The Living Days album flac
MP3 album: 1536 mb
FLAC album: 1319 mb
Other formats: ADX AHX MOD MIDI DMF TTA AAC
The Living Daylights" is a song performed by Norwegian pop group a-ha for the 1987 James Bond film of the same name. It was written by guitarist Pål Waaktaar. After first appearing in the context of the film, a revised version was included in the band's Stay on These Roads studio album, which came out in 1988.
Living Hope is the seventh commercial studio album by Phil Wickham, released on August 3, 2018, by Fair Trade Services. Wickham collaborated with Ed Cash, Jonathan Smith, Nicolas Balachandran, Pete Kipley, Ran Jackson and Ricky Jackson in the production of the record
Living the Dream is Slash's fourth solo album, the third to feature Myles Kennedy and the Conspirators. Slash released it September 21, 2018, on his own record label: Snakepit Records. The album was produced by Michael Baskette, who also produced the previous record World on Fire. After reuniting with Guns N' Roses in 2016, the possibility of a third record for Slash and Myles Kennedy and the Conspirators was in question, let alone if they would stay together.
The Living End is the debut studio album by Australian punk, rockabilly band The Living End, which was released on 12 October 1998. It was recorded at Sing Sing Studios in Melbourne with Lindsay Gravina producing for Modular Recordings. The cover art, as described by front man Chris Cheney, is based on a photograph of a World War I all-female bomb factory. The album reached No. 1 on the ARIA Albums Chart and remained in the top 50 for 63 weeks.
The discography of The Living End, an Australian punk rock and psychobilly group, consists of seven studio albums, twenty-three singles, six extended plays (EPs), four video albums and three compilation albums. Chris Cheney, Scott Owen and Joe Piripitzi formed The Living End in 1994; their debut release was Hellbound, an eight-track EP, in 1995
Days is the second studio album by American indie rock band Real Estate, released on October 18, 2011 on Domino Records. The album was recorded over the course of five months in a remote New Paltz, New York barn with Kevin McMahon as the producer, except for Out of Tune, which was recorded by Jarvis Taveniere at Rear House in Brooklyn, New York. The album was subsequently mastered by Greg Calbi at Sterling Sound in New York City.