Blur - Basically Blur album flac
Performer: BlurTitle: Basically Blur
Style: Interview, Brit Pop, Indie Rock, Alternative Rock
Released: 1993
MP3 album: 1749 mb
FLAC album: 1525 mb
Rating: 4.2
Other formats: MP3 AAC MOD FLAC AC3 VOX DMF
Genre: Rock / Not albums
Blur is the eponymous fifth studio album by the English rock band of the same name, released on 10 February 1997 by Food Records. Blur had previously been broadly critical of American popular culture and their previous albums had become associated with the Britpop movement, particularly Parklife, which had helped them become one of Britain's leading pop acts. After their previous album, The Great Escape, the band faced media backlash and relationships between the members became strained.
Listen free to Blur – Basically Blur (Interview, For Tomorrow (acoustic version) and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Overview (current section).
This is a comprehensive list of songs by English band Blur. Since forming in 1989, the band have released eight studio albums, three live albums, seven compilation albums, thirty-five singles. This list does not contain live versions or remixes released by the band. Blur have officially released 255 songs, excluding alternate versions or remixes. This list does not include live versions.
13 is the sixth studio album by English alternative rock band Blur, released on 15 March 1999. Jettisoning the Britpop sound of Blur's early career, 13 explores experimental, psychedelic and electronic music. Recording took place from June to October 1998 in London and Reykjavík. The album marks a departure of the band's longtime producer, Stephen Street, with his role being filled by William Orbit.
Blur may superficially appear to be a break from tradition, but it is a logical progression, highlighting the band's rich eclecticism and sense of songcraft. Certainly, they are trying for new sonic territory, bringing in shards of white noise, gurgling electronics, raw guitars, and druggy psychedelia, but these are just extensions of previously hidden elements of Blur's music. What makes it exceptional is how hard the band tries to reinvent itself within its own framework, and the level of which it succeeds
Blur is the eponymous fifth studio album by the English rock band of the same name, released on 10 February 1997 by Food Records. Despite worries from Blur's label, EMI, and the music press that the change in style would alienate the band's predominantly teenage fanbase and that the album would flop as a result, Blur, as well as lead single, "Beetlebum", reached the top of the UK charts and the album was certified platinum. The album also reached the top 20 in six other countries.
Basically, what I’m getting at here is what if Blur had won". The runaway success and global celebrity could have sent Damon Albarn’s ego into the stratosphere. His will ends up dominating the bands direction as Graham Coxon slips further into alcoholism as he watches his band spiral out of his control. With massive label pressure mounting to release another hit record, Blur’s follow up to The Great Escape, lets call it Cheerio!, is an even more inflated piece of Britpop. More horns, more strings, more characters, more hooks and choruses. Blur has garnered a reputation as a messy album. And yes, at first glance, this sounds like the work of a scrappy indie band bum rushing their local recording studio with their first budget.
Blur’s fifth studio album, released in 1997, saw a major stylistic change in the band’s sound. After becoming disillusioned with their Britpop roots and their music’s increasing commercialism, the band took influence from American indie rock bands such as Pavement and released a darker, grungier sounding record. Despite this the record was still a success, certified platinum in the UK. It also spawned a hit in their home country and their biggest chart success in the US. Blur Q&A.
Tracklist Hide Credits
| 1 | InterviewInterviewer – Paul Sexton |
3:32 |
| 2 | For Tomorrow (Acoustic Version) | 4:50 |
| 3 | InterviewInterviewer – Paul Sexton |
3:20 |
| 4 | Chemical World (Acoustic Version) | 3:38 |
| 5 | InterviewInterviewer – Paul Sexton |
2:01 |
| 6 | Sunday Sunday (Acoustic Version) | 2:25 |
Companies, etc.
- Pressed By – EMI Swindon
- Published By – MCA Music Ltd.
- Engineered At – Woodbine Mobile Recording Studio
- Phonographic Copyright (p) – Food Ltd.
- Licensed To – EMI Records Ltd.
Credits
- Engineer – Peter Nelson
- Written-By, Performer – Alex James , Damon Albarn, Dave Rowntree, Graham Coxon
Notes
Interview conducted for "Rock Over London".Engineered at WMRS Studios, London.
All tracks ℗ 1993 The copyright in this sound recording is owned by Food Ltd under exclusive license to EMI Records Ltd.
For promotional use only. Not for sale.
Issued in a standard J-card case with no inserts.
Barcode and Other Identifiers
- Matrix / Runout (As Presented): BBLuR 1.1-1-2, EMI SWINDON
- Matrix / Runout (Pressed): BBLuR 1.1 EMI Swindon
- Matrix / Runout (Etched): -1-2









