György Kurtág - Juliane Banse, András Keller - Kafka-Fragmente album flac
Performer: György KurtágTitle: Kafka-Fragmente
Style: Contemporary
Released: 2006
MP3 album: 1457 mb
FLAC album: 1975 mb
Rating: 4.4
Other formats: MP1 AA APE AC3 VOC VOX AAC
Genre: Classical
György Kurtág: Kafka-Fragmente. Not that this is easy music to penetrate, least of all in one sitting: the combination of Kafka's melancholy visions and Kurtág's terse, gestural style can be daunting for the uninitiated, if not depressing; and the extended vocal and instrumental effects are occasionally harsh and irritating
Kafka-Fragmente, Op. 24: Part III: No. 4. Schmutzig bin ich, Milen. I am dirty, Milen. Kurtág György - Kafka-Fragmente, III. Kurtág: Kafka-Fragmente, O. 4, Teil 1 - Verstecke. 4, Teil 1 - Zwei Spazierstöcke. 4, Teil 1 - Szene am Bahnhof.
Release group by György Kurtág; Juliane Banse, Andras Keller.
Album title: Kurtág. Works: Kafka-Fragmente, Op. 24. Performer: Juliane Banse (soprano), András Keller (violin). If the fragment is the archetypal 20th-century art-work, Kurtág’s Kafka-Fragmente of 1985-86 seems the archetypal late 20th-century song-cycle. Paul Griffiths’s notes compare it to Schubert’s Winterreise, except that here the journey is wholly internal, the landscape that of the restless mind and despairing heart.
With the passing of György Ligeti, the laurels of most important living composer may pass to György Kurtág, at least in my mind: indeed, some already thought that way, and he did win the Grawemeyer Award last year. He celebrated his 80th birthday in February.
György Kurtág Kafka-Fragmente. Juliane Banse soprano András Keller violin Recorded September 2005, Reitstadl, Neumarkt Engineer: Peter Laenger Produced by Manfred Eicher. The true path goes by way of a rope that is suspended not high up, but rather just above the ground. Soprano Juliane Banse displays a superb command of voice as she squeals, chirps, and whispers her way through Kurtág’s personal selections, and violinist András Keller negotiates the minutiae therein with finesse and panache, while also managing to maintain the touch-and-go relationship with the texts at hand. In spite of the bright performances and ingenuity throughout, this isn’t necessarily music to have on the in the background while surfing the internet or throwing a dinner party (and to anyone using Kurtág to enhance a soiree, I humbly request that you invite me), but rather demands our.
György Kurtág - Juliane Banse, András Keller - Kafka-Fragmente (CD, Album). ECM Records, ECM Records, ECM New Series, ECM New Series. ECM 1965, 476 3099, ECM New Series 1965.
Tracklist
| Kafka-Fragmente Op. 24 | ||
| Teil I | ||
| 1 | Die Guten Gehn Im Gleichen Schritt... | 1:14 |
| 2 | Wie Ein Weg Im Herbst | 0:40 |
| 3 | Verstecke | 0:24 |
| 4 | Ruhelos | 0:33 |
| 5 | Berceuse I | 1:00 |
| 6 | Nimmermehr (Excommunicatio) - À Keller-Csengery Párosnak | 1:30 |
| 7 | "Wenn Er Mich Immer Frägt" | 0:35 |
| 8 | Es Zupfte Mich Jemand Am Kleid | 0:14 |
| 9 | Die Weißnäherinnen | 0:23 |
| 10 | Szene Am Bahnhof - Geszler Máriaé, Aki Ezt Megélte | 0:23 |
| 11 | Sonntag, Den 19. Juli 1910 (Berceuse II) - Hommage À Jeney | 1:16 |
| 12 | Meine Ohrmuschel... | 0:19 |
| 13 | Einmal Brach Ich Mir Das Bein - Chassidischer Tanz | 0:47 |
| 14 | Umpanzert | 0:29 |
| 15 | Zwei Spazierstöcke - Authentisch-Plagal | 1:17 |
| 16 | Keine Rückkehr | 1:15 |
| 17 | Stolz (1910 / 15. November, Zehn Uhr) - Igéret Kocsis Zoltánnak, Lesz Zongoraverseny | 0:47 |
| 18 | Träumend Hing Die Blume - Hommage À Schumann | 2:21 |
| 19 | Nichts Dergleichen | 1:16 |
| Teil II | ||
| 20 | Der Wahre Weg - Hommage-Message À Pierre Boulez | 7:21 |
| Teil III | ||
| 21 | Haben? Sein? | 0:47 |
| 22 | Der Coitus Als Bestrafung - Canticulum Mariae Magdalenae | 0:36 |
| 23 | Meine Festung | 1:03 |
| 24 | Schmutzig Bin Ich, Milena... | 1:45 |
| 25 | Elendes Leben (Double) | 0:21 |
| 26 | Der Begrenzte Kreis - Szüts Péteré | 0:36 |
| 27 | Ziel, Weg, Zögern - Mártáé | 0:48 |
| 28 | So Fest - Für Beatrice Und Peter Stein | 0:53 |
| 29 | Penetrant Jüdisch | 0:30 |
| 30 | Verstecke (Double) | 1:13 |
| 31 | Staunend Sahen Wir Das Große Pferd - Ének Juditnak | 2:47 |
| 32 | Szene In Der Elektrischen - 1910: "Ich Bat Im Traum Die Tänzerin Eduardowa, Sie Möchte Doch Den Csárdas Noch Einmal Tanzen..." | 3:50 |
| Teil IV | ||
| 33 | Zu Spät (22. Oktober 1913) - Prófecia Krappról | 3:37 |
| 34 | Eine Lange Geschichte | 1:00 |
| 35 | In Memoriam Robert Klein | 0:45 |
| 36 | Aus Einem Alten Notizbuch | 1:01 |
| 37 | Leoparden | 2:10 |
| 38 | In Memoriam Joannis Pilinszky | 2:48 |
| 39 | Wiederum, Wiederum | 1:44 |
| 40 | Es Blendete Uns Die Mondnacht... - ...A Porban Kúszó Kigyó-Páros: Márta, Meg Én | 6:16 |
Companies, etc.
- Phonographic Copyright (p) – ECM Records GmbH
- Copyright (c) – ECM Records GmbH
- Made By – EDC, Germany
- Recorded At – Historischer Reitstadel, Neumarkt
Credits
- Composed By – György Kurtág
- Design – Sascha Kleis
- Engineer [Tonmeister] – Peter Laenger
- Liner Notes [English] – Paul Griffiths
- Liner Notes [German] – Thomas Bösche
- Liner Notes [Thomas Bösche, English Translation] – J. Bradford Robinson
- Photography By [Cover Photo] – Péter Nádas
- Photography By [Liner Photo (Booklet Page 5)] – Christoph Egger
- Photography By [Liner Photos] – Peter Laenger
- Producer – Manfred Eicher
- Soprano Vocals – Juliane Banse
- Violin – András Keller
Notes
Recorded September 2005Reitstadel, Neumarkt
An ECM Production
℗ 2006 ECM Records GmbH
© 2006 ECM Records GmbH
Barcode and Other Identifiers
- Barcode: 0 28947 63099 9
- Rights Society: GEMA
- Label Code: LC 02516
- SPARS Code: DDD









