Fauré, Chausson, Respighi / Sophie Koch, Quatuor Castagneri, Sophie Raynaud, Vincent Pasquier - La Bonne Chanson, Op. 61 - Mélodies De Venise / Chanson Perpétuelle Op. Posth. 37 / Il Tramonto album flac

61 - Mélodies De Venise, Chanson Perpétuelle Op. Posth. 1. Chanson Perpétuelle. Composed By – Ernest ChaussonText By – Charles Cros. Composed By – Gabriel FauréText By – Paul Verlaine.

Sophie Koch (mezzo-soprano), Sophie Raynaud (piano), Vincent Pasquier (double bass); Castagneri Quartet. Label: Le Chant du Monde. It is a mystery that Respighi’s great Romantic poemetto lirico Il tramonto is so rarely heard, let alone recorded.

Chanson perpétuelle, for soprano & orchestra (or piano quintet), Op. 37. Sophie Koch. La Bonne chanson, song cycle (9) for voice & piano (or string quintet & piano), Op. 61. 2. A saint within her halo. 3. Since day is breaking. 4. The pale moon shines down on the woods. 5. I walked on perilous paths. 6. I am almost afraid, in truth. 7. Before you vanish. 8. It will, then, be on a bright summer's day. Cinq Mélodies 'de Venise', song cycle for voice & piano, Op. 58. 11.

The music's dark colours hit home with particular intensity in this pared-down scoring, and Sophie Koch's varied tone and sensitivity to text ensure that this strangely moving piece makes its mark.

other tracks: Gabriel Faure. play) (pause) (download) (fb) (vk) (tw). Gabriel Faure Chanson d'amour, Op. 27 No. 02:09. Gabriel Faure Pavane Op. 50 (Господин Никто).

La Bonne Chanson, Op. 61, by Gabriel Fauré, is a song cycle of nine mélodies for voice and piano. He composed it during 1892–94; in 1898 he created a version for voice, piano and string quintet. The cycle is based on nine of the poems from the collection of the same name by Paul Verlaine. According to Fauré himself, the song cycle contains a number of musical themes which recur from song to song

Cinq mélodies "de Venise", Op. 58, is a song cycle by Gabriel Fauré, of five mélodies for voice and piano. Composed in 1891, the cycle is based on five poems by Paul Verlaine, from the collections Fêtes galantes and Romances sans paroles. According to Fauré himself, the song cycle contains a number of musical themes which recur from song to song. He used a similar technique for his later song cycle La bonne chanson, which was also based on Verlaine's poetry.

61 - 8. N'est-ce pas ? Fauré: La bonne chanson, Op. 61 - 8. N'est-ce pas ? Габриэль Форе, Camille Maurane, Lily Bienvenu. Requiem in D Minor, Op. 48: IV. Pie Jesu. Schola Cantorum of the Cardinal Vaughan Memorial School, Scott Price, Iestyn Evans, Belgravia Chamber Orchestra, The Schola Cantorum of the Cardinal V. 03:10. Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields, The Academy of St. Martin in the Fields [O. 05:46. 48: VII. In paradisum. 03:22.