John Lee Hooker With Bonnie Raitt / John Lee Hooker With Carlos Santana & The Santana Band - I'm In The Mood / The Healer album flac

The Healer is a blues album by John Lee Hooker, released in 1989. The album features collaborations with Bonnie Raitt, Charlie Musselwhite, Los Lobos and Carlos Santana, among others. The Healer peaked at number 62 on the Billboard 200 and "I'm in the Mood" won the Grammy Award for Best Traditional Blues Performance.

John Lee Hooker was an American blues singer and guitarist who recorded from 1948 to 2001. His discography includes recordings issued by various record companies in different formats. The Detroit Years (recordings 1948–1955). 1959 – House of the Blues (Chess). 1960 – The Blues (Crown) – early Modern tracks. 1961 – Sings the Blues (Crown) – Modern tracks. 1961 – Plays and Sings The Blues (Chess) – 1950–52 tracks.

The Healer by John Lee Hooker & Carlos Santana & The Santana Band. by John Lee Hooker & Bonnie Raitt. I'm in the Mood by John Lee Hooker & Bonnie Raitt.

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1. –John Lee Hooker, Carlos Santana & The Santana Band. 2. –John Lee Hooker & Bonnie Raitt. Drums – Scott Matthews Guitar – Roy Rogers (2)Guitar, Vocals – Bonnie Raitt. Executive-Producer – Mike Kappus. Guitar – John Lee Hooker (tracks: 2 to 7, 9).

Carlos Santana - Chill Out (Things Gonna Change). John Lee Hooker - Boom Boom John Lee Hooker. I'm In The Mood - John Lee Hooker, Bonnie Raitt, Roy Rogers John Lee Hooker. John Lee Hooker - Tupelo Blues John Lee Hooker - Tupelo Blues.

John Lee Hooker Carlos Santana Santana. All over the world, all over the world It's a healer. One night, I was laying down, feeling so bad, so low, so low My woman had left me, blues came along and healed me Heal! Heal! (Carlos, it healed me, Carlos) Carlos! It healed me! The blues, it healed, it healed, healer Hey! Hey! Healed me!

John Lee Hooker (August 22, 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. Hooker often incorporated other elements, including talking blues and early North Mississippi Hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie.