Cars, The - Shake It Up album flac

Shake It Up is the fourth studio album by American rock band The Cars, released in 1981. It was the last album by the Cars to be produced by Roy Thomas Baker. A much more pop-oriented album than its predecessor, its title track became their first Billboard top ten hit. All tracks written by Ric Ocasek, except where noted. Ric Ocasek – rhythm guitar, lead vocals on 1, 2, 3, 4, 6, 9. Elliot Easton – lead guitar, backing vocals. Greg Hawkes – keyboards, backing vocals.

Complete your The Cars collection. Shake It Up ‎(Cass, Album).

Album Name Shake It Up. Type Album. Released date November 1981. Labels Elektra Records. Members owning this album3. 1. Since You're Gone. 2. Shake It Up. 3. I'm Not the One. 4. Victim of Love. 7. This Could Be Love. Other productions from The Cars. The Very Best of Cars.

Listen to Shake It Up (Expanded) by The Cars on Deezer. Shake It Up (Expanded). The Cars 30-03-2018. Total duration:1 h 18 min. 01. Since You're Gone (Remastered). Composers: Ric Ocasek. 02. Shake It Up (Remastered). 03. I'm Not The One (Remastered). 04. Victim Of Love (Remastered). 05. Cruiser (Remastered). 06. A Dream Away (Remastered)

Shake It Up is the fourth studio album by American rock band The Cars, released in 1981.

The band's sound may have been evolving with each succeeding album, but Ric Ocasek was still writing compelling new wave compositions despite all the change, many of which would ultimately become rock & roll standards. The up-tempo title track remain. The band's sound may have been evolving with each succeeding album, but Ric Ocasek was still writing compelling new wave compositions despite all the change, many of which would ultimately become rock & roll standards.

Mobile Fidelity Sound Lab shakes it up once more by remastering and reissuing The Cars' fourth album on the black medium. Recorded in Boston in their then-newly acquired Intermedia Studios and rechristined Synchro Sound, Shake It Up would be the first and only Cars album to benefit from these facilities. Slowly moving away from their new wave roots, the LP ushers in the emerging 1980s synthpop while retaining just enough of that earlier spark to keep it interesting. If one were to make a case for taking parallel musical directions, one could be found in another four letter American band.

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