Diamanda Galás - At Saint Thomas The Apostle Harlem album flac
Performer: Diamanda GalásTitle: At Saint Thomas The Apostle Harlem
Style: Experimental, Avantgarde, Piano Blues, Opera
Released: 2017
Country: US
MP3 album: 1323 mb
FLAC album: 1461 mb
Rating: 4.9
Other formats: WMA AU AC3 MOD ASF AIFF DMF
Genre: Blues / Classical
Compact Disc (CD) + Digital Album. Includes unlimited streaming of At Saint Thomas the Apostle Harlem via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Live at St. Thomas the Apostle documents Galás’ volcanic May 2016 performance at St. Thomas the Apostle church in Harlem NY, described by the New York Times as "guttural and operatic, baleful and inconsolable, spiritual and earthy, polyglot and wordless, nuanced and unhinged. The concert, produced by Intravenal Sound Operations and Red Bull Music Academy, was composed exclusively of what Galás calls death songs. released March 24, 2017.
Diamanda Galas (album). 1984 studio album by Diamanda Galás. At Saint Thomas the Apostle Harlem. Masque of the Red Death. php?title Diamanda Galas (album)&oldid 903902395". Categories: Diamanda Galás albums.
Complete your Diamanda Galás collection. Not On Label (Diamanda Galás Self-released). At Saint Thomas The Apostle Harlem (2xLP, Album, Gat). Intravenal Sound Operations.
All the Way is a studio/live cover album by Diamanda Galás, released in 2017. All the Way was one of two albums of hers released on March 24, 2017, the other being a live album named At Saint Thomas the Apostle Harlem. These albums consisted of Galás' first released material since 2008. The album features six interpretations of blues, folk, and jazz standards.
At Saint Thomas the Apostle Harlem. This structure is affecting, but perhaps even more so on At Saint Thomas the Apostle Harlem. Galás has made a number of live albums over the years (and even parts of All the Way were recorded at shows in Europe), and they’ve typically been highlights. They’re reminders that her streaking and arcing vocal feats are actually emitting from a real human. All the Way occasionally dabbles in vocal effects processing-like the dizzy delay that shades the title track-but At Saint Thomas feels drier
In the space of Saint Thomas the Apostle, Galás' playing is complimented and enhanced by the church's acoustics. Piano trills are crisp, loud and staccato, serving as a weird, scurrying rhythm to the tremulous vocals of ‘O Death’. Here Galás only occasionally pauses for breath, despite at times breaking into a phantasmagorical scream. The church's natural reverb provides a chilling reverse-incubation to her trembling vibrato, and at times, her breath too itself is transformed into a fluttering instrument, frantically encompassing all angles of the space. As a result, what is captured on In Concert At Saint Thomas The Apostle Harlem seems singular and unrepeatable. Her scream is embalmed in the audience's reply of pure silence. With its emphasis on piano, All The Way draws up the spiritual forms of both Thelonious Monk and Albert Ayler, through versions of both 'Round Midnight' and 'Angels'.
Ferdinand von Freiligrath, Diamanda Galás. Jacques Brel, Gérard Jouannest. Diamanda Galás, Traditional.
2016 Diamanda Galás. More By Diamanda Galás. See All. All the Way. 2017. A Soul That's Been Abused.
Free download and listen At Saint Thomas the Apostle Harlem. Tracks count: 8. Views: 0. Diamanda Galas - Verrá la more e avrá i tuoi occhi 08:51. Diamanda Galas - Anoixe Petra 05:20. Diamanda Galas - Angels 05:09.
Tracklist Hide Credits
| A1 | Verrà La Morte E Avrà I Tuoi OcchiMusic By – Diamanda GalásText By – Cesare Pavese |
| A2 | Άνοιξε ΠέτραMusic By – Μίμης ΠλέσσαςText By – Λευτέρης Παπαδόπουλος |
| B1 | AngelsMusic By – Albert Ayler |
| B2 | Die Stunde KommtMusic By – Diamanda GalásText By – Ferdinand Freiligrath |
| C1 | FernandMusic By – Gérard JouannestText By – Jacques Brel |
| C2 | O Death |
| D1 | AmsterdamMusic By – Gérard JouannestText By – Jacques Brel |
| D2 | ArtemisMusic By – Diamanda GalásText By – Gérard De Nerval |
Companies, etc.
- Lacquer Cut At – Bonati Mastering
- Copyright (c) – Intravenal Sound Operations
Credits
- Mastered By – Josh Bonati
- Voice, Piano – Diamanda Galás
Notes
Recorded live at St.Thomas the Apostle, Harlem, May 2016.First 400 copies signed by Diamanda.
Dedicated to Vincent Cuoco, Jr.
Autographed copies available by pre-order through artist's website.
Barcode and Other Identifiers
- Matrix / Runout (Side 1, etched): 28520.1... ISOØØ3-LP A BONATI MASTERING NYC
- Matrix / Runout (Side 2, etched): 28520.2... ISOØØ3-LP B BONATI MASTERING NYC
- Matrix / Runout (Side 3, etched): 28520.3... ISOØØ3-LP C BONATI MASTERING NYC
- Matrix / Runout (Side 4, etched): 28520.4... ISOØØ3-LP D BONATI MASTERING NYC
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| none | Diamanda Galás | At Saint Thomas The Apostle Harlem (8xFile, FLAC) | Not On Label (Diamanda Galás Self-released) | none | US | 2017 |
| ISO 003 | Diamanda Galás | At Saint Thomas The Apostle Harlem (CD, Album) | Intravenal Sound Operations | ISO 003 | US | 2017 |
| none | Diamanda Galás | At Saint Thomas The Apostle Harlem (2xLP, Album, Gat) | Intravenal Sound Operations | none | US | 2018 |









