Antonio Vivaldi, Severino Gazzelloni, Orchestra da Camera di Venezia, Maximiano Valdés - Concerti Per Flauto, Archi e Cembalo album flac

VIII° International Flute Competition. Pescara – 27 to 31 October 2019. The Associazione Flautisti Italiani organizes the VIII International Flute Competition Severino Gazzelloni in collaboration with the Foundation Pescarabruzzo, the Conservatory L. D’Annunzio of Pescara and the CIDIM, which will take place from 27 to 31 October 2019 at the Auditorium of Conservatory L. D’Annunzio, Pescara. The competition is open to flutists from any country. The application form should be sent: by e-mail: afiut

Avi Avital, Carlo Boccadoro, Orchestra I Pomeri. 2:58 Il Pomo d'Oro, Riccardo Minasi e Dmitry Sinkovs. 2:24 Avi Avital, Carlo Boccadoro, Orchestra I Pomeri. 2:46 Avi Avital, Carlo Boccadoro, Orchestra I Pomeri. 2:03 Il Giardino Armonico, Giovanni Antonini - diret. 2:05 Il Giardino Armonico, Giovanni Antonini - diret.

This album was released on the label RCA Victor Gold Seal (catalog number GL 70951). This album was released in 1986 year.

Home Catalog Super Audio CD out of stock I Musici - Antonio Vivaldi, Concerti per archi e continuo. I Musici - Antonio Vivaldi, Concerti per archi e continuo. Reference: 074 SACD - Classic. Ludwig Van Beethoven Concerto per violino e orchestra in RE magg.

Severino Gazzelloni (January 5, 1919 – November 21, 1992), was an Italian flute player. He was born in Roccasecca and died in Cassino. Gazzelloni was the principal flautist with the RAI National Symphony Orchestra in Turin for 30 years and dedicatee of many works. Composers including Luciano Berio (Sequenza I for solo flute, 1958), Pierre Boulez, Bruno Maderna and Igor Stravinsky wrote pieces for him.

Largo - Severino Gazzelloni, I Musici. Vivaldi: Flute Concerto in G Minor, RV 439 "La Notte" (No. 2 from "6 Concerti a flauto traverso", Op. 10) : V. Largo (Il Sonno) - Janet See. 1:44.

Antonio Vivaldi: Concerti da Camera, Vol. 2 - Il Giardino Armonico. Camera or Concerti Da Camara with another recital of Italian Sonatas by the ensemble). It was already excellent, but this recording of the complete concertos, made between 1990 and 1992, is even better: they have marginally more bite, drive and color. It also has stupendous sonic presence.