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Tomita, Debussy - Clair De Lune album flac

Tomita, Debussy - Clair De Lune album flac Performer: Tomita
Title: Clair De Lune
Style: Modern Classical, Modern
Released: 1974
Country: Germany
MP3 album: 1285 mb
FLAC album: 1717 mb
Rating: 4.3
Other formats: AIFF ADX FLAC AC3 APE RA AHX
Genre: Electronic / Classical

Tomita ‎– Clair De Lune. Label: RCA Red Seal ‎– RVC-2072. Format: Vinyl, LP, Album, Reissue. 1976 RCA Records Manufactured by RVC Corporation, Tokyo, Japan. Reissue of the album "Snowflakes Are Dancing" with the other title "Clair De Lune". Other Versions (5 of 63) View All. Cat.

Producer: János Mátyás. Contributed by l'espion est de retour (5,366. Report wrong information or missing video. Bloodstream by Tokio Myers (2017). Clair De Lune by Flight Facilities feat. Christine Hoberg (2014).

Clair de Lune is French for "light of the moon", or "moonlight". It may refer to: "Clair de Lune" (poem), a poem by Paul Verlaine, published 1869. Clair de Lune, an 1884 short story collection by Guy de Maupassant. Clair de lune, a 1921 play by Blanche Oelrichs, filmed in 1932. Frankie and Johnny in the Clair de Lune, a play by Terrence McNally, first performed in 1987. Claire de Lune, a biographical novel by Pierre La Mure, published in 1962.

Clair De Lune" was originally titled "Promenade Sentimentale. Debussy commenced the suite in 1890, but he did not finish or publish the work until 1905. Clair De Lune" is heard widely in movies, TV shows and adverts

Claude Debussy (1862-1918) composed Clair de Lune, the third movement from the Suite Bergamasque in 1888 (first published in 1903). It is important to note that with the exception of the poetically titled Clair de Lune, suite Bergamasque is created exclusively from Baroque movements. The choice of compound triple meter for this movement shows the contrast to the dance movements and helps allow Debussy freedom to articulate the music differently. In addition, Clair de Lune is compositionally, the most adventurous piece of the suite.

Title: DEBUSSY: CLARE DE LUNE (SNOWFLAKES ARE DANCING) (SPECIAL LIMITED EDTION). Format: CD. Missing Information?. Read full description. See details and exclusions. See all 4 brand new listings.

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Tracklist

A1 Snowflakes Are Dancing (Children's Corner, No. 4) 2:10
A2 Reverie 4:44
A3 Gardens In The Rain (Estampes, No. 3) 3:41
A4 Clair De Lune (Suite Bergamasque, No. 3) 5:48
A5 Arabesque No. 1 3:57
B1 The Engulfed Cathedral (Préludes, Book 1, No. 10) 6:18
B2 Passepied (Suite Bergamasque, No. 4) 3:17
B3 The Girl With The Flaxen Hair (Préludes, Book 1, No. 8) 3:25
B4 Golliwog's Cakewalk (Children's Corner, No. 6) 2:50
B5 Footprints In The Snow (Préludes, Book 1, No. 6) 4:30

Companies, etc.

  • Record Company – Victor Musical Industries, Inc.

Credits

  • Artwork By [Cover] – David B. Hecht
  • Artwork By [Director] – J. J. Stelmach
  • Composed By [Original] – Claude Debussy
  • Photography [Liner Photo] – Tomoki Sato
  • Producer, Arranged By – Isao Tomita*

Notes

"The Newest Sound Of Debussy"
"Virtuoso electronic performances of Debussy's beautiful tone paintings".

2200 Yen

Other versions

Category Artist Title (Format) Label Category Country Year
APL1-0488, 26.21414 Tomita Snowflakes Are Dancing (The Newest Sound Of Debussy) ‎(LP, Album, RE) RCA Victor, RCA Victor APL1-0488, 26.21414 Germany Unknown
ARL1-0488 Tomita, Debussy* Tomita, Debussy* - Debussy Sound 2000 (Un Viaggio Fantastico Nel Mondo Dell'Elettronica) ‎(LP, Album) RCA Red Seal ARL1-0488 Italy 1974
ARL1-0488 Tomita, Debussy* Tomita, Debussy* - Snowflakes Are Dancing (The Newest Sound Of Debussy) ‎(LP, Album) RCA Red Seal ARL1-0488 Canada 1974
433797 Tomita Snowflakes Are Dancing ‎(CD, Album, RE, Unofficial) CD Media Records 433797 Russia 1997
RD 84587 Tomita Snowflakes Are Dancing ‎(CD, Album) RCA Red Seal RD 84587 Germany 1983


Comments: (1)
Quinthy
Tomita's assistant on this album was Hideki Matsutake. Haruomi Hosono liked this album so much he sought out Matsutake to work on YMO (not being aware he had already recorded with several other collaborators including Akiko Yano and Ryuichi Sakamoto). This album was pivotal to the development of the YMO and therefore Japanese electronic music in general.