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D.O.M. - Remote Control Hearing / Full Throttle / Tracers album flac

D.O.M. - Remote Control Hearing / Full Throttle / Tracers album flac Performer: D.O.M.
Title: Remote Control Hearing / Full Throttle / Tracers
Style: Acid
Released: 1994
Country: UK
MP3 album: 1827 mb
FLAC album: 1222 mb
Rating: 4.9
Other formats: MPC VOC VQF ADX AA DMF XM
Genre: Electronic

Label: Stay Up Forever ‎– SUF 13 Promo. Format: Vinyl, 12", Promo, Stereo. Other Versions (3 of 3) View All. Cat.

Remote Control Hearing. Remote Control Hearing, Full Throttle, Tracers: 1. . Remote Control Hearing mp3. 2. Full Throttle mp3. 3. Tracers (Live) mp3. mp3 Player. Music video: Watch now . s video clip of album "Remote Control Hearing, Full Throttle, Tracers". Remote Control Hearing EP. The vinyl does not specify the artist or song titles.

Remote Control is the fifth album released by The Tubes. This was their first to be produced by Todd Rundgren (the other being 1985's Love Bomb). It is a concept album about a television-addicted idiot savant based on the book Being There by Jerzy Kosinski. The cover of Remote Control depicts a baby watching The Hollywood Squares in a specially made "Vidi-Trainer". The back cover is a close-up photo of the show's game board with eight members of the Tubes each sitting in different squares.

Full Throttle Performance, Dunstable. Automotive Garage, specialising in Bespoke Performance Exhausts, Ecu Remaps, Engine Builds & Modifications. Closed now. About full throttle performance.

Tracers wrapped filming on August 1, 2013, and was released in March 2015. In an interview, Taylor Lautner confirms the movie took long to be released due to no initial studio attachment and the "perfectionist" nature of director Daniel Benmayor. When Cam starts his car for the first time in the garage and then proceeds to throw it into reverse. He tries cranking the engine again.

In electronics, a remote control is an electronic device used to operate the device from a distance, usually wirelessly. For example, in consumer electronics, a remote control can be used to operate devices such as a television set, DVD player or other home appliance, from a short distance. A remote control is primarily a convenience feature for the user, and can allow operation of devices that are out of convenient reach for direct operation of controls.

A radio remote control qualifies as safe only if in case of failure it does not give rise to hazardous situations. In fact, radio remote control components must be able to withstand long-term use in professional environments; even in harsh ones. As their design relies heavily on regular monitoring and process redundancy models, IMET radio remote controls meet the highest safety standards. IMET radio remote controls improve safety, productivity and efficiency, together with comfort and simplicity in the daily use of your application.

Tracklist Hide Credits

A1 Remote Control Hearing
A2 Full Throttle
AA Tracers (Live)
Recorded By [Recorded With] – D-Kontrol*

Companies, etc.

  • Recorded At – Microdot Studios, Leeds

Credits

  • Written-By, Producer, Recorded By – John Nuccle*, Mike Humphries

Notes

A1&2 Written, Produced and Recorded at Microdot Studios, Leeds.

AA recorded live at the Orbit Leeds.

Other versions

Category Artist Title (Format) Label Category Country Year
SUF 013 DOM* Remote Control Hearing / Full Throttle / Tracers ‎(3xFile, WAV) Stay Up Forever SUF 013 UK Unknown
SUF 13.000mg D.O.M. Back Catalogue Special Edition ‎(12", RP) Stay Up Forever SUF 13.000mg UK Unknown
SUF 13 Promo D.O.M. Remote Control ‎(12", Promo) Stay Up Forever SUF 13 Promo Unknown


Comments: (1)
Runeshaper
Absolutely amazing! The A1 tune is an intense acid techno stomper with pushing acid drive and fast paced beats, and a fat, juiced up acid bass. Four to the floor madness goes hand in hand with frenetic old school acid. Very raw and unpolished - acid techno fury! A2 starts out like many stripped down to the core, harder and angular minimal techno tunes of the time. But then suddenly around the two minute mark an insanely dope acid sequence is dropped, and it drives the entire track up and down the highest walls. The whole tune goes on a wild rampage for almost three minutes non stop, takes a break some time before the five minute mark, and then goes at it once again with all might around the six minute point. The track is turgid with rabid acid synths dashing all over the place. Spectacular old school acid techno, no breaks! The flip side has Tracers, apparently a live recording. Sounding like a lost transmission from Mars, it patiently builds and pummels along, until this bleeping siren like hook is dropped around the three and a half minute mark, and from there on - voila - you have a proper old school raver's anthem: fast percussion, with pulsating sound effects, and an underlying layer of acid quietly erupting and surfacing towards the track's last third. For the last minute and some change, the (by now) dominant acid lead goes for one final assault hand in hand with the hook, and the result is an old schooler's wet dream. You know, overalls, gas masks, whistles and crazy hair cuts... I really, really like this EP a whole lot. Maybe not as chunky, funky and tongue in cheek as some more venerated S.U.F. releases, but these two guys are on top of their game here for sure. Stomping and hard techno, hard, drilling acid and punching bass lines are on the menu throughout. All of it is raw, thrown right at ya, and above all, so damn anthemic and dance floor devastating. Now, if only I could understand the low discogs rating users graced this one with...