Magnétophone - The Man Who Ate The Man album flac

The duo's output is one truly strange and remarkable combination of bleeps that become quite hard to detect by genres definition - while their debut album is a massive electronic sound killer with occasional sentiments signaling friendly mood ("Oh darlin'" for instance), their latest contribution 'The Man Who Ate the Man' proves Magnetophone isn't some Autechre-esque novelty, adding a mixture of.

Their second LP, The Man Who Ate The Man, was released in 2005 and was voted best avant-post rock album of 2005 by Piccadilly Records. Shortly after its release, in late 2005, Magnétophone recorded a session for BBC Radio 1's Blue Room show at the Maida Vale Studios, and for BBC Radio 1's Rob da Bank show, both broadcast in November 2005. In 2007, Magnétophone contributed to Birmingham UK/Italian -compilation Binary Oppositions which was a coming together of visual and audio art produced by Birmingham-based artists. 2000) I Guess Sometimes I Need to Be Reminded of How Much You Love Me (4AD). 2005) The Man Who Ate the Man (4AD). 2006) Promo Phone 1 (Ensnare). Singles, EPs, and various.

The lyrics of The Man Who Ate The Man are more poetic than rock'n'roll inspired, and concern city relationships ("Benny's Insobriety" and "Without Word") or similar, but set against a rural backdrop ("A Sad Ha Ha (Circled My Demise)" and "The Only Witching You'll be Doing"). The themes explore control, loss, reverence, worth, relationship-pacts. Let's Start Something New" – 1:47.

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Magnétophone made a welcome return on November 8th with their latest release The Man Who Ate The Man. Collaborations on the album include Breeders sisters Kim and Kelley Deal, PG Six, HMS Ginafore and King Creosote. Magnétophone's next gig is Friday November 18th at The Luminaire in Kilburn London. Interviews & profiles: Mathew Johnson The Canadian electronica genius profiled RA-X The Dutch producer talks us through his concept album

Magnetophone returned in 2005 with The Man Who Ate The Man, which finds them flirting with song structure while spinning webs of dreamily captivating texture. The album runs the gamut from sprawling psychedelia to the sweetest of melancholy snippets, aided by an impressive array of collaborators. Breeders sisters Kim and Kelley Deal and alt-folk troubadour PG Six represent underground America, while the Fence collective's HMS Ginafore and King Creosote contribute skeins of Caledonian melody.