Monty Cantsin / Karen Eliot - Second Recycled Fluxus Piano Concert / NO Fluxus Concert For NO Piano album flac

Complete your Monty Cantsin, Karen Eliot collection. Second Recycled Fluxus Piano Concert. NO Fluxus Concert For NO Piano.

Pseudonym here are obviously used by Kommissar Hjuler and Mama Baer or a side-project they run, no information on artists as these fictive characters from neo-fluxus scene. Other Versions (1 of 1) View All. Cat.

Karen Eliot is a name that refers to an individual human being who can be anyone. The name is fixed, the people using it aren't. The purpose of many different people using the same name is to create a situation for which no one in particular is responsible and to practically examine western philosophical notions of identity, individuality, originality, value and truth. Anyone can become Karen Eliot simply by adopting the name, but they are only Karen Eliot for the period in which they adopt the name. The name was used by, among many others Stewart Home, Monty Cantsin, Graf Haufen, Luther Blissett, He Who Ha Ha (a brunkville character), Bert Vanden Berghe, Brunk, Mama Bär. The name is associated with the following groups: Mumber Toes, Second Family Band, White Colours, White Colours Orchestra, Dragon Fagot With Thee Crystal Skulls In Tibet, Hintergedanken.

Monty Cantsin is a multiple-use name that anyone can adopt, but has close ties to Neoism. Monty Cantsin was originally conceived as an "open pop star. In a philosophy anticipating that of free software and open source, anyone should perform in his name and thus contribute to and participate in his fame and achievements.

Béla Bartók's Piano Concerto No. 2 in G major, Sz. 95, BB 101 (1930–31) is the second of three piano concerti, and is notorious for being one of the most difficult pieces in the repertoire. In approaching the composition, Bartók wanted the music to be more contrapuntal. He also wanted to simplify his music (like many of his contemporaries), but his use of counterpoint in this piece makes for an extremely complicated piece of music.

The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 9 November 1901, with his cousin Alexander Siloti conducting. This piece is one of Rachmaninoff's most enduringly popular pieces, and established his fame as a concerto composer.

Fluxus was a wily, nebulous – and deeply influential – anti-establishment art movement that emerged in the 1960s. Comprised of an international collective of artists, composers, and poets, Fluxus aimed to collapse what it considered the false wall between art and life.