Miles Davis + 19 - Orchestra Under The Direction Of Gil Evans - Miles Ahead album flac

Arranged By, Directed By – Gil Evans. Liner Notes – André Hodeir, George Avakian. Photography By – Robert Parent. Producer – George Avakian. Trumpet, Flugelhorn – Miles Davis.

Miles Ahead by Miles Davis + 19 with Orchestra under the Direction of Gil Evans. Covered by (12 artists). Miles Davis + 19 with Orchestra under the Direction of Gil Evans. Originally by Julie London with Russ Garcia and His Orchestra. Discover The Original. SecondHandSongs is building the most comprehensive source of cover song information.

Miles Davis, Gil Evans – New Rhumba. Miles Davis – Summertime. Miles Davis and The Gil Evans Orchestra – I Don't Wanna Be Kissed By Anyone But You. 4:38. Miles Davis, Gil Evans – New Rhumba.

Summertime - Miles Davis. The Buzzard Song - Miles Davis. Miles Ahead - Miles Davis, Gil Evans. Blues for Pablo - Miles Davis feat.

Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout.

Quiet Nights (Miles Davis and Gil Evans album). Quiet Nights is a studio album by jazz musician Miles Davis, and his fourth album collaboration with Gil Evans, released in 1964 on Columbia Records, catalogue CL 2106 and CS 8906 in stereo. Recorded mostly at Columbia's 30th Street Studios in Manhattan, it is the final album by Davis and Evans.

Gil Evans Orchestra, Miles Davis My Man Has Gone Now. (play). Gil Evans Orchestra, Miles Davis My Man Has Gone Now. Miles Davis With Gil Evans and Orchestra New Rhumba. Miles Davis with Gil Evans and Orchestra feat. Gil Evans and Orchestra Blues For Pablo. Gil Evans and Orchestra The Duke. Miles Davis & The Gil Evans Orchestra I Don't Wanna Be Kissed.

This album is perhaps most significant for the process it set in motion - the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool