Lew Stone And His Band / Ambrose And His Orchestra - What A Little Moonlight Can Do / The Pig Got Up And Slowly Walked Away album flac

A. –Lew Stone And His Band. What A Little Moonlight Can Do. Vocals – Al BowllyWritten-By – Harry Woods (2).

Released On : Jan 01, 2008. The duration of song is 02:48. This song is sung by Ambrose.

Ooh, ooh, ooh What a little moonlight can do Wait a while Till a little moonbeam comes peepin' through. You'll get bold You can't resist him And all you'll say When you have kissed him is. Ooh, ooh, ooh What a little moonlight can do. Submit Corrections. Writer(s): WOODS HARRY M. AZLyrics. B. Billie Holiday Lyrics.

Growing up in Baltimore, Holiday had a difficult childhood. What a Little Moonlight Can Do" has been deemed her "claim to fame". Brunswick did not favor the recording session because producers wanted Holiday to sound more like Cleo Brown. However, after "What a Little Moonlight Can Do" was successful, the company began considering Holiday an artist in her own right. She began recording under her own name a year later for Vocalion in sessions produced by Hammond and Bernie Hanighen. Wilson and Holiday took pop tunes such as "Twenty-Four Hours a Day" and "Yankee Doodle Never Went to Town"

Billie Holiday's What a Little Moonlight Can Do: O Vad en Liten Gumma Kan Gno by Monica Zetterlund (1973). What a Little Moonlight Can Do by Molly Johnson (2014). What a Little Moonlight Can Do by Carmen McRae (1962).

Looking For A Little Bit Of Blue - Al Bowlly. 9. Rain, Rain Go Away - Al Bowlly. 10. What A Little Moonlight Can Do - Al Bowlly.

Billie Holiday sings for Teddy Wilson and His Orchestra: "What A Little Moonlight Can Do" on Brunswick 7498 (later reissued as 8336), recorded on July 2, 1935. Indeed, she later took songs at slow speeds, perhaps believing this made her a more serious artist-a shame! I always prefer Billie in the up-tempo numbers, which usually means from early in her career. A young Billie Holiday sings the vocal refrain. This was her third recording session. Her first was on November 27, 1933, which produced "Your Mother's Son-In-Law," Billie providing vocals as white musicians played (or mostly white-perhaps Buck Washington was at the piano).