated lead, woodblock and predictable bell melody. Some cool components but otherwise ruined by unnecessary elements. The best track title of the album award goes to "Someone Chasing Someone Through A House". No chase music here though and the track almost feels like a throw-away jam. Watery synths and a portamento synth bass attempt to herald a cyber-fantasy zoner but the results here fall flat. "Everything Is Going To Be Okay" is an almost feel-good montage track that sounds like it would have been at home on the Drive soundtrack.A few hits and a few misses but worthwhile to italian horror soundtrack aficionados. Somewhat weak as an LP, i feel like this could have been stronger as a 7" of the tracks that bookend the album.

Blueshaper

I absolutely love this album. It has some of the best synth-horror tracks to be recorded in quite some time. The opening Temple Room is very memorable, and I find myself humming the track often now. The final track, Everything Is Going To Be Okay, is one great way to end an album. Overall, the album isn't as funky as the first Umberto album, but it is really good none-the-less, and well worth tracking down. To me, Matt Hill as Umberto is doing so much better soundtrack-esqe work than Steve Moore is currently with whatever he is doing...I'm shocked that this Umberto project hasn't been given as much respect as Moore has received. Don't get me wrong, I love all the Moore albums out (Lovelock, Zombi, & Rossi included) - but in terms of horror-score style - Umberto achieves this aura so much more efficiently. If you have a thing for slasher films, or really '70s/'80s cheese films in general...Umberto is some music you'll most likely enjoy.

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