Sophie Yates - Spanish & Portuguese Harpsichord album flac

Composed By – Antonio de Cabezón (tracks: 1, 4 to 7, 10, 11, 13). Harpsichord – Sophie Yates. Liner Notes – Ivan Moody. Producer, Engineer – Gary Cole.

Performer: Sophie Yates, harpsichord. Sophie Yates, Romanesca. Used drive : HL-DT-STDVDRAM GP65NW60 Adapter: 1 ID: 0. Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No. Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000

French Baroque Harpsichord Sophie Yates. More By Sophie Yates. See All. Spanish and Portuguese works for Harpsichord. Popular Harpsichord Music of the 198th Century. Handel: Harpsichord Works, Vol. 1. 1999. 2.

Solo harpsichord Sophie Yates. Venue Forde Abbey, Somerset. Genre: Harpsichord Early Music. Select your download format. Diferencias sobre el canto de 'La Dama le demanda'.

Performers: Sophie Yates (harpsichord). Sophie Yates began her career by winning the international Erwin Bodky Competition at the Boston Early Music Festival, and as a result she was invited to tour and broadcast throughout the eastern states of America. She now performs regularly around Europe, the United States and Japan, and has also worked in Syria, Morocco and Western Australia.

Her exploration of Spanish and Portuguese music has been particularly successful, yielding the album Spanish and Portuguese Harpsichord, in which, as Haskins observed, she "combines her ability to project a profound inner intensity with scintillant technique. Yates studied harpsichord at the Royal College of Music in London. Her career was launched when she won the International Erwin Bodky Competition at the Boston Early Music Festival. In 1999, Yates released her first album devoted to Handel's harpsichord music. In the liner notes for her second Handel album, Yates remarked that Handel's harpsichord pieces not only exhibit such typicially Handelian features as rhythmic vitality and melodic inventiveness, but also "give us a fascinating insight into the composer's more private world.

Sophie Yates (harpsichord). Her harpsichord (a copy by Andrew Garlich of an instrument made in 1681 by Jean-Antoine Vaudry, now in London’s Victoria & Albert Museum) could hardly be better suited to the music, with its sweet, warm sound, beautifully reproduced by the Chandos engineers, who don’t make the all too frequent mistake of recording the instrument too close. Baumont’s harpsichord has a sharper tang, and he also uses a virginals for the Grounds and individual lessons. Both artists have much to offer, and the final choice will depend on whether you prefer your Purcell plain (Yates) or piquant (Baumont)  . This album makes a seemingly effortless case for the music of these composers'.

Spanish & Portuguese Harpsichord. 0. Obra Sobre Cantus Firmus. Spanish & Portuguese Harpsichord.

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