Peter Green's Fleetwood Mac - Peter Green's Fleetwood Mac album flac

Fleetwood Mac, also known as Peter Green's Fleetwood Mac, is the debut studio album by British blues rock band Fleetwood Mac, released on 24 February 1968. It is the only album by the band not to feature Christine McVie in any capacity.

This page is dedicated to the great Peter Green era of Fleetwood Mac .

Producer – Mike Vernon. Vocals, Guitar, Harmonica – Peter Green (2). Vocals, Slide Guitar, Piano – Jeremy Spencer. Front laminated sleeve. Cat 7-63200 appears on labels, front, rear and spine of sleeve, but Matrix runnout is S7-63200 from this Peter Green's Fleetwood Mac and the record play really on stereo.

Fleetwood Mac, the self-titled debut album, was released in 1968, and was one of the highlights of the late British Blues movement, climbing to the slot in the UK album charts without producing one single, and managing to stay in the charts for 37 weeks. It was a traditional blues album true to form, but one that also showcased Peter Green's budding singing and songwriting skills. 180 gram audiophile vinyl.

Peter Green's Fleetwood . .has been added to your Cart. Fleetwood Mac would spend their first studio time in 1968, this is that album. There's the usual studio chatter and as a bonus you hear the band tuning or messing around between takes. By that I mean before "My Heart Beats Like A Hammer" Peter does a little Hendrix. There is a difference in these songs than the later cuts from other sessions. Merry Go Round" illustrates Peters' "tuned" Les Paul. Hellhound On My Trail" Spencer sings and plays piano, this was before Christine.

Green is a more than competent guitar player, and the Mac’s treatment of Shake Your Moneymaker is just as powerful as the first Butterfield version (on the Paul Butterfield Blues Band album). The harp work is proficient in most places but rather weak on Got to Move, the old Sonny Boy Williamson song. Green’s composition Long Grey Mare is one of the best cuts on the album, anchored by McVie’s strong bass line. The record has a strange, prematurely vintage (if there can be such a thing) sound to it, like an old classic recording made in the late Forties or early Fifties