Miles Davis - Kind Of Blue album flac

There were several important records released in 1959, but no event or recording matches the importance of the release of the new Miles Davis album Kind of Blue on 17 August 1959.

Kind of Blue is widely regarded to be one of the best, if not the best, jazz album ever recorded. It also holds the record of the best-selling jazz album of all-time. While younger artists looked for guidance from Davis, he looked for new talent and ideas. Miles discovered Bill Evans in the mid-1950s, whom he eventually instated into his group. Kind of Blue Q&A. Liner Notes Bill Evans.

He also borrowed from Bill Evans, the principal creator of this album, the kind of blue that is reflected in Blue In Green. For the last time, Miles called back the pianist who had just left his quintet, and it was Evans’ harmonic conceptions, inspired by early 20th century European music, that dominated Kind Of Blue. Original issue: Columbia LP CS 8163 on August 17, 1959 Producer: Irving Townsend Engineer: Fred Plaut March 2, 1959 (a) Miles Davis (tpt); Cannonball Adderley (as – on all tracks except 3); John Coltrane (ts); Bill Evans (p); Wynton Kelly (p – on track 2 only); Paul Chambers (b); Jimmy Cobb (d) April. 22, 1959 (b) Miles Davis (tpt); Cannonball Adderley (as); John Coltrane (ts); Bill Evans (p); Paul Chambers (b); Jimmy Cobb (d) All tracks recorded at Columbia 30th Street Studio, NYC.

Kind Of Blue, released the following year, took the idea and developed it to an astounding degree. Its smoky evocation of late night ambience is a byword for laid back elegance. It uses the blues but transmutes those seventh chords into something that still sounds modern 50 years on. Quite simply, the sonic space it creates sounds like the coolest place on the planet. Key to the album's deceptive ease is the band that Miles had assembled

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz - an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline.

Famously, the players had not seen or played the pieces before they entered the studio. Pianist Bill Evans describes in the original liner notes the brief guidelines they were given.

The album is Miles Davis' Kind of Blue. Kind of Blue brought together seven now-legendary musicians in the prime of their careers: tenor saxophonist John Coltrane, alto saxophonist Julian "Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and, of course, trumpeter Miles Davis. Davis and his cool, measured trumpet style had been attracting attention in the jazz world since the mid-1940s. Davis was at a musical peak in the 1950s and had been preparing the ideas that would become Kind of Blue for years. A year before the recording, Davis slipped Evans a piece of paper on which he'd written with the musical symbols for "G minor" and "A augmented. See what you can do with this," Davis said.