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Various - Elizabethan England - Its Drama, Music, And Sounds album flac

Various - Elizabethan England - Its Drama, Music, And Sounds album flac Performer: Various
Title: Elizabethan England - Its Drama, Music, And Sounds
Style: Renaissance, Spoken Word
Released: 1967
MP3 album: 1845 mb
FLAC album: 1191 mb
Rating: 4.1
Other formats: MIDI ADX RA MP2 MIDI AC3 VOC
Genre: Not albums / Classical

The music to this song from Act V, Scene 3 of "As You Like It" is found in the first "Book Of Ayres". By kind permission of the Archive Division of Deutsche Grammophon Gesellschaft). From the "Survey of London". From the "Chronicles". This poem is thought to have been written by Elizabeth around 1561. 0: First Part Galliard in Dance Time. 1: From Elizabeth's address to the Parliament, November 30th, 1601.

Drama was introduced to England from Europe by the Romans, and auditoriums were constructed across the country for this purpose. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money and hospitality.

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. During her reign a London-centred culture, both courtly and popular, produced great poetry and drama.

The Elizabethan era was a very important time in english history. Queen Elizabeth the first was the royal majesty back at that time, which explains why the era is called that way. The Elizabethan era was in the 16 century and it was also thought to be the golden era of english history. That was because music and art were promoted, spread, sold and England was becoming more of a highly developed Empire. The golden age represented the apogee of the English Renaissance and saw the beginning of poetry, music and literature.

Crime and punishment in Elizabethan England. Article by: Liza Picard. Liza Picard takes a look at crime in Elizabethan England and describes the brutal punishments offenders received, from whipping and public humiliation to hanging and burning at the stake. Themes: Shakespeare’s life and world, Elizabethan England. Exploration and trade in Elizabethan England. Deception, drama and misunderstanding. Investigate the ways in which Shakespeare and Renaissance writers explore miscommunication, dishonesty, trickery and the nature of theatre.

Unlike classical drama, Elizabethan drama does not have a chorus and may have more than three actors. Another major innovation of Elizabethan drama was the insertion of comic episodes (famously the rustics and mechanicals in Shakespeare) into otherwise tragic plays. Another interesting element of many Elizabethan dramas is their historical themes, with many works such as Shakespeare's Richard II and Henry IV and Marlowe's Tamburlaine and Edward II being based on historical figures.

The era called the Elizabethan England was a time of many developments and was considered as the Golden Age in English history. This era was led by Queen Elizabeth I, the sixth and the last ruler of Tudor. The great developments and advancements that happened during this time can be partly attributed to the leadership of the Queen. Many considered the Queen as a wise and just Queen and chose the right advisers and never let herself get dominated by these advisers. She ruled the era for 45 fruitful years. The Elizabethan era which Queen Elizabeth I ruled and led for 45 years was the height of the English Renaissance and the time of the development of English poetry and literature. Elizabethan Era Contribution to Literature. Shakespeare took the lead in advancing the country’s literature and wrote a number of great works during this time.

Renaissance Drama in England. Topics: William Shakespeare, Christopher Marlowe, Romeo and Juliet Pages: 18 (4278 words) Published: November 16, 2012. Renaissance Drama in England. From Medieval to Renaissance Drama  Mystery plays -.  Historical (chronicle). The Elizabethan era saw a. great flourishing of literature, especially in the field of drama. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. In France, Germany and other countries, this movement started much later, Despite this, its properties, and the course of development, especially in regard to architecture were all almost identical. Features and periodization of the English Renaissance.

England had a strong tradition of literature in the English vernacular, which gradually increased as English use of the printing press became common by the mid 16th century. By the time of Elizabethan literature a vigorous literary culture in both drama and poetry included poets such as Edmund Spenser, whose verse epic The Faerie Queene had a strong influence on English literature but was eventually overshadowed by the lyrics of William Shakespeare, Thomas Wyatt and others. Many historians and cultural historians now prefer to use the term early modern for this period, a term that highlights the period as a transitional one that led to the modern world, but attempts to avoid positive or negative connotations

Life in Elizabethan England. Elizabeth’s reign was seen as a ‘golden age’ of culture and exploration, but society was characterised by extremes of rich and poor. An increasing population and rising poverty became a big problem. England began to see a growth of the arts in Tudor times, and Elizabeth encouraged this through her patronage of the theatre, music and art. Before Elizabeth’s reign, drama mainly focused on religious plays that were performed in public, and Greek and Roman dramas performed in Oxford and Cambridge universities. His plays always supported the monarch and the Tudor dynasty, such as his drama about Richard III who had been defeated by Elizabeth’s grandfather Henry VII and was shown as an evil deformed murderer in the play.

Tracklist Hide Credits

A.1 Robert Spencer The Queen's Almaine
Lute – Robert Spencer Written-By – Anonymous
A.2 Michael Hordern "This Royal Infant"
Written-By – Shakespeare*
A.3 Ann Morrish "Farewell, O Worthy Queen"
A.4 David King "She Was A Lady"
Written-By – Sir John Hayward
A.5 Donald Wolfit "To Promote A Woman To Beare Rule"
Written-By – John Knox
A.6 Robert Spencer My Lord Willoughby's Welcome Home
Lute – Robert Spencer Written-By – John Dowland
A.7 Rene Soames*, Walter Gerwig, Johannes Koch "When To Her Lute Corinna Sings"
Lute – Walter GerwigTenor Vocals – Rene Soames*Viol [Viola Da Gamba] – Johannes Koch
A.8 Michael Hordern "Let Me Not To The Marriage Of True Minds"
Written-By – Shakespeare*
A.9 Peter Orr "I Never Saw A More Beautiful Country"
Written-By – Sir Walter Raleigh
A.10 Gary Watson , Ann Morrish "O Isabel!"
Voice Actor [Claudio] – Gary Watson Voice Actor [Isabella] – Ann MorrishWritten-By – Shakespeare*
A.11 Peter Jeffrey, Donald Wolfit, David King , Harvey Hall "So Now Must I About This Geare"
Voice Actor [Edward] – Peter JeffreyVoice Actor [Gurney] – Harvey HallVoice Actor [Lightborne] – Donald WolfitVoice Actor [Matrevis] – David King Written-By – Christopher Marlowe
A.12 Michael Hordern "If I Should Term Her The Daughter Of Sedition"
Written-By – Job Throckmorton
A.13 Dorothy Tutin "I Have Strived More This Day"
Written-By – Elizabeth*
A.14 Ann Morrish "My Good Servant"
Written-By – Mary, Queen Of Scots
A.15 Robert Spencer Melancholy Galliard
Lute – Robert Spencer Written-By – John Dowland
A.16 Harvey Hall "We Have The Army Of Spain Before Us"
Written-By – Sir Francis Drake
A.17 Dorothy Tutin "My Loving People"
Written-By – Elizabeth*
B.1 Robert Spencer Battle Galliard
Lute – Robert Spencer Written-By – John Dowland
B.2 Donald Wolfit, David King , Peter Jeffrey, Gary Watson , Harvey Hall, Ann Morrish "Holla, Ye Pampered Jades Of Asia"
Voice Actor [Celebinus] – Harvey HallVoice Actor [Concubine] – Ann MorrishVoice Actor [King Of Jerusalem] – Peter JeffreyVoice Actor [Orcanes] – David King Voice Actor [Tamburlaine] – Donald WolfitVoice Actor [Techelles] – Gary Watson Written-By – Christopher Marlowe
B.3 Peter Orr "Friends, Romans, Countrymen"
Other [In Elizabethan Pronunciation, Pronunciation Adviser] – John Bromwich, M.A.Written-By – Shakespeare*
B.4 Robert Spencer Kempe's Jigge
Lute – Robert Spencer Written-By – Anonymous
B.5 Rene Soames*, Walter Gerwig, Johannes Koch "It Was A Lover And His Lass"
Lute – Walter GerwigLyrics By – Shakespeare*Music By – Thomas MorleyTenor Vocals – Rene Soames*Viol [Viola Da Gamba] – Johannes Koch
B.6 Gary Watson "On The 26th Day Of September"
Written-By – John Stow
B.7 Donald Wolfit "If A Woman Poison Her Husband"
Written-By – Raphael Holinshed
B.8 Ambrosian Singers* "My Lovely Wanton Jewel"
Choir – Ambrosian Singers*Directed By – Denis StevensWritten-By [A Madrigal By] – Thomas Morley
B.9 Dorothy Tutin "When I Was Fair And Young, And Favor Graced Me"
Written-By – Elizabeth*
B.10 Margaret Hodsdon Virginal Solo
Written-By – Thomas Morley
B.11 Dorothy Tutin "There Will Never Queen Sit In My Seat"
Written-By – Elizabeth*
B.12 David King "Our Dear Queen Doth Now Bear Show"
Written-By – Sir John Harington
B.13 Purcell Consort Of Voices* Nunc Dimittis
Choir – Purcell Consort Of Voices*Directed By – Grayston BurgessWritten-By – Thomas Caustun
B.14 Michael Hordern "23rd March - She Hath Been In A Manner Speechless"
Written-By – John Manningham
B.15 Lewis Casson, Dorothy Tutin "Lord, Have Mercy Upon Us"
B.16 Purcell Consort Of Voices* "Fair Oriana, Seeming To Wink"
Choir – Purcell Consort Of Voices*Directed By – Grayston BurgessWritten-By – Robert Jones

Companies, etc.

  • Copyright (c) – American Heritage Publishing Co., Inc.

Credits

  • Narrator – Sir Michael Redgrave*
  • Other [Liner Notes] – PFS
  • Performer [With] – Ann Morrish, David King , Sir Donald Wolfit*, Gary Watson , Harvey Hall, Sir Lewis Casson*, Margaret Hodsdon, Michael Hordern, Peter Orr, Rene Soames*, Robert Spencer , Ambrosian Singers*, Purcell Consort Of Voices*
  • Producer, Edited By – Peter Orr
  • Voice Actor [Queen Elizabeth] – Dorothy Tutin

Notes

Produced by BBC enterprises for Horizon. Monoaural production.

A.2: These prophetic words are spoken by Cranmer, Archbishop of Canterbury, at Elizabeth's christening in the last scene of "King Henry VIII".
A.3: From a set of verses addressed to the Queen as she left the city of London, on her Coronation, January 15th, 1559.
A.4: This passage, written in 1612 is taken from "Annals".
A.5: From "The First Blast of the Trumpet against the Monstrous Regiment of Women", 1558.
A.7: From the "Book of Ayres". (By kind permission of the Archive Division of Deutsche Grammophon Gesellschaft).
A.8: Sonnet CXVI.
A.9: From Discovery of the large, rich and beautiful Empire of Guiana, with a relation of the great, and golden city of Manoa .
A.10: From Act III, Scene 1 of "Measure For Measure".
A.11: From Act V, Scene 5, "Edward II".
A.12: From an address to the House of Commons, November 4th, 1586.
A.13: Elizabeth's address to Parliament, November 26th, 1586.
A.14: Last words of Mary, Queen of Scots, February 8th, 1587.
A.16: From a letter to Francis Walsingham, July 31, 1588.
A.17: Elizabeth's address to her forces at Tilbury, August 8th, 1588.
B.2: From Act IV, Scene 3 of the Second Part of "Tamburlaine the Great".
B.3: From Act III, Scene 3 of "Julius Caesar".
B.5: The music to this song from Act V, Scene 3 of "As You Like It" is found in the first "Book Of Ayres". (By kind permission of the Archive Division of Deutsche Grammophon Gesellschaft).
B.6: From the "Survey of London".
B.7: From the "Chronicles".
B.9: This poem is thought to have been written by Elizabeth around 1561.
B.10: First Part Galliard in Dance Time.
B.11: From Elizabeth's address to the Parliament, November 30th, 1601.
B.12: Sir John Harington, in a letter to his wife, December 17th, 1602.
B.14: From the Diary of John Manningham, a law student.
B.15: From the Book of Common Prayer.
B.16: A madrigal from the "Triumphs of Oriana".

Cover: Detail from the view of a wedding feast, painted about 1590. Collection of the Marquess of Salisbury.

© American Heritage Publishing Co., Inc.

Barcode and Other Identifiers

  • Matrix / Runout (Runout, side A): XTV124393-3A SIDE-1
  • Matrix / Runout (Runout, side B): XTV124393-3C SIDE-2