Purcell - Kirkby, Nelson, Bowman, Hill, Thomas, The Academy Of Ancient Music / Christopher Hogwood - Theatre Music album flac
Performer: PurcellTitle: Theatre Music
Style: Baroque
Released: 2004
MP3 album: 1849 mb
FLAC album: 1156 mb
Rating: 4.9
Other formats: APE AHX VOC AC3 DTS AIFF AAC
Genre: Classical / Screen and stage
A collection of the complete incidental music by Henry Purcell. Each CD has its own catalog number, different from the box's: 475 530-2 to 475 535-2. Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983. Código de Barras e Outros Identificadores.
David Thomas, Judith Nelson, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood - With this sacred charming wand 09:05. Judith Nelson, James Bowman, Martyn Hill, David Thomas, The Academy of Ancient Music, Christopher Hogwood - We come 01:38. Emma Kirkby, Judith Nelson, David Thomas, Julian Pike, The Academy of Ancient Music, Christopher Hogwood - Good neighbour why? 03:19. Judith Nelson, David Thomas, Martyn Hill, The Academy of Ancient Music, Christopher Hogwood - 5. Rustick Air 10:17
Песни альбома Purcell: Theatre Music ♫♫♫ слушайте онлайн. Скачивайте в формате MP3 на телефон Purcell: Theatre Music лучшая музыка без регистрации только здесь. The Academy of Ancient Music - Purcell: The Old Bachelor, . 07 - Rondeau - Menuet - Boree - March - Jig. 4:12. The Academy of Ancient Music - Purcell: Bonduca - Air - Hornpipe - Air. 3:29. Emma Kirkby - Purcell: Henry the Second, King of England (. 80) - In vain, 'gainst love, in vain I strove. David Thomas - Purcell: The Knight of Malta - original version, 1699 - At the close of the ev'ning. The Academy of Ancient Music - Purcell: The Gordian Knot Untied, . 97 - Overture. Christopher Hogwood - Purcell: Chacony in G minor Z 730. 4:47. James Bowman - Purcell: Oedipus - Hear, ye sullen powers below. Judith Nelson - Purcell: Pausanius, the Betrayer of his Country.
Henry Purcell (Composer), Christopher Hogwood (Conductor), The Academy of Ancient Music (Performer), Nelson (Performer), Covey-Crump (Performer), Thomas Kirkby (Performer) & 3 more Format: Vinyl.
Judith Nelson, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood – 3. Come unto these yellow sands. Judith Nelson, The Academy of Ancient Music, Christopher Hogwood – Ah how sweet it is to love. Judith Nelson, Mary Beverly, David James, Paul Elliott, David Thomas, The Academy of Ancient Music, Christopher Hogwood – I Must Depart All Hapless. Twas within a furlong.
The Academy of Ancient Music, Christopher Hogwood. Total Playing Time: 1:06:01. CD 2: Purcell: Theatre Music. Henry Purcell (1659 - 1695). Elizabeth Lane, James Bowman, Martyn Hill, Christopher Keyte, Taverner Choir, The Academy of Ancient Music, Christopher Hogwood. 6. Hear, ye Gods of Britain. Christopher Keyte, The Academy of Ancient Music, Christopher Hogwood. 7. Sing, sing, ye Druids.
Tracklist Hide Credits
| Abdelazer Or The Moor's Revenge Z570 (1695, Aphra Behn) | ||
| 1.1 | Overture | 3:22 |
| 1.2 | Rondeau - Air - Air - Minuet | 5:14 |
| 1.3 | Air - Jig - Hornpipe - Air | 4:06 |
| 1.4 | Song: Lucinda Is Bewitching Fair | 3:26 |
| Distressed Innocence Or The Princess Of Persia Z577 (1690, Elkanah Settle) | ||
| 1.5 | Overture | 1:38 |
| 1.6 | Air - Slow Air - Air - Hornpipe Or Jig | 4:35 |
| 1.7 | Rondeau - Air - Minuet | 3:00 |
| The Married Beau Or The Curious Impenitent Z603 (1694, John Crowne) | ||
| 1.8 | Overture | 2:21 |
| 1.9 | Slow Air - Hornpipe | 1:46 |
| 1.10 | Air - Hornpipe - Jig | 3:32 |
| 1.11 | Trumpet Air - March - Hornpipe On A Ground | 4:43 |
| 1.12 | Song: See! Where Repenting Celia Lyes | 2:15 |
| The Gordian Knot Unty'd Z597 (1691, Unknown) | ||
| 1.13 | Overture | 2:31 |
| 1.14 | Air - Rondeau Minuet - Air - Jig | 4:11 |
| 1.15 | Chaconne - Air - Minuet | 3:46 |
| Sir Anthony Love Or The Rambling Lady Z588 (1690, Thomas Southerne) | ||
| 1.16 | Overture | 2:15 |
| 1.17 | Pursuing Beauty | 4:08 |
| 1.18 | No More, Sir, No More | 2:23 |
| 1.19 | In Vain Clemene | 3:12 |
| 1.20 | Ground | 3:48 |
| Bonduca Or The British Heroine Z574 (1695, After Fletcher) | ||
| 2.1 | Overture | 2:35 |
| 2.2 | Air - Hornpipe - Air | 3:29 |
| 2.3 | Hornpipe - Air - Minuet | 2:56 |
| 2.4 | Jack, Thou'rt A Roper | 1:53 |
| 2.5 | Hear Us Great Rugwith | 2:57 |
| 2.6 | Hear, Ye Gods Of Britain | 1:17 |
| 2.7 | Sing, Sing, Ye Druids! | 2:46 |
| 2.8 | Divine Andate, President Of War | 0:52 |
| 2.9 | To Arms | 2:10 |
| 2.10 | Britons Strike Home! | 2:46 |
| 2.11 | O Lead Me To Some Peaceful Gloom | 2:42 |
| Circe Z575 (?1690, Charles D'Avenant) | ||
| 2.12 | We Must Assemble A Sacrifice | 2:36 |
| 2.13 | Their Necessary Aid You Use | 3:17 |
| 2.14 | Come Every Demon | 3:26 |
| 2.15 | Lovers, Who To Their First Embraces Go | 3:17 |
| 2.16 | Magicians' Dance ... Pluto, Arise! | 2:39 |
| The Virtuous Wife Or Good Luck At Last Z611 (?1694, Thomas D'Urfey) | ||
| 2.17 | Overture | 2:13 |
| 2.18 | Song Tune - Slow Air - Air | 4:48 |
| 2:19 | Preludio - Hornpipe - Minuet - MInuet (1st Act Tune) | 6:11 |
| The Old Bachelor Z607 (1691, William Congreve) | ||
| 2.20 | Overture | 2:24 |
| 2.21 | Hornpipe | 1:03 |
| 2.22 | Thus To A Ripe, Consenting Maid | 2:24 |
| 2.23 | Slow Air - Hornpipe | 1:59 |
| 2.24 | As Amoret And Thyrsis Lay | 2:26 |
| 2.25 | Rondeau - Minuet - Boree - March - Jig | 4:13 |
| - | ||
| 3.1 | Overture In G Minor Z770 | 1:56 |
| Don Quixote Z578 (1694-95, Thomas D'Urfey) | ||
| 3.2 | Sing All Ye Muses | 3:46 |
| 3.3 | When The World First Knew Creation | 2:19 |
| 3.4 | Let The Dreadful Engines Of Eternal Will | 6:34 |
| 3.5 | With This Sacred Charming Wand | 9:09 |
| 3.6 | Since Times Are So Bad | 5:20 |
| 3.7 | Genius Of England | 4:30 |
| 3.8 | Lads And Lasses, Blithe And Gay | 1:45 |
| 3.9 | From Rosie Bow'rs | 6:01 |
| Amphitryon Or The Two Sosias Z572 (1690, John Dryden) | ||
| 3.10 | Overture | 2:39 |
| 3.11 | Saraband | 1:12 |
| 3.12 | Celia, That I Once Was Blest | 2:38 |
| 3.13 | Hornpipe - Scotch Tune | 2:16 |
| 3.14 | For Iris I Sigh | 2:41 |
| 3.15 | Air - Minuet - Hornpipe | 2:36 |
| 3.16 | Fair Iris And Her Swain | 4:38 |
| 3.17 | Bourrée | 0:49 |
| The Double Dealer Z592 (1693, William Congreve) | ||
| 4.1 | Overture | 2:48 |
| 4.2 | Hornpipe - Minuet - Air - Hornpipe | 4:15 |
| 4.3 | Cynthia Frowns | 2:28 |
| 4.4 | Minuet - Minuet - Air - Air | 4:35 |
| The Richmond Heiress Or A Woman Once In The Right Z608 (1693, Thomas D'Urfey) | ||
| 4.5 | Behold The Man | 8:32 |
| The Rival Sisters Or The Violence Of Love Z609 (1695, Robert Could) | ||
| 4.6 | Overture | 3:31 |
| 4.7 | Celia Has A Thousand Charms | 2:19 |
| 4.8 | Take Not A Woman's Anger Ill | 1:20 |
| 4.9 | How Happy, How Happy Is She | 1:33 |
| Henry The Second, King Of England Z580 (1692, ?William Mountfort, John Bancroft) | ||
| 4.10 | In Vain, 'Gainst Love, In Vain I Strove | 1:53 |
| Tyrannic Love Or The Royar Martyr Z613 (1694, John Dryden) | ||
| 4.11 | Hark! My Damilcar! | 4:18 |
| 4.12 | Ah! How Sweet It Is To Love | 4:23 |
| - | ||
| 4.13 | Overture In G Minor Z772 | 3:13 |
| Theodosius Or The Force Of Love Z606 (1680, Nathaniel Lee) | ||
| 4.14 | Prepare, Prepare, The Rites Begin | 1:43 |
| 4.15 | Can'st Thou, Marina | 2:51 |
| 4.16 | The Gate To Bliss | 2:55 |
| 4:17 | Hark! Hark! Behold The Heav'nly Choir | 2:45 |
| 4.18 | Now The Fight's Done | 2:19 |
| 4.19 | Sad As Death At Dead Of Night | 2:20 |
| 4.20 | Dream No More Of Pleasures Past | 1:44 |
| 4.21 | Hail To The Myrtle Shade | 2:35 |
| 4.22 | Ah Cruel, Bloody Fate | 2:15 |
| The Libertine Or The Libertine Destroyed Z600 (?1692, Thomas Shadwell) | ||
| 5.1 | Nymphs And Shepherds | 1:52 |
| 5.2 | We Come | 1:39 |
| 5.3 | Prelude | 1:27 |
| 5.4 | Prepare, Prepare, New Guests Draw Near | 4:38 |
| 5.5 | To Arms, Heroic Prince | 3:17 |
| The Massacre Of Paris Z604 (1690, Nathaniel Lee) | ||
| 5.6 | Thy Genius, Lo (2 Settings)Bass Vocals [1st Setting] – David Thomas Soprano Vocals [2nd Setting] – Judith Nelson |
6:18 |
| Oedipus Z583 (?1692, John Dryden & Nathaniel Lee) | ||
| 5.7 | Hear, Ye Sullen Powers Below | 3:03 |
| 5.8 | Music For A While | 3:42 |
| 5.9 | Come Away, Do Not Stay ... Laius! Hear, Hear | 2:22 |
| - | ||
| 5.10 | Overture In D Minor Z771 | 2:48 |
| The History Of King Richard The Second (The Sicilian Usurper) Z581 (1681, Nahum Tate After Shakespeare) | ||
| 5.11 | Retir'd From Any Mortal's Sight | 2:58 |
| Sir Barnaby Whigg Or No Wit Like A Woman's Z589 (1681, Thomas D'Urfey) | ||
| 5.12 | Blow, Blow, Boreas, Blow | 3:42 |
| Sophonisba Or Hannibal's Overthrow Z590 (?1685, Nathaniel Lee) | ||
| 5.13 | Beneath The Poplar's Shadow | 1:48 |
| The English Lawyer Z594 (1685, Edward Ravenscroft) | ||
| 5.14 | My Wife Has A Tongue | 1:25 |
| A Fool's Preferment Or The Three Dukes Of Dunstable Z571 (1688, Thomas D'Urfey, After John Fletcher Noble Gentleman) | ||
| 5.15 | I Sigh'd, And I Pin'd ... There's Nothing So Fatal As Woman | 1:49 |
| 5.16 | Fled Is My Love ... 'Tis Death Alone ... I'll Mount To Yon Blue Coelum | 2:43 |
| 5.17 | I'll Sail Upon The Dog-Star | 1:24 |
| 5.18 | Jenny, 'Gin You Can Love | 2:12 |
| 5.19 | If Thou Wilt Give Me Back My Love | 0:41 |
| The Indian Emperor Or The Conquest Of Mexico Z598 (1691, John Dryden & Robert Howard) | ||
| 5.20 | I Look'd And Saw Within | 2:04 |
| The Knight Of Malta Z599 (1691, Francis Beaumont & John Fletcher) | ||
| 5.21 | At The Close Of The Ev'ning | 1:29 |
| A Dialogue Between Thirsis And Daphne Z525 (1691, Unknown) | ||
| 5.22 | Why, My Daphne, Why Complaining | 3:37 |
| The Wives' Excuse Or Cuckolds Make Themselves Z612 (1691, Thomas Southerne) | ||
| 5.23 | Ingrateful Love! | 2:28 |
| 5.24 | Hang This Whining Way Of Wooing | 1:26 |
| 5.25 | Say, Cruel Amoret ... Corinna, I Excuse Thy Face | 2:31 |
| Cleomenes, The Spartan Hero Z576 (1692, John Dryden & Thomas Southerne) | ||
| 5.26 | No, No, Poor Suff'ring Heart | 2:59 |
| Regulus Or The Faction Of Carthage Z586 (1692, John Crowne) | ||
| 5.27 | Ah Me! To Many Deaths | 3:14 |
| The Marriage-Hater Match'd Z602 (1692, Thomas D'Urfey) | ||
| 5.28 | As Soon As The Chaos ... How Vile Are The Sordid Intregues | 4:02 |
| Love Triumphant Or Nature Will Prevail Z582 (1693, John Dryden) | ||
| 6.1 | How Happy's The Husband | 1:43 |
| Rule A Wife And Have A Wife Z587 (1693, John Fletcher) | ||
| 6.2 | There's Not A Swain | 1:11 |
| The Female Virtuosos Z596 (1693, Thomas Wright, After Molière Les Femmes Savantes | ||
| 6.3 | Love, Thou Art Best | 1:57 |
| Epsom Wells Z579 (1693, Thomas Shadwell) | 2:12 | |
| 6.4 | Leave These Useless Arts | |
| The Maid's Last Prayer Or Any Rather Than Fail Z601 (1693, Thomas Southerne) | ||
| 6.5 | Though You Make No Return | 2:08 |
| 6.6 | No, Resistance Is But Vain | 4:13 |
| 6.7 | Tell Me No More | 1:57 |
| Aureng-Zebe Or The Great Mogul Z573 (?1692, John Dryden) | ||
| 6.8 | I See, She Flies Me | 2:34 |
| The Canterbury Guests Or A Bargain Broken Z591 (1694, Edward Ravenscroft) | ||
| 6.9 | Good Neighbour Why? | 3:19 |
| The Fatal Marriage Or The Innocent Adultery Z595 (1694, Thomas Southerne) | ||
| 6.10 | The Danger Is Over | 2:16 |
| 6.11 | I Sigh'd And Owned My Love | 2:49 |
| The Spanish Fair Or The Double Discovery Z610 (1694-95, John Dryden) | ||
| 6.12 | Whilst I Get Grief | 2:43 |
| Pausianias, The Betrayer Of His Country Z585 (1695, Richard Norton) | ||
| 6.13 | Sweeter Than Roses | 3:01 |
| 6.14 | My Dearest, My Fairest | 2:36 |
| The Mock Marriage Z605 (1695, Thomas Scott) | ||
| 6.15 | Oh! How You Protest ... 'Twas Within A Furlong ... Man Is For The Woman Made | 4:44 |
| Oroonoko Z584 (1695, Thomas Southerne) | ||
| 6.16 | Celemene, Pray Tell Me | 3:09 |
| - | ||
| 6.17 | Pavan No. 1 In A Major Z748 | 3:31 |
| 6.18 | Pavan No. 2 In A Minor Z749 | 2:54 |
| 6.19 | Pavan No. 3 In B Flat Major Z750 | 3:03 |
| 6.20 | Pavan No. 4 In G Minor Z751 | 3:21 |
| 6.21 | Pavan No. 5 In G Minor Z752 | 4:09 |
| 6.22 | Trio Sonata For Violin, Bass Viol And Organ Z780 | 6:50 |
| 6.23 | Chacony Z730 | 4:48 |
Companies, etc.
- Recorded At – All Saints Church Petersham
- Recorded At – Church Of St. George The Martyr, Queen Square, London
- Recorded At – Kingsway Hall
Credits
- Artwork By [Art Direction] – Mark Millington
- Artwork By [Cover Illustration] – Buontalenti
- Bass Vocals – Christopher Keyte (tracks: 1.18, 2.5, 2.6, 2.9, 2.12, 2.13, 2.16, 2.24, 3.16), David Thomas (tracks: 3.2 to 3.6, 4.5, 4.11, 4.14, 4,15, 4.17, 4.19, 5.2, 5.4, 5.6, 5.7, 5.9, 5.12, 5.21, 5.22, 5.28, 6.4, 6.9), Geoffrey Shaw (tracks: 5.21), Michael George (tracks: 5.21)
- Choir – The Taverner Choir* (tracks: 2.5, 2.7, 2.10, 2.12 to 2.15)
- Chorus Master [Chorus Director] – Andrew Parrott
- Composed By – Henry Purcell
- Conductor – Christopher Hogwood
- Countertenor Vocals – James Bowman (tracks: 2.5, 2.9, 2.13, 2.15, 3.2, 4.14, 4.15, 4.17. 4.20, 4.21, 5.2, 5.4, 5.7 to 5.9)
- Engineer [Recording] – John Dunkerley, John Pellowe, Philip Wade
- Liner Notes – Richard Luckett
- Orchestra – The Academy Of Ancient Music
- Photography By – V&A Images
- Photography By [Photo Of Christopher Hogwood] – Julian Broad
- Producer – Peter Wadland
- Soprano Vocals – Elizabeth Lane (tracks: 2.5, 2.7, 2.15), Emma Kirkby (tracks: 3.5 to 3.9, 4.10, 4.16, 5.20, 5.22, 5.24, 5.26, 5.28, 6.3, 6.4, 6.6, 6.9, 6.10, 6.11, 6.16), Joy Roberts (tracks: 1.4, 1.12), Judith Nelson (tracks: 1.17 to 1.19, 2.11, 2.24, 3.5, 3.14, 3.16, 4.3, 4.5, 4.7, 4.9, 4.11, 4.12, 4.16 to 4.22, 5.1, 5.2, 5.4 to 5.6, 5.11, 5.13, 5.18, 5.27, 6.1, 6.3, 6.5, 6.6, 6.8, 6.9, 6.12 to 6.16), Prudence Lloyd (tracks: 2.7)
- Tenor Vocals – Alan Byers (tracks: 2.4, 5.14), Julian Pike (tracks: 6.9), Martyn Hill (tracks: 2.5, 2.8, 2.10, 2.13, 2.14, 2.22, 3.7, 3.12, 4.8, 4.14, 4.15, 4.17, 5.2, 5.4, 5.7, 5.9), Paul Elliott (tracks: 2.4, 5.14), Peter Bamber (tracks: 2.4, 5.14), Rogers Covey-Crump (tracks: 5.12, 5.15 to 5.19, 5.23, 5.25, 5.28, 6.2, 6.7, 6.14)
Notes
A collection of the complete incidental music by Henry Purcell. Each CD has its own catalog number, different from the box's: 475 530-2 to 475 535-2.Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983.
Barcode and Other Identifiers
- Barcode: 02894755292









