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House Of Love - Audience With The Mind album flac

House Of Love - Audience With The Mind album flac Performer: House Of Love
Title: Audience With The Mind
Style: Alternative Rock, Ethereal
Released: 1993
Country: UK
MP3 album: 1115 mb
FLAC album: 1720 mb
Rating: 4.5
Other formats: VQF AIFF DXD ASF XM MPC DTS
Genre: Rock

French issue with Prussian blue coloured disc label.

Audience With The Mind. Post-punk The House Of Love. 队列表 Post-punk The House Of Love Audience With The Mind. Band Name The House Of Love. Album Name Audience With The Mind. Other productions from The House Of Love. She Paints Words In Red. Days Run Away. Overview (current section).

Won't this body leave this mind Can't this child decide to find A reason why this soul might be subliming from another time That's why I have I feel What some would say is a dangerous mind. Won't this lady leave this room She's not dead I'm not a tomb My head's a rocket full of gin but not quite dead That's why I have I feel What some would say is a dangerous mind. La laa la laaa La laa la laaa

Into the Tunnel The House of Love. Hollow The House of Love. Portrait in Atlanta The House of Love. You've Got to Feel The House of Love. Report illegal content.

A2 Audience With The Mind 3:35. The House Of Love - Audience With The Mind.

All in the Mind is the sole studio album by American house music act the Bucketheads, released in August 1995 by Big Beat Records in the United States and shortly after by Positiva Records in the United Kingdom. Unimpressed with what he perceived to be fellow producers copying his characteristic style, producer Kenny "Dope" Gonzales launched the Bucketheads as a stylistic detour to explore influences such as disco, hip hop and Latin music, hoping to throw his audience a 'curveball'

Tracklist Hide Credits

A1 Sweet Anatomy
Written-By – Pete Evans*
A2 Audience With The Mind
A3 Haloes
A4 Erosion
Written-By – Chris Groothuizen
A5 Call Me
A6 Shining On
B1 Portrait In Atlanta
B2 Corridors
B3 Hollow
Written-By – Chris Groothuizen
B4 All Night Long
B5 Into The Tunnel
B6 You've Got To Feel

Companies, etc.

  • Pressed By – DFI
  • Mixed At – Metropolis Studios
  • Recorded At – Orinoco Studios
  • Copyright (c) – Phonogram Ltd. (London)
  • Phonographic Copyright (p) – Phonogram Ltd. (London)

Credits

  • Backing Vocals – Andrea Heukamp
  • Design [Back Cover Stage Model] – Lara Lockton
  • Design [Sleeve] – Chris Groothuizen
  • Engineer – Ted Hayton
  • Engineer [Assistant] – Tim Holmes
  • Executive-Producer – Dave Bates*, Merck Mercuriadis
  • Lacquer Cut By – JA*
  • Layout – Sue Bramley
  • Management – Merck Mercuriadis, Sanctuary Music (Overseas) Ltd*
  • Mixed By – Michael Gregovich* (tracks: A1, A6, B2), Simon Vinestock (tracks: A1 to A5, B1, B3 to B6)
  • Photography By – Suzi Gibbons*
  • Producer, Arranged By – The House Of Love
  • Slide Guitar, Acoustic Guitar – Sean O'Hagen* (tracks: A6)
  • Written-By – Guy Chadwick (tracks: A2, A3, A5 to B2, B4 to B6)

Barcode and Other Identifiers

  • Label Code: LC 209
  • Barcode: 731451488016
  • Price Code: PG 281
  • Rights Society: BIEM / STEMRA
  • Matrix / Runout (Side A): DFI 93.5 514 880-1 A'' JA CLAIRE
  • Matrix / Runout (Side B): DFI 93.5 514 880-1 B''

Other versions

Category Artist Title (Format) Label Category Country Year
514 880-2 The House Of Love Audience With The Mind ‎(CD, Album) Fontana 514 880-2 UK 1993
514 880-2 The House Of Love Audience With The Mind ‎(CD, Album, Promo) Fontana 514 880-2 UK 1993
314 514 880-2 The House Of Love Audience With The Mind ‎(CD, Album) Fontana, Mercury 314 514 880-2 US 1993
314 514 880-4 The House Of Love Audience With The Mind ‎(Cass, Album) Fontana 314 514 880-4 Canada 1993
514 880-4 The House Of Love Audience With The Mind ‎(Cass, Album) Fontana 514 880-4 Indonesia 1993


Comments: (1)
Granirad
Listen ... no really, you should listen, it’s not about the thinking.  What most people are thinking about, is that they want another House Of Love album, just like the one that made so much sense to them the last time, one that would take them to the same places.  But man, it’s about the group and their musical progression.  It’s about the space they’re in, it’s about what they’re feeling, where if you signed up for the trip, then please don’t expect the scenery to remain the same mile after mile.While this album is layered with just as much texture and emotion as ever, it’s just shown from a different angle, and aren’t all good hallucinations just that, perceiving things from differing angles. On Audience with the Mind the voices have been brought more to the center, the vocals are much more clear, the record feels like it’s a bit more light and airier, yet still warm and filled with dark passion.  I don’t believe that many people took the time to seriously listen to the lyrics on previous House Of Love albums, due to the nature of the music being so rich, so full, so heavily layered and textured that the vocals were just an extension, an afterthought of that intoxicating hypnotic sound.  While here, the vocals need to be reckoned with, they’re not hiding in the background mysteriously.  Here we almost get a combination for the feel of House Of Love (The Butterfly Album) and the feeling of Guy Chadwick’s brilliant, entirely romantic, solo effort Lazy Soft and Slow.Even with all of that, this is still very much a House Of Love album in every respect, and while acceptance of this release may be difficult, there will come a time when the place Audience with the Mind holds in you collection will be as strong as any other of their releases, it’s just gonna take you some time to shake off the hallucinations that wasted you on previous outings, stepping you into the afterglow, not quite reality, yet not wholly as intoxicatingly dream-laden.As always, the instrumentations are resounding and clean, precise and flawless in their application and production.  Every member of the band is playing as a single unit, flowing together with an assuredness, where each aspect or vision is no more important that any other.  There is comfortable and wonderfully sustained guitar work, over which has been laid very controlled feedback and perhaps a more prominent use of the drums; though that may be debatable.  For sure, the record is slightly more rock and roll then other House of Love releases, yet methinks that’s a reflection of the emancipation one begins to sense as the acid wears off, the feeling of grounded-ness and control steps in, and one is left smiling at the chair, the carpet and the posters on the wall that were all so much more animated the night before, and yes, the ceiling is now back in place.  With the sound on this release remaining moody dark warm and low, we’re still presented with an adventure of colour, like that of a summer's slow motion sunset.This record will hold it’s own that’s for sure. You’re going to find bits of past House Of Love visions lingering around the edges, nevertheless, I’m ever so happy to hear the band step front and center with a new refined and ambitious recording.Review by Jenell Kesler