Roughnecks / Beachnuts - You're Driving Me Insane / Cycle Annie album flac

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Album Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964-1969. You’re Driving Me Insane Lyrics. I want your loving little girl I want your loving little girl Little girl I need your loving You're leading me insane Little girl I want your kisses You know you're driving me insane When I kiss your lips When I kiss your lips When I kiss your lips You're driving me insane When I kiss your lips You're. Little girl I want your touch Your loving's much too much Little girl I want your kiss You're driving me insane When I kiss your lips When I kiss your lips When I kiss your lips.

Cycle Annie (The Beachnuts). Side 2 01. I've Got A Tiger In My Tank (The Beachnuts) 02. You're Driving Me Insane (The Roughnecks) 03. Loop (Magazine Flexi Disc) 04. Index (Magazine Flexi Disc Of Conversation) 05.

Cycle Annie (The Beachnuts) Side 2 Track 08. I've Got A Tiger In My Tank (The Beachnuts) Track 09. You're Driving Me Insane (The Roughnecks) Track 10. Loop (Magazine Flexi Disc) Track 11. Index (Magazine Flexi Disc Of Conversation) Track 12. Noise (From East Village Electric Newspaper) Side 3 Track 13. Some Kinda Love Track 14. White Light/White Heat Track 15. Rock 'n' Roll Track 16.

You’re Driving Me Insane{ listen } The Roughnecks 1965 (ims). Why Don’t You Smile Now{ listen } The All-Night Workers 1965 (ale). You'll need the free RealPlayer to listen to these rare tracks. Please visit The "Wild" Side of Lou Reed. Recorded under the moniker The Beachnuts, "Cycle Annie" is an uptempo Chuck Berry-influenced rocker, and not unlike much of Lou's recorded Pickwick output. In this characteristically simple three-chord romp, Reed handles vocals and cranks out the guitar parts (the song sounds vaguely like an early blueprint of the VU's "Foggy Notion," in fact).

The Roughnecks were one of several studio-only groups that released tracks to which Lou Reed contributed in the mid-'60s, when he was a staff songwriter and session musician at the budget/exploitation label Pickwick. Because the track was originally released as part of a compilation album, Soundsville!, which purported to gather songs by various artists - the Hi-Lifes, the J Brothers, the Liberty Men, Jeannie Larimore, Connie Carson, and the Beach Nuts - to illustrate various genres (The Sounds of New York, The Sounds of Detroit, The Sounds of Chicago, The Sounds of Hot Rod, The Sounds of. the Motorcycle, The Sounds of Hollywood, The Sounds of Nashville, and The Sounds of the Campus).