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Manfred Mann Chapter Three - Manfred Mann Chapter Three album flac

Manfred Mann Chapter Three Fusion Jazz-Rock 1969 Canada

Performer: Manfred Mann Chapter Three
Title: Manfred Mann Chapter Three
Style: Fusion, Jazz-Rock
Released: 1969
Country: Canada
MP3 album: 1912 mb
FLAC album: 1656 mb
Rating: 4.9
Other formats: XM FLAC ASF WAV AU AA RA
Genre: Jazz / Rock

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Manfred Mann Chapter Three is the debut album released in 1969 by Manfred Mann Chapter Three. It was one of the three first albums released on the Vertigo record label. The principal members of the group were Manfred Mann and Mike Hugg. Mann played the organ and acted as the group's musical arranger, whilst Hugg handled vocals, played piano and was the chief songwriter. The group was augmented by a five-piece brass section and several distinguished jazz soloists.

Manfred Mann Chapter 3 was formed by Manfred Mann and Mike Hugg, who had originally for the Manfred Mann pop group in 1963. was recorded between June and October 1969 in the Old Kent Road and represents in general what we personally have been wanting to do for some years. All songs published by Belinda Music Inc. (. Polydor In. 1700 Broadway, New York, .

CD Bronze ‎- 250 383 (1989, Europe) CD Cohesion ‎- MANN 001 (1999, UK) Remastered (?) with 4 bonus tracks CD Creature Music Ltd. ‎- MMCD01 (2013, Europe) Remaster by Peter Reynolds with 4 bonus tracks. Manfred Mann Chapter Three - Manfred Mann Chapter III - Volume 1 - Bronze - 200 383, Bronze - 200 383-320 Bronze. Manfred Mann Chapter Three - Happy Being Me, Devil Man - Vertigo - 6059 012 Vertigo.

It's light years from the airy pop of "Do Wah Diddy Diddy," recorded by the hit-making first group formed by South African Manfred Mann and Mike Hugg in 1963. This is as much jazz as rock. There's hardly any guitar, but a swaggering horn section compensates. Imagine a darker, moodier Traffic with Mann manning the organ instead of Steve Winwood. Hugg's raspy vocals are featured on the first album recorded with the new band. The standout tracks are the album-opening "Travelling Lady" and "Time," but they are hardly the only strong ones.

Listen to Manfred Mann Chapter Three online and get recommendations on similar music. Manfred Mann Chapter Three is the debut album released in 1969 by Manfred Mann Chapter Three. Mann played the organ and acted as the group's musical arranger, whilst Hugg handled vocals, played piano and was the chief song writer.

Tracklist Hide Credits

A1	Travelling Lady Written-By – Mann, Hugg*
A2	Snakeskin Garter Written-By – Hugg*
A3	Konekuf Written-By – Mann*
A4	Sometimes Guitar – Brian HuggWritten-By – Hugg*
A5	Devil Woman Written-By – Hugg*
B1	Time Trumpet [Solo] – Harold BecketWritten-By – Hugg
B2	One Way Glass Vocals – MannWritten-By – Mann
B3	Mister You're A Better Man Than I Written-By – B. Hugg, M. Hugg
B4	Ain't It Sad Written-By – Hugg*
B5	A Study In Inaccuracy Written-By – Mann*
B6	Where Am I Going Written-By – Hugg*

Companies, etc.

Recorded At – Maximum Sound Studios
Pressed By – Phonodisc Ltd.

Credits

Arranged By [Additional Brass] – Derek Wadsworth
Design [Sleeve Design] – Jack Levy
Drums – Craig Collinge
Electric Bass [Fender], Guitar, Harp – Steve York
Engineer, Producer – Dave Hadfield
Flute [Alto] – Bernie Living
Organ, Whistle [Police], Arranged By [Brass] – Manfred Mann
Photography By – Johnny Clamp
Piano, Vocals, Arranged By [Brass] – Mike Hugg

Notes

Recorded at Maximum Sound Studios between June and October 1969.
Released in a gatefold-sleeve on a ''swirl'' Vertigo label.

Barcode and Other Identifiers

Matrix / Runout (runout side A, stamped): 847902 1 Y // 3 ▽ 420 1 1 5
Matrix / Runout (runout side B, stamped): 847902 2 Y // 3 ▽ 420 1 1 1

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
3827-014	Manfred Mann Chapter Three	Manfred Mann Chapter Three ‎(8-Trk, Album)	Polydor	3827-014	Canada	Unknown
6360 035, 6360035	Manfred Man Chapter Three*	Dama Viajera ‎(LP, Album)	Vertigo, Vertigo	6360 035, 6360035	Argentina	1971
MANN 001	Manfred Mann Chapter Three	Manfred Mann Chapter Three Volume One ‎(CD, Album, Mono, RM, Unofficial)	Cohesion	MANN 001	Russia	2015
VO 3, 847 902 VTY	Manfred Mann Chapter Three	Manfred Mann Chapter Three ‎(LP, Album, RP)	Vertigo, Vertigo	VO 3, 847 902 VTY	UK	1970
SFX-7200	Manfred Mann Chapter Three	Manfred Mann Chapter Three ‎(LP, Album, Gat)	Philips	SFX-7200	Japan	1969

Comments: (6)

Jox

Quoting marcelrecords' review: '...this album makes for uneasy listening' - guess that is why I like it so much. It is very 'claustrophobic', or really, claustrophilic! I enjoy how they pulled off such a purposefully obtuse album, without being obviously experimental, as in it remains within the confines of 'normal music' but just gets rights up to the very edge of what that means - and I mean right on the very bloody edge. That is what I like about it. That takes extreme precision & accuracy; difficult to do in any art. Plus coming from musicians mostly known for pop works, this is bloody gutsy too - though that reputation is incorrect, see Manfred Mann - Instrumental Asylum, or 'The Abominable Showmann' or 'Bare Hugg' on Manfred Mann - Mann Made, or 'Machines' on the EP Manfred Mann - Machines, they really were a bunch of Jazz cats playing pop music.

Nanecele

Actually now that I think about it, Machines has a very similar quality in that is seems to push right up to the boundary between 'normal' and 'not normal' music. It is not like the Velvet Underground or something, that clearly passes over that boundary, instead these guys purposely get right up to the edge, which is some ways ends up being even more disturbing because one can't figure out what you are listening too.

Anarahuginn

gatefold sleeve

Cenneel

Manfred Mann, major poppifier of Dylan, lost grip on the dying market for their kind of brew and disbanded in june 1969. A second incarnation of just Mann and Mike Hugg resulted in a flopped single and some advertising music. Small wonder that they claim on the first release of their third incarnation: ''This LP represents in general what we personally have been wanting to do for some years''. Well, what they wanted to do for years turned out to be a pretty claustrophobic affair. Two keyboards at once, the vocals of Mike Hugg, who whispers and groans more than that he sings, and the somewhat cluttered production produce a sombre and at times difficult to penetrate sound. Main disadvantage seems to be the poor integration of rock drums in a setting that suggests jazz more than anything else. Shreds of Dr. John and of Soft Machine keep popping up, but the uncanny atmosphere is pretty unique nonetheless.. Very dense and here and there even strictly non-commercial, this album makes for uneasy listening.

Hrguig

I agree with you that this is a great record. But what the heck man? Why insult somebody for their honest review? Be nice!

Heraly

This guy needs to stick to listening to his Bay City Rollers rather than review LP's that are clearly way above his head both in style and invention. It is a great record and one of the best on Vertigo...any collector of taste know this...

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