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Various - Let No One Judge You: Early Recordings From Iran, 1906-1933 album flac

Various Folk 2014 UK

Performer: Various
Title: Let No One Judge You: Early Recordings From Iran, 1906-1933
Style: Folk
Released: 2014
Country: UK
MP3 album: 1873 mb
FLAC album: 1722 mb
Rating: 4.2
Other formats: TTA MPC AIFF MP2 AHX DTS AC3
Genre: Folk and Country

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Kiss nothing except the lips of your beloved and the rim of a cup of wine. Javad Badi'zadeh - Morghe Bi-Ashian, Afshari (Shur) (3:30) 12. Iran od Dowleh Helen - Bidad (Homayun) (3:29) 13. Moluk - Dashti (Shur) (3:22) 14. - Qafqaz I (Segah) (3:35) 15.

Let No One Judge You: Early Recordings From Iran, 1906-1933 ‎(4xLP, Comp + Box). Honest Jon's Records.

Javad Badi Zadeh - "Morgh E Bi Ashian/Afshari". 12. Iran Od Dowleh Helen - "Bidad". 13. Moluk Zarrabi - "Dashti". Abd Ol Hoseyn Shahnazi - "Mavara An Nahr". 8. Iran Od Dowleh Helen - "Daramad, Dad, Khavaran". 9. Iran Od Dowleh Helen - "Delkash, Eraq". 10. Abid Khansari - "Eraq".

This browser doesn't support this site Web Player. Switch browsers or download this site for your desktop. Let No One Judge You - Early Recordings from Iran, 1906 - 1933. Listen to Let No One Judge You - Early Recordings from Iran, 1906 - 1933 now. Listen to Let No One Judge You - Early Recordings from Iran, 1906 - 1933 in full in the this site app. Play on this site. 2014 Honest Jon's Records.

Let No One Judge You: Early Recordings from Iran, 1906-1933. Honest Jon's HJRCD 69. CD. 2014. Let No One Judge You: Early Recordings from Iran, 1906-1933.

The set is a 34-song anthology of Early Recordings From Iran painstakingly restored from 78s at Abbey Road studio in London "Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 - with futuristic, overlapping trumpets and exquisite clarinet improvisation - through to a hauntingly soulful Hafez setting by Moluk Zarrabi of Kashan, from 1933. Kiss nothing except the lips of your beloved and the rim of a cup of wine. Let no one judge yo.

If you want to help with testing, use the beta site for a while! You can see a list of changed things in our ticket tracker. Release group by Various Artists. Release group information. Artist: Various Artists. Type: Album + Compilation.

Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 - with futuristic, overlapping trumpets and exquisite clarinet improvisation - through to a hauntingly soulful Hāfez setting by Moluk Zarrābi of Kāshān, from 1933. Moluk Zarrābi - together with Qamar-ol-Moluk Vaziri - featured on more than half the 1925 recordings. On her return to the studio the following year, she was accompanied on tar by Mortezā Ney-Dāvud, amongst the country’s most acclaimed musicians and composers of all time, from the Jewish community of Tehran. It sounds like another stupendously gifted Iranian Jewish musician - Yahyā Zarpamjeh - accompanying Akhtar.

Part IV studies the impact of early commercial records on the formation of the Persian modal system. During the first recording session, most labels featured an avaz or a tasnif (song), while seven sets of records were allocated to record the seven dastgah briefly. Studying in a russian university: is IT a challenge for the students from iran? March 2019.

Tracklist

1-1	–Ebrāhim, Royal Orchestra	Bidād (Homāyun)	2:44
1-2	–Rezā-Qoli, Akbar	Gavri (Shur)	3:15
1-3	–Seyyed Hoseyn Tāherzādeh, Habibollāh Moshir-Homāyun	Bayāt Esfahān (Homāyun)	2:59
1-4	–Seyyed Hoseyn Tāherzādeh, Akbar	Darāmad (Homāyun)	3:13
1-5	–Unknown Artist	Tar Solo	3:03
1-6	–Moluk Zarrābi Darāmad	Dād (Māhur)	3:33
1-7	–Parvāneh	Mansuri (Chahārgāh)	3:35
1-8	–Parvāneh	Zābol, Mokhālef (Segāh)	3:52
1-9	–Abd-ol-Hoseyn Shahnāzi	Mokhālef (Segāh)	3:35
1-10	–Akhtar	Bayāt Esfahān, Bayāt Rāje' (Homāyun)	3:48
1-11	–Javād Badi'zādeh	Morgh‐e Bi‐Āshiān / Afshāri (Shur)	3:30
1-12	–Irān‐od‐Dowleh Helen	Bidād (Homāyun)	3:29
1-13	–Moluk Zarrābi	Dashti (Shur)	3:22
1-14	–Montakhab-oz-Zākerin	Qafqāz I (Segāh)	3:35
1-15	–Montakhab-oz-Zākerin	Qafqāz II (Segāh)	3:34
1-16	–Abd-ol-Hoseyn Shahnāzi	Darāmad (Homāyun)	3:33
1-17	–Hayk	Shushtar (Homāyun)	3:39
2-1	–Qoli, Royal Orchestra	Abu-'Atā (Shur)	2:52
2-2	–Seyyed Hoseyn Tāherzādeh, Akbar	Qafqāz (Segāh)	3:18
2-3	–Seyyed Hoseyn Tāherzādeh, Hoseyn Darāmad	Bayāt Rāje' (Navā)	3:14
2-4	–Seyyed Hoseyn Tāherzādeh, Akbar	Afshāri (Shur)	3:09
2-5	–Asadollāh	Rezā-Qoli Shahnāz (Shur)	3:19
2-6	–Rezā-Qoli, Bāqer, Akbar , Moshir-Homāyun	Nā Dideh Rokhat / Bayāt Esfahān (Homāyun)	3:03
2-7	–Abd-ol-Hoseyn Shahnāzi	Māvarā'-an-Nahr (Rāst‐Panjgāh)	3:31
2-8	–Irān-od-Dowleh Helen	Darāmad, Dād, Khāvarān (Māhur)	3:02
2-9	–Irān-od-Dowleh Helen	Delkash, 'Erāq (Māhur)	3:23
2-10	–Adib Khānsāri	'Erāq (Māhur)	3:33
2-11	–Irān-od-Dowleh Helen	Golriz (Shur)	3:29
2-12	–Ruhangiz	Darāmad, Zābol (Segāh)	3:31
2-13	–Akhtar	Hejāz (Shur)	3:37
2-14	–Mortezā Ney-Dāvud*	Bayāt Esfahān, Bayāt Rāje' (Homāyun)	3:39
2-15	–Mortezā Ney-Dāvud*	'Oshshāq, Bayāt Esfahān (Homāyun)	3:39
2-16	–Moluk Zarrābi Darāmad	Zābol (Chahārgāh)	3:10
2-17	–Abd-ol-Hoseyn Shahnāzi	Bidād (Homāyun)	3:37

Companies, etc.

Mastered At – Abbey Road Studios

Credits

Artwork By – Sandhya Ellis, Will Bankhead
Compiled By – Mark Ainley
Engineer [Sound Restoration], Mastered By – Andy Walter*
Liner Notes – Mark Ainley, Mohsen Mohammadi

Notes

The two CDs are presented in a hard-back gatefold sleeve, with a 26-page booklet containing full notes and photos on fine-art papers, stitched, not stapled.