Susann McDonald - The World Of The Harp album flac
Performer: Susann McDonaldTitle: The World Of The Harp
Style: Impressionist, Renaissance, Baroque, Modern
Released: 1983
Country: US
MP3 album: 1408 mb
FLAC album: 1142 mb
Rating: 4.5
Other formats: AIFF TTA AA AAC XM RA AU
Genre: Classical
Arranged By – Susann McDonald (tracks: 7, 8, 13 to 15). Engineer – Stan Ricker. Harp – Susann McDonald. Liner Notes – P. Wiggins. Producer – Amelia S. Haygood. Producer – Theresa DiRocco.
Susann McDonald (born May 26, 1935) is an American-born classical harpist. In addition to a successful performing career, she has made a number of recordings and held significant academic and organizational posts. McDonald was born in Rock Island, Illinois. After studies in Chicago and New York City, at age 15 she entered the Conservatoire de Paris, where she studied with Henriette Renié and Lily Laskine and in 1955 was the first American to win the Premiere Prix de Harpe
Album · 1994 · 16 Songs. Keyboard Sonata in D Major (arr. for Harp).
Susann McDonald Harp. CD: 1 Tracks: 16 Length: 42:01. Naxos featured album.
Susann McDonald Plays A Variety Of Harps From Her Collection Including African, Paraguayan, Irish, Welsh And Full Concert. LP Pressed In Japan And Mastered By The Great Stan Ricker In Los Angeles On A Transformerless Disk Cutting System Using Pyral Lacquers. Recorded At Immaculate Heart College Auditorium, Los Angeles. Artist: Salzedo, Albeniz, Alvars, Susann McDonald Title: The World Of The Harp Genre: Classical Type: Audiophile - LP Label: Delos Catalog ID: DMS 3005 Country: USA Our ID: 151289. View other items by this Artist View other items on this Label.
Tracklist Hide Credits
| 1 | Song Of The NightComposed By – Salzedo* |
3:28 |
| 2 | Sonata In DComposed By – Mateo Albéniz |
1:22 |
| 3 | Rumore De La CaletaComposed By – Isaac Albéniz |
3:12 |
| 4 | Fire DanceComposed By – Watkins* |
1:49 |
| Paraguayan Harp | ||
| 5 | La GuabinaComposed By – Ortiz* |
1:53 |
| 6 | Llanos (Plain Lands)Composed By – Ortiz* |
2:23 |
| Irish Harp | ||
| 7 | Believe Me If All Those Endearing Young Charms And Irish GigueComposed By – Traditional |
1:18 |
| - | ||
| 8 | GreensleevesComposed By – Anonymous |
2:14 |
| 9 | CouranteComposed By – Francisque* |
1:15 |
| 10 | Pavane Et BranslesComposed By – Francisque* |
3:04 |
| 11 | Etude De ConcertComposed By – Tournier* |
3:28 |
| 12 | Jazz BandComposed By – Tournier* |
3:11 |
| 13 | La Fille Aux Chevuex De Lin (The Girl With The Flaxen Hair)Composed By – Debussy* |
2:30 |
| 14 | La SourceComposed By – Zabel* |
3:20 |
| 15 | La MandolineComposed By – Alvars* |
3:54 |
| 17 | SicilianaComposed By – Grandjany* |
3:40 |
Companies, etc.
- Phonographic Copyright (p) – Delos Records, Inc.
- Manufactured By – Sanyo Japan
Credits
- Arranged By – Susann McDonald (tracks: 7, 8, 13-15)
- Engineer [Chief] – Stan Ricker
- Harp – Susann McDonald
- Liner Notes – P. Wiggins
- Producer – Amelia S. Haygood
- Producer [Assistant] – Theresa DiRocco
- Recorded By, Edited By, Mastered By – Bob Ingebretsen, Bruce Rothaar, Jeff Ostler, Jules Bloomenthal, Thomas Stockham
Notes
Total Playing Time: 43:53℗ & © 1983 Delos International, Inc.
2210 Wilshire Blvd.
Santa Monica, California 90403
USA
Printed in Japan
Digital Recording, Editing and Mastering by Soundstream, Inc.: Jules Bloominthal, Bob Ingebretsen, Bruce Rothaar, Thomas Stockham, Jeff Ostler
For this recording we used two omni B&K condenser microphones, capsule #4134, and B&K pre-amplifier 2319S. The specially constructed low noise, low distortion power supply and line driver amplifiers were designed and built by John Meyer of Meyer Sound Laboratories, Inc., San Leandro, California.
The output of the line driver amplifiers was fed directly into the line level input of a Studer Model 169 Stereo Mixer, which was fed directly into the Digital Tape Recorder. The portable Studer console is battery powered. There is no AC and therefore no chance of hum. The power supply for the Studer 169 console is a sophisticated battery charger.
The B&K Microphones were originally designed for high pressure of very loud sound measurement. It is because of this design characteristic that the microphone is able to withstand the very high sound pressure level encountered in music. The highest quality music recording microphones typically reach 3% distortion at 160 dB, thus giving approximately 30 dB headroom for peaks.
- Stan Ricker
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| DMS 3005 | Susann McDonald | The World Of The Harp (LP) | Delos | DMS 3005 | US | 1979 |
| D/CD 3005 | Susann McDonald | The World Of The Harp (CD, Album) | Delos | D/CD 3005 | US | 1987 |
| D/CD 3005, DE 3005 | Susann McDonald | The World Of The Harp (CD, Album, Club) | Delos, Delos | D/CD 3005, DE 3005 | US | Unknown |
| DE 3005 | Susann McDonald | The World Of The Harp (CD, Album, Club) | Delos | DE 3005 | US | Unknown |









