Daniela Mercury - O Canto Da Cidade album flac

O Canto da Cidade is recognized as the album responsible for taking Axé Music to mainstream audiences in Brazil. The album also yielded Mercury, a year-end special on Rede Globo channel, which were mixed with live performances in the square of Apotheosis in Rio de Janeiro, and video clips with Caetano Veloso, Herbert Vianna and Tom Jobim. Years later, the special, previously unreleased in video was released on DVD to celebrate the 15th anniversary of the release of the album. In 2000, Mercury released her fifth studio album, Sol da Liberdade, through BMG. The album sold almost a million copies and produced two number-one singles ("Ilê Pérola Negra" and a cover of Antonio Marcus' "Como Vai Você"). The album, which was produced by Suba, was innovative in Mercury's career for its fusion with electronic music sounds.

Album · 1993 · 12 Songs. O Canto da Cidade Daniela Mercury. Listen on Apple Music.

Daniela Mercury Swing da cor-Бразильская САМБА!!! 04:51. play) (pause) (download) (fb) (vk) (tw). Daniela Mercury Swing Da Cor. 04:38.

Released September 1992. O Canto da Cidade Tracklist. 1. O Canto da Cidade Lyrics.

Cassette - Globo Records. There's a definite '80s hangover to O Canto Da Cidade. But much of the fault must lie with the songs, which are run-of-the-mill MPB (Brazilian popular music). In fact, only "O Mais Belo Dos Belos" really takes on any special flavor, with its juttering percussion - and notable lack of synth

O Canto da Cidade is Mercury's album with most number-one songs (four in total; "O Canto da Cidade", "O Mais Belo dos Belos", "Batuque" and "Você Não Entende Nada/Cotidiano"). The songs "Só Pra Te Mostrar", a duet with Herbert Vianna, and "Bandidos da America" made a moderate success in the Brazilian radio stations, reaching number nine and twenty-one in. the charts, respectively. O Canto da Cidade is recognized as the album responsible for taking Axé Music to mainstream audiences in Brazil. Some consider O Canto da Cidade was the forerunner of the samba-reggae movement, then called Axé Music, gaining strength in all regions of the country and allowing other genre artists, were featured in the Brazilian music scene. It is believed that after this album, the Carnival of Bahia gained a massive media coverage.