Phyllis Dillon With Tommy McCook & The Supersonics - Perfidia / It's Rocking Time album flac

Perfidia, It's Rocking Time ‎(7", W/Lbl). Phyllis Dillon With Tommy McCook & The Supersonics. Phyllis Dillon With Tommy McCook & The Supersonics - Perfidia, It's Rocking Time ‎(7").

Phyllis Dillon It's Rocking Time. play) (pause) (download) (fb) (vk) (tw). The Supersonics, Tommy McCook Boys and Girls Reggae (with Tommy McCook & The Supersonics) (Take 3) (Take 3). 02:13.

Album by Phillis Dylon. Perfidia by Phillis Dylon, Tommy McCook and The Supersonics. is a cover of. Perfidia by Xavier Cugat (1939).

Alton ELLIS & THE FLAMES with TOMMY McCOOK & THE SUPERSONICS. Over the subsequent half a century it has done just that, releasing many of the defining albums of ska, rocksteady, dub and reggae from artists including The Upsetters, Jimmy Cliff, Desmond Dekker, The Maytals, Dennis Brown, John Holt, Lee 'Scratch' Perry and Bob Marley and the Wailers, as well as the hugely popular Tighten Up! compilations. Delroy Wilson - "Once Upon A Time". Phyllis Dillon - "Don't Stay Away". Rudy Mills - "Long Story". The Three Tops - "Do It Right".

Another original song, "It’s Rocking Time" would later be turned into the Alton Ellis' hit "Rocksteady". While these early recordings demonstrate Dillon's mastery of the rocksteady sound, a much slower, soulful, response to the sultry weather that made ska's upbeat rhythm and tempo undesirable even impracticable, it was no indication of her greatest performance, 1967's "Perfidia"

Another original song, "It’s Rocking Time" would later be turned into the Alton Ellis' hit "Rocksteady". While these early recordings demonstrate Dillon's mastery of the rocksteady sound, a much slower, soulful, response to the sultry weather that made ska's upbeat rhythm and tempo undesirable even impracticable, it was no indication of her greatest performance, 1967's "Perfidia". After a number of singles and an album entitled Living in Love, Dillon ended her recording career in 1971. In 1991, Michael Bonnet, the entertainment director for the Oceanea Hotel in Kingston approached Dillon inviting her to sing. Her refusal at first was later rescinded and sparked a revitalized interest in performing and recording. In 1998 Phyllis Dillon returned to the recording studio with Lynn Taitt, marked by reinterest in ska music in the United States. She remained active until illness took hold.