Sandie Shaw - By Tomorrow album flac

Released in late 1969 by Pye Records, it contained material very different from that which pop-lovers were accustomed to hearing from Shaw. This was Shaw's first time producing an album herself and she chose to cover songs made popular by more alternative artists who she felt had had a big impact on the music of the 1960s. Sandie Shaw – vocals. Geoff Peach – tenor saxophone, flute & vocals. Rodney Hill – guitar.

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Me is the second album by the British girl singer Sandie Shaw. It was released by Pye Records in November 1965, eight months after her debut, but was not as commercially successful - although her singles were still selling well. Since the release of the Sandie album, Shaw had gained another three UK Top 10 hits - "I'll Stop at Nothing," the number one "Long Live Love" and "Message Understood," all of which had been written by Chris Andrews.

Fun Rousing Stylish Summery Sweet. Long Live Love: The Very Best of Sandie Shaw.

The Collection is a compilation album by British singer Sandie Shaw released in 2007 shortly after her 60th birthday. Released as a budget-priced album by EMI (to whom Shaw licensed her entire recording catalogue some years previously), it contains mostly recordings from the 1960s (the decade in which Shaw was at the height of her fame) including A-sides (such as two UK number one hits - the Burt Bacharach/Hal David-penned "(There's) Always Something There to Remind Me". and the Eurovision-winning "Puppet on a String"), B-sides, album tracks plus two exclusive foreign.

The Sandie Shaw Supplement by Sandie Shaw Audio CD £1. 9. Only 1 left in stock. Sent from and sold by 5records. 14. So Many Things To Do. 15. By Tomorrow. In 1969 Sandie conceived this album of striking cover versions by some of the most influential writers and musicians of the decade. From Lionel Bart to Led Zeppelin (Sandie is famously the first person to cover Led Zep) - via The Beatles, The Stones, Bob Dylan, Dr. John and others - the artists selected had a song thoughtfully reinterpreted by Sandie and her crack backing band, Pork Chop. The album was recorded in conditions of near secrecy and Sandie's manager, Eve Taylor, was largely kept in ignorance of the endeavour