Mel Tormé - Comin' Home Baby album flac

Come on home) I'm comin' home baby now (You know I'm waitin' at the door) They can't hold me back now, nooo more (I'm alone) I'm pressin' on baby now (And pacing up and down the floor) Oh hear me holler and hear me roar (Say you'll be with me) Gonna be with you Ever more.

BPM Profile Comin' Home Baby. Album starts at 144BPM, ends at 146BPM (+2), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Mel Tormé. Just Jazz: Mel Tormé With the Chris Gunning Orchestra. Comin' Home Baby! 2004.

Paced by his only hit of the rock era, Comin' Home Baby! is a real crossover record, balancing a few groovy dance numbers (like the title track) with early-'60s cool jazz versions of the standards "Walkin'," "Moanin'," and "On Green Dolphin Street. Though Mel Tormé never made a terrible record - his crisp voice and ineffable delivery carried all of his dates - this session has to count as a low point

Songs from Comin' Home Baby! by Mel Tormé, Ирвинг Берлин. Free download and listen Comin' Home Baby!. Comin' Home Baby! Mel Tormé, Ирвинг Берлин. Tracks count: 22. Views: 2. Mel Tormé - Sidney's Soliloquy 02:29. Mel Tormé - Hi-Fly 03:12. Mel Tormé - Comin' Home Baby 02:42.

Download and listen online Comin' Home Baby by Mel Tormé. On this page you can download song Mel Tormé - Comin' Home Baby in mp3 and listen online. Mel Tormé - Comin' Home Baby. Send lyrics Send translation Send music video.

Comin' Home Baby" is a song originally written as an instrumental by Ben Tucker and first recorded by the Dave Bailey Quintet in 1961, and shortly thereafter by Herbie Mann. Lyrics were added by Bob Dorough, and the vocal version became a US Top 40 hit for American jazz singer Mel Tormé in 1962. The song has since been covered numerous times. The tune was first recorded by the Dave Bailey Quintet on 6 October 1961, and issued on 2 Feet in the Gutter

Tormé's classic album, Comin' Home Baby has recently been re-released; digitally remastered and cleaned up, one can hear the sweet sounds of the Velvet Fog in all of its glory the way it was intended to be heard. In early 1962 Mel Tormé had firmly come to terms with the fact that the musical landscape was percolating something in the clubs and bars where the people hang out.