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Various - Music From The Southeast: Sumbawa, Sumba, Timor album flac

Various - Music From The Southeast: Sumbawa, Sumba, Timor album flac Performer: Various
Title: Music From The Southeast: Sumbawa, Sumba, Timor
Released: 1998
MP3 album: 1494 mb
FLAC album: 1345 mb
Rating: 4.4
Other formats: MMF MP1 MPC WAV AA VOX TTA
Genre: Folk and Country

This album offers a sampling across the region, from Sumbawa to the western half of Timor. In Sumbawa, the genres and instruments are largely those familiar all over Muslim Indonesia. East of Sumbawa, things change: the Muslim genres give way to ensembles of interlocking gongs (quite different from the famous gamelon of Java and Bali), communal singing for circle dances, and local forms of string music.

The chain of dry islands from Lombok to Timor are economically poor, but culturally rich. This volume begins in Sumbawa with two intimate pieces that unfold between a fine female voice, a male voice, and a graceful violin working in the "gypsy minor" scale. This is night music performed by an old man and his daughter. The longer, more satisfying piece tells the story of a difficult sea journey. Next come four pieces from economically and socially isolated Sumba, an island where traditional religion remains unusually strong. The wavy, sliding melodies of the jungga, a two- or four-stringed lute, have been compared to slide guitar.

The songs from Sumbawa feature vocals accompanied by violin. These popular folk songs, sung and played with a lot of ornamentation and energy, are from an older repertoire called biola rawa Mbojo; traditional tunes, they relate a sailor's difficult journey and the woman he left behind, and a prince's journey to his lover. Tracks from Timor, the largest of the islands in southeast Indonesia, include a gong ensemble, singers and dancers performing a circle dance, and some exuberant string bands of fiddle, and a lead and rhythm guitar, sometimes accompanied by a singer. These are robust pieces, pushing the single chord of the guitar with incessant energy.

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In the music from Sumbawa, Sumba, and Timor, we hear evidence of the percolating rhythmic impulses and cyclical harmonic patterns melodic vaguely related to the gamelan, especially in music from Sumba, but also influences from other areas, including western residue. This music, whether the plaintive violin music from Sumbawa or the antiphonal vocal webs from Timor, exerts an appeal based on raw, fervent expression. As in other parts of Indonesia, you can sense the idea that music-making plays an integral role in the daily fabric of life

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Title: Music From The Southeast: Sumbawa, Sumba, Timor. This album offers a sampling across the region, from Sumbawa to the western half of Timor.

Tracklist

SUMBAWA
1 Tambora: Violin With Male & Female Vocals, From Bima 13:58
2 Lopi Penge (Excerpt): As Track 1 5:51
SUMBA
3 Two Tunes (Excerpt): Jungga (Two-Stringed Lute) From Umalulu 2:54
4 Hali Ana Wini: As Track 3, With Mail Vocal 5:42
5 Tabung (Excerpt): Funeral Gongs From Anakalang 4:16
6 Kanakang (Excerpt): As Track 5 4:16
TIMOR
7 Kikot (Excerpt): Gong Ensemble From Oelolok (Meto Group) 2:11
8 Liliba (Excerpt): Mixed-Chorus Dance Song From Fahiluka (Tetun Group) 4:27
9 Saero (Excerpt): As Track 8 4:31
10 Berelesu (Excerpt): As Track 8, From Ekin (Bunaq Group) 2:20
11 Soge (Excerpt): As Track 10 0:55
12 Helang (Excerpt): As Track 8 1:31
13 Heo Banamas: String Band With Male Vocal, From Oelolok (Meto Group) 12:36
14 We Oe (Excerpt): As Track 13, From Fahiluka (Tetun Group) 3:05
15 Naikam Tiup: As Track 13, From Noepesu (Meto Group) 4:51

Credits

  • Recorded By, Compiled By, Liner Notes [Annotated By] – Philip Yampolsky

Notes

Extensive notes and map complement these remarkable recordings.

The parched "southeastern islands" running east from Lombok to Timor form one of the poorest regions in Indonesia, but artistically one of the richest, most traditional, and least explored. This album offers a sampling across the region, from Sumbawa to the western half of Timor. In Sumbawa, the genres and instruments are largely those familiar all over Muslim Indonesia. East of Sumbawa, things change: the Muslim genres give way to ensembles of interlocking gongs (quite different from the famous gamelon of Java and Bali), communal singing for circle dances, and local forms of string music. In this album we hear: a professional duo of singers with violin from Bima in eastern Sumbawa; gongs for funerals in Sumba and for dancing in Timor; dance choruses, some boisterous, some mysterious and elusive, from Timor; a lute from east Sumba that sounds like a bottleneck guitar; and down-home music from Timor, played on home-made guitars and violins.

Barcode and Other Identifiers

  • Barcode: 093074044322