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Joscha Oetz With Barre Phillips, Andreas Wagner, Greg Stuart - Vieles Ist Eins album flac

Joscha Oetz Free Improvisation 2002

Performer: Joscha Oetz
Title: Vieles Ist Eins
Style: Free Improvisation
Released: 2002
MP3 album: 1307 mb
FLAC album: 1625 mb
Rating: 4.3
Other formats: VQF WMA TTA AHX MMF WAV DTS
Genre: Jazz

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Contrabass – Barre Phillips, Joscha Oetz. Engineer – Ansgar Ballhorn (tracks: 4), Randy Fuelle (tracks: 2, 3, 6, 7, 9), Unknown Artist (tracks: 1, 5, 8, 10). Mastered By – Hans Fjellestad. Percussion – Greg Stuart. Tenor Saxophone – Andreas Wagner. Written-By – Wagner (tracks: 4), Phillips (tracks: 2, 3, 6 to 9), Oetz. Mould SID Code: IFPI U883. Matrix, Runout: 803233C-1 JOSCHA OETZ-VIELES IST EINS. Rights Society: GEMA.

Joscha Oetz, Barre Phillips, Andreas Wagner, Greg Stuart. Download now. English.

1 Musica Alemana 2:55. Unknown Artist (tracks: 1, 5, 8, 10) Mastered By – Hans Fjellestad Percussion – Greg Stuart Tenor Saxophone – Andreas Wagner Written-By – Wagner (tracks: 4), Phillips (tracks: 2, 3, 6 to 9), Oetz.

The title of this album is also the name of a long-term group founded by Joscha Oetz in 1995, when he was still living in Cologne. This free improv unit has welcomed a number of musicians. On this release, Oetz performs with tenor sax player Andreas Wagner and drummer Greg Stuart. Both had appeared on the bassist's 2002 collection of solos and duos, Vieles Ist Eins. Permanent Flow features the complete set performed on October 14, 2003, in San Diego. The music resolutely belongs to the European free improvisation line of thinking.

Barre Phillips ‎– Mountainscapes. Label: ECM Records ‎– ECM 1076, ECM Records ‎– 2301 076. Format: Vinyl, LP, Album. Forces coming together, Voices mixing, Energy channeled to Focalize. Our inner circle-spiral Points out to The touchable Infinite.

On this release, Oetz performs with tenor sax player Andreas Wagner and drummer Greg Stuart. Peter Kowald's influence permeates Oetz's playing, even though he tends to have a stronger swing, even in a free context.

Released: March 11, 2002. 8. Frieden bitte (feat.

Sounds and interactions captured on this recording demonstrate the unique qualities of this innovative collaboration: Dream-like teamplay in the construction of complex sonic geometry, abstract and grounded, paradoxically grooving and permanently flowing. Permanent Flow was founded in 1995 by bassist Joscha Oetz as an ensemble dedicated to improvised music. Based in Cologne, Germany at the time, Oetz conceptualized the group as a playing field for experimentation and a space to encounter musicians from various geographical and artistic origins. In 1997, saxophonist Andreas Wagner. Joscha Oetz - Contrabass Andreas Wagner - Tenor Saxophone Greg Stuart - Percussion. All Compositions by Oetz/Wagner/Stuart. Recorded live at Dizzy's, San Diego, California. Mastering by Ansgar Ballhorn.

Tracklist

1	Musica Alemana	2:55
2	Nurdim	4:21
3	Bajoife	8:11
4	Sipan	4:27
5	Konstantin	7:13
6	Toqua	3:57
7	Zweins	4:22
8	Frieden Bitte	12:57
9	Roronra	6:35
10	Moorzahn	3:19

Companies, etc.

Copyright (c) – Accretions Records
Recorded At – Mandeville Center
Recorded At – Hit Single Recording Services
Recorded At – Loft, Köln
Mastered At – Zu Casa Labs

Credits

Artwork – Marcelo Radulovich
Contrabass – Barre Phillips, Joscha Oetz
Engineer [Recording] – Ansgar Ballhorn (tracks: 4), Randy Fuelle (tracks: 2, 3, 6, 7, 9), Unknown Artist (tracks: 1, 5, 8, 10)
Mastered By – Hans Fjellestad
Percussion – Greg Stuart
Tenor Saxophone – Andreas Wagner
Written-By – Wagner* (tracks: 4), Phillips* (tracks: 2, 3, 6 to 9), Oetz*

Notes

Recorded October 19th 2000 at Mandeville Recital Hall, La Jolla, CA ; May 22nd 2001 at Single Recording, El Cajon, CA (2, 3, 6, 7 and 9); October 9th 1988 at Loft, Cologne, Germany ; November 16th 2001 at Mandeville Recital Hall, La Jolla, CA ; April 3rd 2001 at Mandeville Recital Hall, La Jolla, CA (5 and 10)

© 2002 Accretions

Barcode and Other Identifiers

Barcode: 7 6839 1 00262 0
Mastering SID Code: IFPI LR66
Mould SID Code: IFPI U883
Matrix / Runout: 803233C-1 JOSCHA OETZ-VIELES IST EINS
Rights Society: GEMA

Comments: (1)

hardy

Through scraping, beating and generally abusing strings of contrabass, JOSCHA OETZ and fellow con spirito-r BARRE PHILLIPS create the ambience of a furtive burgler searching through the dusty and dubious treasures of and old and chaotic junk shop, where one false move may bring teetering piles of books and papers, ancient dirt and generations of spiders crashing down upon the musicians. ANDREAS WAGNER assists here and there to shine a light beam from his tenor saxophone onto the proceedings, while GREG STUART's percussion adds weight to the feeling of possible disaster. Imagine a gang of malnourished children clambering through a large wardrobe full of stringed instruments, having given up all hope of finding Narnia, trying desperately to find the door back into the real world, climbing and clambering over the hidden orchestra, sometimes panicking, sometimes almost resigned to an eternity in the dusty, airless dark of this strange place. This reminds me here and there of WHALEMAN in it's indulgent love of deep string sounds - not as a complimentary addition to an orchestral piece - but as-is, solo, unblemished by other, possibly more tuneful instruments - a love of rich deep, almost voice-like sounds. A meagre indulgence though it is, the music really expands on the one track - "Frieden Bitte" - which features GREG STUART. Which is not to say he should have featured throughout, but his minimal additions make this track perhaps the best piece here. He favours flat bell-like sounds over 'drums' and does not try to introduce rhythm, rather embellishing the existing fog of moodiness. Where this album truly triumphs is in gaining an atmosphere and never leaving it throughout. Perhaps this is down to the limited sonic possibilities of the instruments used. Whatever the reason, it's a definite strength rather than a weakness. This is a fine example of acoustic mood music. It never actually delves into the darkest corners of possibility, but is more naturally a night music, to be listened to in a darkened, barely lit environment, rather than a bright Summers day through heardphones with screaming children running past. I guess this review was written under midway conditions (barely lit room between 10am and midday, with curtains closed and only a crazy-but sleepy feline for company). Another cracking release from ACCRETIONS. Originally reviewed for Metamorphic Journeyman.

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