Holst, Bernstein, New York Philharmonic - The Planets album flac

The Planets, Op. 32. A1. I – Mars, The Bringer Of War. 6:33. A2. II – Venus, The Bringer Of Peace. Composed By – Gustav Holst. Conductor – Leonard Bernstein. Orchestra – New York Philharmonic. Other Versions (5 of 22) View All.

Album · 1996 · 23 Songs. 32, H. 125. By Gustav Holst - Leonard Bernstein & New York Philharmonic. 1. I. Mars, the Bringer of War - Allegro.

Bernstein New York Philharmonic Holst The Planets 1981 CBS Great Performances Lp Condition: Used. Time left: 2d 5h 36m 11s. Ships to: Worldwide. HOLST : The planets Quadraphonic 8 track Tape Leonard Berstein . Philharmonic Condition: Good. Time left: 2d 11h 54s. Leonard Bernstein New York Philharmonic Holst: The Planets Vinyl LP Record EX Condition: Used. Time left: 3d 23h 21m 1s. You can include this album in your own chart from the My Charts page! Holst: The Planets collection.

The Joy of Christmas - Leonard Bernstein, New York Philharmonic Orchestra, New York Philharmonic, The Mormon Tabernacle Choir, The Mormon Tabernacle Choir, New York Philharmonic, Leonard Bernstein, Gustav Holst, Franz Xaver gruber. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

by Leonard Bernstein;New York Philharmonic Orchestra. Overall, Lenny's performance with the New York Phil on 'The Planets' is indeed fine in this CD. Jupiter is definitely awesome; the very best one I ever heard. Bernstein is definitely the best when it comes on this brilliant piece, especially the famous soft andante ('I vow to Thee').

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Holst: The Planets, Op. 32 - Walton: Façade. 12 thoughts on 12. Leonard Bernstein, New York Philharmonic, 1971. tatifan July 2, 2015, 12:02 am. One thing that drives me nuts in this version is that the Celesta plays the entire part an octave lower than it should be. What I’ve heard is that Bernstein thought that Holst didn’t know that the convention was that the Celesta sounds an octave higher than the written pitch. Holst’s own recordings certainly don’t show any evidence of this misunderstanding, and it really messes up a lot of the voice leading in movements like Mercury.