world.thomson-multimedia
» » Foehn - Hidden Cinema Soundtrack

Foehn - Hidden Cinema Soundtrack album flac

Foehn - Hidden Cinema Soundtrack album flac Performer: Foehn
Title: Hidden Cinema Soundtrack
Style: Leftfield, Abstract, Experimental
Released: 2000
MP3 album: 1763 mb
FLAC album: 1945 mb
Rating: 4.6
Other formats: MP4 MIDI AUD XM WMA AHX AIFF
Genre: Electronic

Album · 2000 · 28 Songs. 2000 Foehn under exclusive license to FatCat Records. See All. Split Series - Single. Infamous Mental Paths - Single.

Hidden Cinema Soundtrack. This album has an average beat per minute of 97 BPM (slowest/fastest tempos: 55/190 BPM). See its BPM profile at the bottom of the page. Tracklist Hidden Cinema Soundtrack. BPM Profile Hidden Cinema Soundtrack. Album starts at 89BPM, ends at 122BPM (+33), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Foehn.

Listen to Foehn Radio featuring songs from Hidden Cinema Soundtrack free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. CNN, MSNBC, Fox News, ESPN, BBC, NPR.

Foehn - To the Forgotten Forest Deep in Space 3:28. Foehn - Chagrin d' Amour 2:06. Foehn - We Tear at Each Other's Hearts 2:44. Foehn - Wild Face Pours Words on the Last Beach 4:26. Foehn - Chase in an Empty Space 0:45. Read full description. See details and exclusions. See all 2 brand new listings. Foehn - Hidden Cinema Soundtrack CD. Trending price. Current slide {CURRENT SLIDE} of {TOTAL SLIDES}- Compare similar products. Bob Marley - Legend (2000). Split Series Split Series 1-8. More Foehn. Listen to Hidden Cinema Soundtrack now. Listen to Hidden Cinema Soundtrack in full in the this site app. Play on this site.

Tracklist

1 To The Forgotten Forest Deep In Space 3:28
2 Chagrin D'Amour 2:06
3 We Tear At Each Other's Hearts 2:43
4 A Wild Face Pours Words On The Last Beach 4:26
5 Chase In An Empty Space 0:45
6 Someone 0:54
7 Carousel Beneath The Sea 1:58
8 This Time Was In A Dream 2:43
9 Shining Secrets 2:08
10 The Celebration Ceases To Impress 1:04
11 Built Up To Falling 1:28
12 Creep And Hide 1:54
13 Seven Thirty 0:23
14 We Live In A Sea Of Sound 1:50
15 Collapsing 2:10
16 Yellow Star 0:52
17 So Full Up On Emptiness 1:30
18 I Really Love High Winds 0:59
19 Into The Darkness And Stars 2:04
20 Suddenly He Realised He Could Fly 2:49
21 Like I'd Been On A Long Journey 1:09
22 Pour Vous Timide Voyou 3:58
23 Thanks For Saying Goodbye 2:44
24 Piano Clatter 1:21
25 Without Wings 0:50
26 Isolate 2:25
27 I Almost Touch 2:59
28 One Day Music Came From The Skies 1:02

Companies, etc.

  • Phonographic Copyright (p) – FatCat Records Ltd.
  • Copyright (c) – FatCat Records Ltd.
  • Distributed By – SRD

Credits

  • Written-By, Performer – Foehn

Notes

(p) (c) Fat Cat Records Ltd. 2000.
Released in a Digipak.
Distributed by SRD - 0181 - 802 3000.
Made in England.

Many thanks to Matt Roger Oktober Music Cinema Kathryn Kerry Dave Fat Cat Rick and anyone I forgot.

Album title printed as 'Hidden Cinema Soundtracks' on CD label.

Barcode and Other Identifiers

  • Barcode (Text): 5 033826 022920
  • Barcode (String): 5033826022920
  • Mastering SID Code: ifpi LD81
  • Mould SID Code: ifpi 8Y12
  • Matrix / Runout: 04260 FAT-SP01 SP F
  • Other: 189884 020600
Comments: (1)
Vozilkree
Music like this can be seen as overindulgent and self centred but this takes us into another realm altogether. Foehn's music is spooky, inquisitive and unnerving. Opening with ‘To The Forgotten Forest Deep In Space’ we set off with a pleasant low-end sine-wave and ambiguous flute. An abrasive beat plods along with an undertone of misery and regret, which grows into a swirl of anxiety pulling at our hearts with its pleading strings. These tracks emulate and embrace film music, all of which could serve as a purpose for cinematography. Yet, they are far more intelligent and have their own incredible style. They encompass a subtle cinematic theme with various orchestrations of sound embedded into its veins. The mood is sombre and heartfelt, yet dark and stubborn. A good use of samples circulate, as does various field recordings. ‘A Wild Face Pours Words On The Last Beach’ would be perfect for a spy thriller down a dark and dank alley while ‘This Time Was In A Dream’ sets us adrift on a sea of brutality swaying in awkward directions. ‘Into The Darkness And Stars’ is a dramatic organ led piece followed by the more upbeat and exotic ‘Suddenly He Realised He Could Fly’ All these tracks have one thing in common, a searing smear of unease and intense lo-fi bearing. Debbie Parsons’ experimentation leads even further afield on tracks such as ‘Piano Clatter’ and ‘I Really Love High Winds’ in which she introduces even more odd field recordings and musique concrete. This record works well, if only a little disjointed when compared to Parsons' brilliant predecessor ‘Silent Light’