Stockhausen - Flute And Synthesizer album flac
Performer: StockhausenTitle: Flute And Synthesizer
Style: Contemporary, Abstract, Avantgarde
Released: 2000
MP3 album: 1131 mb
FLAC album: 1337 mb
Rating: 4.7
Other formats: MIDI WAV AIFF FLAC DTS AAC DXD
Genre: Electronic / Classical
Label: Stockhausen-Verlag – Stockhausen 57. Format: CD, Compilation. Flöte Aus Orchester - Finalisten Flute From Orchestra Finalists (Für Flöte Und Elektronische Musik). 67. 9 Sek. Vor Anfang Der Elektronischen Musik 9 Seconds Before The Beginning Of The Electronic Music.
Karlheinz Stockhausen (1928–2007).
Flute, Photography, Piccolo Flute, Primary Artist, Soprano (Vocal), Sound Projector, Typesetting. Photography, Translation. Karlheinz Stockhausen. Bass (Vocal), Conductor, Cover Art, Liner Notes, Mastering, Mix Down, Musical Director, Realization, Recording Director, Recording Supervision, Sound Projector, Tape.
Karlheinz Stockhausen Cap and T-Shirts FlashWebStudio is completely responsible and liable for the production, sale, handling and distribution of the Stockhausen T-shirts and Caps advertised on this site. The on for Music is not affiliated with FlashWebStudio in any way, but has authorized FlashWebStudio solely to advertise on this site. DANCE LUCEFA! for basset-horn – BIJOU for alto flute, bass clarinet and tape MONDEVA/ MOON-EVE for tenor and basset-horn – MISSION und HIMMELFAHRT, MISSION and ASCENSION for trumpet and basset-horn – Xi for basset-horn WOCHENKREIS, CIRCLE OF THE WEEK for basset-horn and elec. keyboard instruments EVAs SPIEGEL, EVE'S MIRROR for basset-horn – SUSANI for basset-horn YPSILON for. basset-horn – SUKAT for basset-horn and alto flute FREIA for basset-horn.
Studie II (English: Study II) is an electronic music composition by Karlheinz Stockhausen from the year 1954 and, together with his Studie I, comprises his work number ("opus") 3. It is serially organized on all musical levels and was the first published score of electronic music
Album · 2016 · 12 Songs.
Stockhausen: Sounds in Space. Analysis, explanation and personal impressions of the works of the avant-garde composer Karlheinz Stockhausen. In LICHTER-WASSER, Stockhausen celebrates light and water, two primary ingredients for life to exist. The vocal text describes the sun, planets and moons of the Solar System (names, characteristics, significances), and the melodic material travels through the performance hall in various differently-shaped "orbits" (sometimes disturbed by "flares" and "comets"). Bassoon doubles Tenor, Flute doubles Soprano. Several solos based on the Nuclear formulas overlap: violin and trombone, bassoon, viola, baritone sax, clarinet and bass clarinet. Holy be this Earth, human home, human world.
Karlheinz Stockhausen's music, works and history of the famous 20th century composer.
Tracklist
| Zungenspitzentanz = Tip-Of-The-Tongue-Dance (Für Piccolo-Flöte, Euphonium, Einen Synthesizer - Spieler, Einen Schlagzeuger) | (11:00) | |
| 1 | Vorspiel = Prelude | 0:33 |
| 2 | Eingang = Entrance | 1:41 |
| 3 | Bändertanz = Ribbon-Dance | 3:35 |
| 4 | Kadenz = Cadenza | 2:11 |
| 5.1 | Abgang = Departure | 2:37 |
| 5.2 | [Silence At The End] | 0:23 |
| Klavierstück XVI = Piano Piece XVI (Für Tonband, Saitenklavier, Elektronische Klaviere) | (8:30) | |
| 6 | 9 Sek. Vor Takt = 9 Sec. Before Bar | 0:19 |
| 7 | 2 ♩ Vor Takt | 0:04 |
| 8 | 2 ♩ Vor Takt | 0:30 |
| 9 | 2 ♩ Vor Takt | 0:08 |
| 10 | 2 ♩ Vor Takt | 0:32 |
| 11 | 2 ♩ Vor Takt | 0:08 |
| 12 | 2 ♩ Vor Takt | 0:04 |
| 13 | 2 ♩ Vor Takt | 0:09 |
| 14 | 2 ♩ Vor Takt (18A) | 0:09 |
| 15 | 2 ♩ Vor Takt | 0:04 |
| 16 | 2 ♩ Vor Takt (21A) | 0:07 |
| 17 | 2 ♩ Vor Takt (22A) | 0:30 |
| 18 | 2 ♩ Vor Takt | 0:23 |
| 19 | 2 ♩ Vor Takt (29A) | 0:22 |
| 20 | 2 ♩ Vor Takt | 0:25 |
| 21 | 2 ♩ Vor Takt (40A) | 0:26 |
| 22 | 2 ♩ Vor Takt (45A) | 1:01 |
| 23 | 2 ♩ Vor Takt | 0:26 |
| 24.1 | 2 ♩ Vor Takt | 2:03 |
| 24.2 | [Silence At The End] | 0:40 |
| Freia = Freia (Für Flöte) | (7:01) | |
| 25 | 9 Sekunden Vor Kernformel 1 = 9 Seconds Before Nuclear Formula 1 | 1:40 |
| 26 | 1 Takt Vor Kernformal 2 = 1 Bar Before Nuclear Formula 2 | 1:58 |
| 27.1 | Kernformal 3 = Nuclear Formula 3 | 2:33 |
| 27.2 | [Silence At The End] | 0:50 |
| Komet Als Klavierstück XVII = Comet As Piano Piece XVII (Für Einen Synthesizer - Spieler Und Tonband) | (16:32) | |
| 28 | 9 Sekunden Vor Anfang Der Elektronischen Musik = 9 Seconds Before The Beginning Of The Electronic Music | 1:50 |
| 29 | Komet Takt / Bar | 0:16 |
| 30 | Takt | 0:14 |
| 31 | Takt | 0:23 |
| 32 | Takt | 0:20 |
| 33 | Takt | 0:19 |
| 34 | 1 ♩ Vor Takt | 0:31 |
| 35 | Takt | 1:07 |
| 36 | 1 ♩ Vor Takt | 0:35 |
| 37 | Takt | 0:32 |
| 38 | Takt | 0:14 |
| 39 | Takt | 0:32 |
| 40 | Takt | 0:41 |
| 41 | Takt | 0:12 |
| 42 | Takt | 0:27 |
| 43 | Takt | 0:08 |
| 44 | Takt | 1:36 |
| 45 | 3 ♩ Vor Takt | 0:14 |
| 46 | Takt | 0:12 |
| 47 | Takt | 0:17 |
| 48 | Takt | 0:14 |
| 49 | Takt | 0:32 |
| 50 | Takt | 0:24 |
| 51 | Takt | 0:24 |
| 52.1 | Takt | 2:58 |
| 52.2 | [Silence At The End] | 1:20 |
| Entführung = Abdduction (Für Piccolo-Flöte) | (13:21) | |
| 53 | 9 Sek. Vor Takt = 9 Sec. Before Bar | 1:40 |
| 54 | Takt | 0:45 |
| 55 | Takt | 0:47 |
| 56 | Takt | 0:46 |
| 57 | Takt | 0:48 |
| 58 | Takt | 0:52 |
| 59 | Takt | 0:48 |
| 60 | Takt | 0:52 |
| 61 | Takt | 0:50 |
| 62 | Takt | 0:47 |
| 63 | Takt | 0:46 |
| 64 | Takt | 0:48 |
| 65 | Takt | 0:45 |
| 66.1 | Takt | 1:17 |
| 66.2 | [Silence At The End] | 0:50 |
| Flöte Aus Orchester - Finalisten = Flute From Orchestra Finalists (Für Flöte Und Elektronische Musik) | (6:08) | |
| 67 | 9 Sek. Vor Anfang Der Elektronischen Musik = 9 Seconds Before The Beginning Of The Electronic Music | 0:56 |
| 68.1 | Einsatz Flöte = Entry Of The Flute | 4:18 |
| 68.2 | [Silence At The End] | 0:54 |
| Thinki = Thinki (Für Flöte) | (6:30) | |
| 69.1 | 9 Sek. Vor Takt = 9 Sec. Before Bar | 5:05 |
| 69.2 | [Silence At The End] | 1:25 |
Credits
- Composed By, Conductor, Performer, Sound Designer [Sound Projectionist], Music Director, Mixed By [Mixed Down Recordings], Mastered By [Mastered For CDs], Liner Notes, Illustration [Cover Drawing] – Stockhausen*
