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Steve Roden - Lines & Sp Aces album flac

Steve Roden Modern Experimental 2006

Performer: Steve Roden
Title: Lines & Sp Aces
Style: Modern, Experimental
Released: 2006
MP3 album: 1555 mb
FLAC album: 1945 mb
Rating: 4.7
Other formats: VOX XM ASF AUD AIFF AC3 WMA
Genre: Electronic / Classical

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Aces is the third studio album by the American country music singer-songwriter Suzy Bogguss, released on August 27, 1991, through Liberty Records. The album spawned three Top hits on the country charts - "Outbound Plane," "Aces" and "Letting Go" and stayed at number in album sales and in the top ten on the country charts for five weeks. Aces is Bogguss's highest-charting album and has gone on to earn an RIAA Platinum certification and was nominated for the 1992 CMA "Horizon Award".

Steve Roden ‎– pcahuilcsaigmon. Label: Farpoint Recordings ‎– fp056. Special blue coloured music cassette tape with a full colour fold out cover, containing artwork and a short text by Steve Roden, housed in a clear cassette box. Each copy is hand numbered. Downloadcode included.

Steve Roden is an American sound and visual artist, who pioneered the lowercase style of music; where quiet, usually unheard, sounds are amplified to form complex and rich soundscapes. His discography includes Forms of Paper, which was commissioned by the Los Angeles public library

Sp aces, Austin, Texas. Listened to y'all's album again today. Miss your sound! Come see us in Oregon sometime!

steve roden is a visual & sound artist from los angeles, who pioneered the lowercase style of music; where quiet, usually unheard, sounds are amplified to form complex and rich soundscapes. sometime in the late 80s. Dec 2018.

The Spaces Contained in Each. Stephen Vitiello, Steve Roden. Two Steve Roden Remix Steve Roden, Machinefabriek & Sanja Harris Kesh Recordings.

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Tracklist

A	Made From The Line Notes
C	Made From The Space Notes

Credits

Piano, Guitar, E-Bow, Recorded By, Liner Notes – Steve Roden

Notes

Lines & Sp Aces began as a project to be installed in a music archive/library. To create a piece that could remain in the archive, to be used by visitors whenever they wished. LPs as a kind of secret installation. Starting with grammar school teachings the notes on the line = Every Good Boy Does Fine, the notes on the spaces = F A C E, I recorded these notes on a piano, creating two separate works that could also be played together - library users could use the turntables in the space and listen to one or the other or both one sided LPs as once. So now you have a portable installation to hear two pieces you need one turntable. To hear one piece (the third piece) you need two turntables. Along with piano, I also added some guitar/ebow tones. You can also hear a little bit of the noise from my cousin's house where I recorded the piano.

Signed and hand-numbered edition of 125 on single-sided vinyl. The series was mispressed, with track A appearing on both pieces of vinyl.

Comments: (1)

Shalinrad

Something of a story behind this one. I ordered a copy from a distributor in France a few years back (where the only copies available for purchase were left), only to find the double single-sided LP had two pieces of same vinyl. Asking the distributor if he had somehow misplaced one of the records and sent someone else the other pair, we eventually discovered that it was a mistake across (at least to our knowledge) the whole pressing. I contacted Steve Roden himself on the matter, and over the span of several friendly e-mails really only managed to conclude that it was amazing the problem hadn’t been discovered yet. There were initially hopes of a repress to address the problem, but for now we have only the line notes, or the space notes.Something of a double misfortune, as the work was actually comprised of three parts – Side A, Side C and the two played together simultaneously. Steve is his usual refined self here with simple panning keys backed by elegant tones. Occasional snatches of the ambiance of the original recording (for example, the hammers creaking on the strings of the piano) heighten the introverted nature of the piece.

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