Sonny Rollins - Saxophone Colossus album flac

Saxophone Colossus is a studio album by American jazz saxophonist Sonny Rollins. It was recorded on June 22, 1956, with producers Bob Weinstock and Rudy Van Gelder at the latter's studio in Hackensack, New Jersey. Rollins led a quartet on the album that included pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach. Saxophone Colossus was released by Prestige Records to critical success and helped establish Rollins as a prominent jazz artist.

Saxophone Colossus is a studio album by American jazz saxophonist Sonny Rollins. Saxophone Colossus was released later that year by Prestige Records to critical success and helped establish Rollins as a prominent jazz artist.

Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), introduces "Strode Rode," is lyrical on "You Don't Know What Love Is," and constructs a solo on "Blue Seven" that practically defines his style.

Reis Rmst ed. Reissued, Remastered. Includes FREE MP3 version of this album. Saxophone Colossus is the most successful of the late 1950s albums that made his reputation. Rollins's playing never falters; he's backed by the redoubtable Max Roach on drums, Tommy Flanagan on piano, and Doug Watkins on bass. Rollins is equally at home with the lilting Caribbean air of "St. Thomas," standards ("You Don't Know What Love Is"), blues ("Strode Rode," featuring a driving Flanagan solo), and a smoldering version of Brecht-Weill's "Moritat" (better known as "Mac the Knife").

Sonny Rollins: Saxophone Colossus by Eric J. Iannelli, published on September 14, 2009. Although it features different cover art from the original, the album is billed only Saxophone Colossus, and yet it also includes Work Time, recorded in December of 1955, in its entirely. EJC would therefore seem to be in desperate need of both a unifying vision and better quality control. Work Time, a more straight-ahead hard bop effort than Saxophone Colossus (four of its five tracks are standards, or at the very least non-Rollins charts), comes after its chronological successor here

Sonny Rollins: 'Saxophone Colossus' A jazz prodigy before he turned 20, Sonny Rollins ranks with John Coltrane and Coleman Hawkins as one of the great tenor saxophonists. In what is often termed his breakthrough album, 1956's Saxophone Colossus contains diverse musical elements, including a calypso, ballad, and Kurt Weill classic. MURRAY HORWITZ, American Film Institute: Sonny Rollins was a jazz prodigy who had recorded with Bud Powell and Art Blakey before he was even 20 years old. But in 1956, in his mid-20s, he recorded this album, Saxophone Colossus. And a lot of critics have called this his breakthrough record. Spellman, are they right? . SPELLMAN, National Endowment for the Arts: Oh, I definitely think this is the record in which Sonny Rollins came out as a master.