The O Band - The Knife album flac

The Knife is the debut studio album by Swedish electronic music duo The Knife. It was released on 5 February 2001 by Rabid Records. The album's recordings started early in the summer of 1999 in a cottage on the Swedish island of Tjörn. The duo also recorded it in their flats in Gothenburg and Stockholm, and in a rehearsal studio in the Hökarängen district of Stockholm.

The O Band ‎– The Knife. Label: United Artists Records ‎– UALA 816H. Format: Vinyl, LP, Album. Recorded at Scorpio Studios, London except 'Strange Lovin'' and 'Love Ain't A Keeper' (this was a bonus track on cd release of 'Within Reach' album - originally a single b-side) basic tracks recorded at Marquee Studios. Recorded February March 1977. Mixed at Scorpio Studios.

The Knife" is a song by progressive rock band Genesis from their second album, Trespass (1970). As the final song in their set, the song was performed often in the band's first five years (a live version appears on the Genesis Live album from 1973) and has appeared sporadically in the band's concerts through 1982. The first half of the song was released as a single in May 1971 with the second half as the B-side, but it did not chart.

In April 2013 The Knife released 'Shaking The Habitual' their first studio album since Silent Shout.

The O Band The Knife скачать и слушать. Almost Saturday NIght. I'm Gonna Leave You. 3:56. Look To The Left, Look To The Right. A Smile Is A Diamond (Maxi Version, A-Side 12" Single). Time Seems To Fly. 4:31. Back Alley Lightning.

For one thing, it reveals that their strange and idiosyncratic sensibility was fully apparent right from the beginning - this couldn't possibly be mistaken for the work of any other band. In fact, within The Knife's considerable emotional range, and featuring the same inventive approach to synth programming and textural exploration, it already contains all the stylistic and musical elements that the duo would develop further on their later albums, encompassing both the glistening, off-kilter dance-pop of Deep Cuts and the frosty, otherworldly darkness of Silent Shout.