London Elektricity - Gravy + Plug album flac

Billion Dollar Gravy is a drum n bass album by London Elektricity released in 2003. The album is known for its usage of live musicians, such as the Jungle Drummer (drums), Liane Carroll (jazz vocals), Andy Waterworth (upright bass), Robert Owens (vocals), and others, much like London Elektricity's debut, Pull the Plug. Billion Dollar Gravy" – 6:23. Different Drum" – 7:23. Fast Soul Music" – 6:22. The Great Drum + Bass Swindle" – 7:09. Main Ingredient" – 4:35.

Tony Colman, better known by his stage name London Elektricity, is an English electronic musician and the co-founder and CEO of Hospital Records. The first incarnation of London Elektricity was the duo Tony Colman and Chris Goss. Founders and backbone of Hospital Records, they also pursued parallel projects under the monikers Peter Nice Trio and Dwarf Electro, but it was their tune "Song In The Key Of Knife" under the guise London Elektricity that first gained them widespread recognition.

His debut album Pull The Plug was released on Hospital in 1999, with the follow up Billion Dollar Gravy in 2003 and Power Ballads in 2005. Between 2003 and 2005 Tony fronted London Elektricity Live with jazz/soul legend Liane Caroll, vocalist MC Wrec, co-producer Landslide and The Jungle Drummer. Touring everywhere from Birmingham to Brazil, they released two DVDs – Live Gravy (2005) and Live At The Scala (2007).

London Elektricity has a brand new album - it's called Are We There Yet and is out on Hospital Records this winter. The album is a journey featuring collaborations with Emer Dineen, Keeno, Liane Carrol, Hugh Hardie and Pete Simpson that will take you all over the universe. Singing Ringing Tree. Impossible To Say. Drop Ship.

London Elektricity - Billion Dollar Gravy (2003).

London Elektricity's debut, PULL THE PLUG, starts by putting the jazz into jazzstep with the well-considered horns and wild double bass of "Song in the Key of Knife. The bass also plays a big role in ". Elektrical Storm)," though the vocals do detract from the effect, but the 70s cop show piano chords of "Shakedown" quickly dispel those. To my knowledge, this is an album which stands quite unparallelled in the realm of jazzy/funky drumnbass. Far too much "jazzy dnb" verges towards a few lazily looped lounge chords on a fender rhodes.