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Mayhem - Fierce / M-Power album flac

Mayhem Breakbeat Hardcore Techno 1993 UK

Performer: Mayhem
Title: Fierce / M-Power
Style: Breakbeat, Hardcore, Techno
Released: 1993
Country: UK
MP3 album: 1472 mb
FLAC album: 1144 mb
Rating: 4.9
Other formats: MP2 DXD AA MP1 FLAC AIFF MOD
Genre: Electronic

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Fierce' and 'M-Power' by Mayhem is a prime example of this with 'Fierce' being a storming techno-breakbeat crossover with a touch of darkness added to further expand the 1993 atmosphere. My personal favourite on this release is the awesome 'M-Power' which expands on the Metalheads 'Terminator' bass throbs in excellent fashion. When the drop hits midway, the track then introduces the most menacingly powerful, acid snarl I've ever heard. Sounding like some kind of immense growling alien beast.

M Power Nation, Fortitude Valley. Official page of BMWMBLOG ///M! .

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Mayhem is a Norwegian black metal band formed in 1984 in Oslo, Norway. They were one of the founders of the Norwegian black metal scene and their music has strongly influenced the black metal genre. Mayhem's early career was highly controversial, primarily due to their notorious live performances, the 1991 suicide of vocalist Per Yngve Ohlin ("Dead") and the 1993 murder of guitarist Øystein Aarseth ("Euronymous") by former member Varg Vikernes ("Count Grishnackh") of Burzum.

DJ Mayhem - Fierce - M-Power-(BRSS024)-VINYL-FLAC-1993. com/release/17865 01. Fierce 02. M-Power 11:55 min 67,42 MB.

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Tracklist

A	Fierce	5:41
AA	M-Power	6:01

Companies, etc.

Mixed At – Sound Entity Studios
Copyright (c) – Basement Records
Phonographic Copyright (p) – Basement Records

Credits

Mixed By – Jack Smooth
Producer – Mayhem*, Jack Smooth
Written-By – Ikin*

Notes

'M-Power' samples:
Vocals from The House Crew feat. MC Juice - All We Wanna Do Is Dance.
Shout from Wilson Pickett - Get Me Back on Time, Engine #9

Barcode and Other Identifiers

Barcode (Text): 5 021497 402875 >
Matrix / Runout (Side A machine stamped): BRSS 24 A-1-1-
Matrix / Runout (Side AA machine stamped): BRSS 24 AA-1-1-

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
none	DJ Mayhem	Fierce / M-Power ‎(Acetate, 10")	Not On Label	none	UK	Unknown
BRSS 024	Mayhem*	Vol.3 ‎(12", Promo)	Basement Records	BRSS 024	UK	1993
BRSS 024	Mayhem*	Fierce ‎(File, MP3, 320)	Basement Records	BRSS 024	UK	Unknown
BRSS 24	DJ Mayhem	Vol III ‎(12", TP, W/Lbl)	Basement Records	BRSS 24	UK	1993
BRSS 024	Mayhem*	Vol III ‎(12", TP, W/Lbl)	Basement Records	BRSS 024	UK	1993

Comments: (3)

Weernis

Excellent release here. My fav is M-Power. I usually like to mix through tunes quick but always leave this one running 'til that excellent breakdown right near the end of the track, which is what it all builds up to for me. The beats, bass and acid line break away into a rich, deep synth sound which then adds a haunting, higher-pitched pad on top. Then in comes the Terminator break where it plays out through to the end. It's a very short part after that breakdown but is executed perfectly, not overdoing it and leaving you wanting more. Personally, I wait for the whole tune for that bit and feel short-changed if it's mixed out early. Don't get me wrong, the whole tune itself is very enjoyable but the final part is the icing on the cake.

Vichredag

The test press of M-Power features a break from Metalheads - Terminator. Grooverider was playing the TP alongside Goldie, who disapproved, so Mayhem went back to the studio and made the final released version with a different break.

Aver

Basement Records was one of those labels who would put out some serious quality releases with both the A-Sides and AA-Sides being equally as strong as the other, with the flip often being on a slightly more experimental tip. 'Fierce' and 'M-Power' by Mayhem is a prime example of this with 'Fierce' being a storming techno-breakbeat crossover with a touch of darkness added to further expand the 1993 atmosphere. My personal favourite on this release is the awesome 'M-Power' which expands on the Metalheads 'Terminator' bass throbs in excellent fashion. When the drop hits midway, the track then introduces the most menacingly powerful, acid snarl I've ever heard. Sounding like some kind of immense growling alien beast. There are also some soothing synths to compliment the track and add a little light to the darkness too. An essential Mayhem/Basement release.

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