Riverside - Rapid Eye Movement album flac
Performer: RiversideTitle: Rapid Eye Movement
Style: Prog Rock
Released: 2007
MP3 album: 1939 mb
FLAC album: 1962 mb
Rating: 4.7
Other formats: DMF FLAC MOD MIDI TTA APE VOC
Genre: Rock
It was released internationally by InsideOut Music on October 9, 2007, on September 28 in Europe by InsideOut Music and on September 24 by Mystic Productions in Poland.
Music By – Riverside. Photography By – Kiełek. Producer – Riverside. Recorded By, Engineer – Maciej Mularczyk. Recorded By, Mixed By, Engineer, Producer – Magda Srzednicka, Robert Srzednicki. Inside Out Music, Inside Out Music.
Released September 24, 2007. Mitski Breaks Down "Nobody". Post Malone's "Stay" And His Acoustic Guitar Skills. The Dark Side Of Stan Culture. Joji’s TEST DRIVE Explained. Behind England's "Three Lions" Football Chant. 1. Beyond the Eyelids Lyrics. Produced by Riverside, Robert Szredniccy & Magda Szredniccy. Written by Mariusz Duda, Piotr Kozieradzki, Michal Lapaj & Piotr Grudzinski.
Duration: 55:43, 33:23. Label: Mystic Production (MYSTCD 044), Inside Out (SPV 79612 CD, SPV 79610 DCD). Release Date: September 24th, 2007 (Poland), September 28th, 2007 (Europe), October 9th, 2007 (US). Music: Riverside excerpt 02 Panic Room (remix) - Riverside/Magda & Robert Srzedniccy, Back To The River - Excerpt is taken from Shine On You Crazy Diamond, music by Pink Floyd. Lyrics: Mariusz Duda. Recording: Magda & Robert Srzedniccy, Serakos Studio III-VI & VIII-IX 2007
Their 2nd studio album, Second Life Syndrome, proved to be a huge breakthrough for the band, as it was released on Inside Out, one of the largest prog rock labels. Many people considered it quite as good as Porcupine Tree’s Deadwing and Opeth’s Ghost Reveries, two CDs that were released the same year by larger and better known artists. Second Life Syndrome was mostly a progressive-metal album with a much more raw sound than either Out of Myself or Voices In My Head but it still contained trademark Riverside elements like Mariusz’s soulful and sincere vocals and Piotr’s signature guitar sound.
Accused of everything from repetitivity to too many unnecessary changes (sometimes both at once), it divided the fanbase much more than any other Riverside release. The reason is possibly rather simple: the optimistic songs are gone, the music is far more difficult to get into, and the light and touch of optimism that appeared throughout the previous albums is no longer here, except for a few short moments.








