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Motorheadgirlschool - ST. Valentines Day Massacre album flac

Motorheadgirlschool - ST. Valentines Day Massacre album flac Performer: Motorheadgirlschool
Title: ST. Valentines Day Massacre
MP3 album: 1439 mb
FLAC album: 1311 mb
Rating: 4.4
Other formats: VOX MP2 MPC AC3 VOC MIDI ADX
Genre: Other

Girlschool is the eighth studio album by British heavy metal band, Girlschool, released on Communiqué Records and Progressive International in 1992. It is the fourth and last studio album recorded with lead guitarist Cris Bonacci and the only one with bassist Jackie Carrera. It is also the first Girlschool album to by self-produced for an independent British label.

Valentine's Day Massacre is an EP recorded by members of Motörhead and their Bronze Records labelmates Girlschool, under the moniker Headgirl. It reached number five in the UK Singles Charts in 1981. When Girlschool were recording in Rickmansworth with producer Vic Maile, he had the idea that Motörhead and Girlschool should record a single together. The result was this three-track EP, on which the bands duetted on a cover of Johnny Kidd & The Pirates' "Please Don't Touch".

00:02:58) Motorheadgirlschool - Emergency. 3. (00:03:38) Motorheadgirlschool - Bomber. CD07-St Valentines Day Massacre EP/ - . 0. CD07-St Valentines Day Massacre EP/Motorhead,Girlschool - Born To Lose, Live To Win - The Singles - St Valentines Day Massacre E. og - . CD07-St Valentines Day Massacre EP/Covers/ - . CD07-St Valentines Day Massacre EP/Covers/Front. CD07-St Valentines Day Massacre EP/Covers/CD. CD07-St Valentines Day Massacre EP/Covers/Back. CD07-St Valentines Day Massacre EP/Front. Other albums in genre. The New Normal '2019.

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Consequently, ‘The St Valentine’s Day Massacre’ EP constituted something of a dream pairing, although the lewdly punning moniker of Headgirl chosen by the two bands was also something the average 10-year-old wouldn’t quite have grasped back in those naïve times. The EP was released around the high-water mark of the mainstream popularity of NWOBHM – mere months before ‘No Sleep ‘til Hammersmith’ was destined to reach the number 1 spot in the UK album charts – but the motivation to record it was not a cynical urge to ring the cash tills but an unforeseen and oddly fortuitous consequence of Phil.