Various - Female Blues Singers Volume F/G (1921-1930) album flac

Recording information: Tracks 1 to 5: New York City, c. August 1921 Tracks 6, 7: New York City, c. September 1921 Tracks 8 to 11: New York City, c. November 1921 Tracks 12, 13: New York City, c. 17 September 1921 Tracks 14, 15: New York City, c. September 1921 Track 16, 17: New York City, c. August 1926 Track 18: New York. City, c. August 1924 Track 19: New York City, c. c. October 1921 Tracks 20, 21: New York City, c. 20 April 1928 Tracks 22, 23: Grafton, Wi. November 1930. Uncertain personnel: Tracks 1 to 5: "poss. others on some sides.

Seven long-forgotten classic blues singers are featured on this CD, which has their total output. Alice Leslie Carter is heard on 11 dated but often charming performances from 1921, in which she is backed by a combo led by pianist James P. Johnson, including the debut vocal recording of "Aunt Hagar's Children Blues. Josephine Carter fares OK on four numbers, while Margaret Carter's two numbers in 1926 ("I Want Plenty Grease in My Frying Pan" and "Come Get Me, Papa, Before I Faint") are excellent, making one wish that she had recorded again.

Female Blues Singers Pictures to Pin on Pinterest - ThePinsta. Female Blues Singers - Etta James - Ruth Brown - CD album. 340 x 340 jpeg 29 КБ. ww. outube. Female Blues Singers Various Artists – Download and. 600 x 600 jpeg 63 КБ. blues. Female Blues Singers, Vol. 4: C (1921-1930) - Various. 400 x 401 jpeg 55 КБ.

PLAY ALL. Female Blues Singers Vo. 3 (1921-1931). Released by Document Records Aug 2005 24 Tracks.

Classic Female Blues or more accurately "Vaudeville blues", was a field dominated by women singers that enjoyed its heyday in the 1920s. Although officially introduced by Mamie Smith with her hit OKeh recording of "Crazy Blues" in 1920, vaudeville entertainers such as "coon shouter" Sophie Tucker and comedienne Marie Cahill anticipated some aspects of the style on record prior to World War I. A few of these artists, including Ethel Waters, the unrecorded Florence Mills, and the unopposed mistress of the genre, Bessie Smith, made