John Kannenberg - Autumn Enso album flac
Performer: John KannenbergTitle: Autumn Enso
Style: Experimental, Ambient
Released: 2005
MP3 album: 1769 mb
FLAC album: 1405 mb
Rating: 4.2
Other formats: XM FLAC VOC AUD MOD MPC AHX
Genre: Electronic
Artists John Kannenberg Autumn Enso. Autumn Enso John Kannenberg. This album has an average beat per minute of BPM (slowest/fastest tempos:, BPM). Tracklist Autumn Enso. 2. Autumn Enso I. 10'04.
Created on a 12" 867MHz Powerbook G4 using Reason ., Peak . and Soundtrack . Sound sources: autumn leaves, rice paper, snare drum, hi-hat, crash + ride cymbals, synthesis, Kaoss pad. Cover photography, enso painting and digital image composition by John Kannenberg, 2003-2005. com/sound/autumn enso.
LyricsAutumn Enso III. John Kannenberg. Download now. English.
com/album/enso Leonhard Huhn - reeds Nathan Bontrager - cello Stefan Schönegg - bass. Enso Infinite Art. 2 года назад. Stora Enso - Recycling paper cups.
John Kannenberg (Milwaukee, WI) is a sonic and visual artist, whose work aims to evoke primal natural forces, spirituality, melancholy, nostalgia, and narrativity.
Слушайте John Kannenberg и скачивайте бесплатно в формате mp3 прямо сейчас, без кодов, смс и регистрации. Rijksmuseum, Amsterdam, Netherlands - February 24, 2010 - John Kannenberg. Eight Hour Circle Drawing, Hour Seven - John Kannenberg. One Hour Lemniscate Drawing - John Kannenberg. Three Hour Circle Drawing, Hour One - John Kannenberg. Tate Modern, London, UK - March 19, 2005 - John Kannenberg.
Listen to music from John Kannenberg like Being and Nothingness (A Secret Life Remixed). Find the latest tracks, albums, and images from John Kannenberg. John Kannenberg creates quietly reflective works in both image and sound that blur the boundaries between intention and accident.
John Kannenberg Sound maps, field recordings, conceptual drones. Director and Chief Curator of The Museum of Portable Sound.
john kannenberg (1 Albums, 2 Tracks). TAGGED AS: john kannenberg. Our Lives In The Bush Of Disquiet. Also Featured In: Album. 07. john kannenberg - Being and Nothingness (A Secret Life Remixed) (03:52). These songs are part of a compilation album.
Tracklist
| 1 | Prelude | 3:40 |
| 2 | Autumn Enso I | 10:07 |
| 3 | Interlude I | 3:24 |
| 4 | Autumn Enso II | 12:05 |
| 5 | Interlude II | 2:34 |
| 6 | Autumn Enso III | 12:31 |
Notes
Composed, performed and produced 2003-2005.Created on a 12″ 867MHz Powerbook G4 using Reason 2.0, Peak 3.0 and Soundtrack 1.0.
Sound sources: autumn leaves, rice paper, snare drum, hi-hat, crash + ride cymbals, synthesis, Kaoss pad.
« Autumn Enso » began as a visual idea. In the winter of 2003, I attended an exhibition at the Smart Museum of Art at the University of Chicago entitled « Visual Mantras: Meditative Traditions in Japanese Buddhist Art » and was particularly struck by two pieces in the exhibition. « Sunrise Enso, » a folding fan painted by Nakahara Nantenbo in 1920, and especially « Fire Enso, » a hanging scroll painted by Setsudo Joen in the late 18th century, were simplecalligraphic designs that incorporated the enso, a stark black circle of ink that became one of the most important visual symbols in zen artwork. Embodying many facetrs of zen philosophy, the enso makes reference to the cycle of birth, death and reincarnation; the cyclical nature of the seasons; the shape of the planets; and the curved space of the cosmos.
Around the same time I had been thinking about making some visual pieces using autumn leaves. After seeing the enso brush paintings in the exhibition, I decided to make an enso out of autumn leaves. It wasn’t until I decided that the leaves should be placed in a circle around the edge of a snare drum that I began to think of ways this concept could become the basis for a sound piece.
I decided to create the leaf enso as part of a recording session in my studio, and decided to document the process with photographs and audio recordings. I began with a starkly lit snare drum. Slowly, I placed a circle of autumn leaves, gathered from the sidewalk outside my home, around its outer edge. I then placed a piece of rice paper on top of the leaves and made a charcoal rubbing. The four photographs that documented this process became the basis for a visual work entitled « Autumn Enso ».
The pieces all make use of low frequencies, giving them a degraded, « static » sound which is meant to represent the decay of autumn – a nod to another Japanese aesthetic, wabi-sabi, which celebrates the beauty of imperfection and impermanence. (John Kannenberg)
