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Oval - Systemisch album flac

Oval - Systemisch album flac Performer: Oval
Title: Systemisch
Style: Abstract, Experimental
Released: 1996
Country: Germany
MP3 album: 1997 mb
FLAC album: 1235 mb
Rating: 4.8
Other formats: MPC VOC AC3 MIDI RA MOD TTA
Genre: Electronic

Systemisch is a 1994 album by the German glitch group Oval. It was released in 1994 by Mille Plateaux. This new approach gave Oval their first major critical attention

Slightly overbearing over the course of its 11 tracks, the best of Systemische is truly remarkable in its unlikely musicality.

Oval is an electronic music group founded in Germany in 1991 by Markus Popp, Sebastian Oschatz and Frank Metzger  . In 2001 Björk sampled the track "Aero Deck" (from the 1994 album Systemisch) on her Vespertine album. Markus Popp was an integral part of the creation of Gastr Del Sol's 1998 album Camoufleur. In 2003, Popp released a record on Thrill Jockey together with the Japanese singer Eriko Toyada. As a duo they were called So, and its record was self-titled.

Systemisch (remastered 2013 reissue) by Oval, released 01 January 1996 1. Textuell 2. Aero Deck 3. The Politics Of Digital Audio 4. Schöner Wissen 5. Catchy DAAD 6. Mediaton 7. Tonregie 8. Oval Office 9. Compact Disc 10. Post-Post 11. Gabba Nation. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card.

On this page you can listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. And you can download the album in one file to your computer or tablet or phone. Attention! All audio material is presented solely for information.

Tracklist

1 Textuell 7:23
2 Aero Deck 4:33
3 The Politics Of Digital Audio 5:21
4 Schöner Wissen 5:19
5 Catchy Daad 6:14
6 Mediaton 4:22
7 Tonregie 5:05
8 Oval Office 5:08
9 Compact Disc 6:35
10 Post-Post 4:51
11 Gabba Nation 5:04

Companies, etc.

  • Pressed By – Disque Americ

Credits

  • Music By [Uncredited] – Frank Metzger, Markus Popp, Sebastian Oschatz

Barcode and Other Identifiers

  • Barcode: 0 36172 87322 7
  • Matrix / Runout: DADR 0RXR1<241>THRILL032CD
  • Mastering SID Code (Variant 2): IFPI L481
  • Mould SID Code (Variant 1): IFPI 8149
  • Mould SID Code (Variant 2): IFPI 8103

Other versions

Category Artist Title (Format) Label Category Country Year
MP CD 9 Oval Systemisch ‎(CD, Album) Mille Plateaux MP CD 9 Germany 1994
MP LP 9, MP 9, EFA 00659-6 Oval Systemisch ‎(2xLP, Album, Ltd, Whi) Mille Plateaux, Mille Plateaux, EFA MP LP 9, MP 9, EFA 00659-6 Germany 1994
thrill 032 Oval Systemisch ‎(2xLP, Album, RP, Cle) Thrill Jockey thrill 032 Europe 2013
Si17 Oval Systemisch ‎(Cass, Album) Sound Improvement Si17 Poland 2000
none Oval Systemisch ‎(2xLP, Album, W/Lbl) Mille Plateaux none Germany 1994


Comments: (1)
White gold
The problem with the German language (and its philosophical tradition... I'm looking at you, Immanuel Kant) is that it's too easy to wax philosophical about art and to make more complicated what can be described as base instinct. Oval's "manifesto" can be summed up in the following way: "We experiment computers and technology in creating sound and we are going to publish what we like." In spite of what I just said, what's ultimately appealing about Oval is both the means and the ends of technological experimentation. This album reflects an interest in taking what we would normally consider a "defect" (CD skipping, faulty wiring in the speakers, etc.) and turn it into something musical. In a way, they are a continuation of the musique concrete school of Varese but now it's Macintosh computers instead of reel-to-reel tape machines. Regardless of Oval calls it, there is something musical about the end results and it's something that I think is forgotten right about the time we hit Ovalcommers. It is sonically harsh at times but not abrasive (like the aforementioned later release). In fact, if you listen to it enough times, you may not react so violent the next time your favourite CD skips. (I've even made a joke of it: every instance of a CD skip, I call it the "Oval remix"). Plus there are interesting appearances of Oval from the obscure (Julien Donkey-Boy) to the bizarre (a male cologne commercial). So while you may dismiss their "manifesto" as philosophical wankery and the music as mere technological wankery, there is something to it that you can't help but be entranced, or at least aware of different possibilities of hearing and perceiving music.