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Su19b - Discography album flac

Su19b - Discography album flac Performer: Su19b
Title: Discography
Style: Grindcore, Noise, Sludge Metal
Released: 2007
MP3 album: 1618 mb
FLAC album: 1784 mb
Rating: 4.7
Other formats: AHX AUD DXD AAC XM MP3 WAV
Genre: Rock

Su19b discography (misc). lt; Domination Compilation (2002). Su19b, xBrainiax (2007). Su19b discography (all). Tracks 23-25 are unreleased studio tracks from 1998 for a cancelled full-length album. Track 26 taken from the compilation "No Speed Limit Vol. 2", released in 1998 by Civilization Records. Tracks 27-30 taken from the split with Jenny Piccolo.

Su19b ‎– Discography. What you get is 100% growls. Not even a single word over the whole Discography. Don't get me wrong, not that those growls are anything bad. But they being the only vocal contribution makes the whole thing sound too naive and simplistic (not to say also a little boring after a while).

SU19B is a hardcore punk sludge metal music artist. Su19b is a sludge metal, powerviolence, grindcore band from Tokyo in Japan, formed in 1997. Thanks to Bosh66 for the addition.

South Korean pop group TVXQ, known as Tohoshinki (東方神起 Tōhōshinki) in Japanese releases, have released eighteen studio albums (five which were re-released under different titles), two extended plays (released as "special albums"), four compilation albums, nine live albums, four remix albums, one soundtrack album and one box set. The group has sold over 14 million physical records since 2004, including . million in Japan, making them one of the best-selling K-pop acts of all time.

Su19b Blackend Power-Violence drowned with yo. .Neutralize, released 16 December 2017 1. Neutralize 2. Synapse Possessed 3. Reign in Radiation 4. Discordant Mantras 5. Infected 6. Into The Ritual 7. Aseptic Necrosis 8. YxSxFxPx 9. Insane Techniques of Cancerous Human Obliteration 10. Pace 'til Death (BATHORY). Got it. + add. album.

Band Name Apartment 213. Album Name Discography.

Tracklist

1 False Religion 1:12
2 Essence Of Ethnic 1:22
3 竹刀教育 (D.P.P.S.) 2:26
4 Same With Assfort 1:19
5 Corrupted Mind 1:50
6 Bleeding 1:19
7 雷雲の中の奇跡 1:55
8 Worriors Sigh 1:35
9 Corrupted Mind 1:44
10 Bleeding 1:19
11 Essence Of Ethnic 1:28
12 Worriors Sigh 1:30
13 Shortage Of Oxygen 1:17
14 Hate Full Neglect (live) 1:13
15 Clown (live) 1:01
16 Hate Full Neglect (live) 1:00
17 Subject To Mimic (live) 2:13
18 False Religion (live) 0:59
19 Hate Full Neglect 1:04
20 Deformity 0:31
21 Dissappoint 1:22
22 Clown 1:03
23 False Religion 1:03
24 Subject To Mimic 2:14
25 Same With Assfort 1:09
26 Neglect 2:47
27 Mind Scratch 2:17
28 Human Greed 0:17
29 Scapegoat (Crossed Out) 1:14
30 Neglect 3:36
31 Bullshit Propaganda 1:30
32 Dissappoint 0:45
33 Bullshit Propaganda 1:10
34 Deformity 0:32
35 Pressurewave 0:39
36 Human Greed 0:15
37 Worries 0:51
38 Reality 0:33
39 Safe Distance 0:33
40 Scapegoat (Crossed Out) 0:58
41 Dissappoint 0:41
42 Out Of People 0:52

Companies, etc.

  • Pressed By – DOCdata Germany

Credits

  • Bass [Four Strings] – Naoya
  • Drums [Stixx] – Ryohei*
  • Guitar [Six Strings] – Jun , Tatsuto (tracks: 1 to 30)
  • Vocals [Throat] – Mitsuaki

Notes

01-08: s/t ep trax - 2001 (Blurred recs)
09-12: Unrealised studio trax - 2000 (for split ep w/ No Fiction but cancelled)
13: "Reality #4" comp. LP/CD trax - 2000 (DeepSix recs)
14: "Barbaric Thrash Detonation" comp. CD+ep trax - 1999 (625 productions)
15-18: split ep w/ Pignation trax - 1999 (DSM recs)
19-22: "Unconscious Ruins" comp. CD trax - 1999 (Corporate Celebration)
23-25: Unrealised studio trax - 1998 (for full-length 3"CD but cancelled)
26: "No Speed Limit Vol.2" comp. CD trax - 1998 Civilization Recs)
27-30: split ep w/ Jenny Piccolo trax - 1998 (DeepSix recs)
31: "Reality #3" comp. LP/CD trax - 1998 (DeepSix recs)
32: "Japan In Decline" comp. LP/CD trax - 1998 (Six Weeks)
33-42: "Demo '97" trax - 1997

Track 3 is a D.P.P.S. cover.
Tracks 29 and 40 are the Crossed Out cover.

"s/t" ep. Originally released on Blurred Records. Recorded & Mixed at Studio Rinky Dink Nishiogikubo September 30th 2001.
"Unrealised Studio Trax" for split ep with No Fiction (but cancelled...). Recorded & Mixed at Studio M 2nd Koiwa September 17th 2000.
"Reality #4" comp. CD/Lp. Originally released on DEEP SIX Records. Recorded & Mixed at Studio M 2nd Koiwa September 17th 2000.
"Barbaric Thrash Detonation" comp. CD+ep. Originally released on 625 Productions. Recorded live at 20000V Koenji 1998.
"Split ep with Pignation". Originally released on DSM Records. Recorded live at 20000V Koenji March 21th 1999.
"Unconscious Ruins" comp. CD. Originally released on Corporate Celebration. Recorded & Mixed at Studio M 2nd Koiwa January 21th 1999.
"Unrealised Studio Trax" for Full-Length 3" CD (but cancelled...). Recorded & Mixed at Studio M 2nd Koiwa December 17th 1998.
"No Speed Limit Vol.2" comp. CD. Originally released on Civilization Records. Recorded live at 20000V Koenji 1998.
"Split ep with Jenny Piccolo". Originally released on DEEP SIX Records. Recorded & Mixed at Studio M 2nd Koiwa July 18th 1998.
"Reality #3" comp. CD/Lp. Originally released on DEEP SIX Records. Recorded & Mixed at Studio M 2nd Koiwa February 17th 1998.
"Japan In Decline" comp. CD. Originally released on Six Weeks Records. Recorded & Mixed at Studio M 2nd Koiwa January 12th 1998.
"Demo '97" tape. Originally released by Ourselves. Recorded & Mixed at Studio M 2nd Koiwa November 26th 1997.

Barcode and Other Identifiers

  • Mastering SID Code: IFPI LL88
  • Mould SID Code: IFPI 5225
  • Matrix / Runout: DOCdata Germany DIGG RSR 071
Comments: (1)
AnnyMars
The mixture of slow sludgy and heavy passages with furious grindcore is quite interesting and the final result isn't bad at all.The only aspect that really prevents this to be a masterpiece is the complete lack of ANY lyrics.What you get is 100% growls. Not even a single word over the whole Discography.Don't get me wrong, not that those growls are anything bad.But they being the only vocal contribution makes the whole thing sound too naive and simplistic (not to say also a little boring after a while).And maybe that's not even what they really wanted to achieve (i mean, everything looks quite the opposite of a lo-fi raw noise-core attitude).