The Blues Project - Live At The Cafe Au Go Go album flac

Live at The Cafe Au Go Go (1966). Live at Town Hall (1967). Singles from Projections. I Can't Keep From Crying" Released: November, 1966. Projections is the second album by American blues rock band The Blues Project. Produced by Tom Wilson and released by Verve/Folkways in November 1966, the album was their first studio release and examined a more rock-based sound. Soon after the release of this album, Al Kooper left the band in the spring of 1967 to form Blood, Sweat & Tears.

This version has Verve Folkways labels and jacket with the FT catalog numbers printed on both. MGM Records, A Division Of Metro-Goldwyn-Mayer, Inc., Made in .

Live at The Cafe Au Go Go is the debut album by the American band The Blues Project, recorded live during the Blues Bag four-day concert on the evenings of November 24-27, 1965 at the Cafe Au Go Go in New York City. The recording finished up in January, 1966 at the same venue, by which time Tommy Flanders had left the band. They scaled down their usual lengthy arrangements for the album due to time constraints and record label wariness. Goin' Down Louisiana" (Muddy Waters) – 4:04.

The Blues Project – You Go And I'll Go With You. 5:31. The Blues Project – 11 - Who Do You Love (Live At The Cafe Au G. :09. The Blues Project – Goin' Down Louisiana. The Blues Project – Alberta. The Blues Project – Jelly Jelly Blues. The Blues Project – I Want To Be Your Driver. The Blues Project – Spoonful. The Blues Project – Violets Of Dawn. The Blues Project – The Way My Baby Walks.

Live at The Cafe Go-Go is recoreded with Muddy Waters band (Muddy always had the best bands!) including the great Otis Spann on Piano. Muddy even plays guitar on one of the tunes. Sound quality is excellent and John Live is in fine form, but a little restrain. This contains all but two cuts of the original Live at Soledad album. These two tunes were sung by John Lee Jr. I love how at the end of the album the prison plugs the plug on the band and it takes a while for everybody to figure out what happened. For me this is some of the finest JLH caught live on tape. JLH studio album 'Never get out of these blues alive' is also another great album

You are here: setlist. fm Artists B Blues Project, The December 21, 1965 Setlist. The Blues Project Gig Timeline. The Blues Project Cafe au Go-Go, New York, NY - Dec 19, 1965 Dec 19 1965. The Blues Project Cafe au Go-Go, New York, NY - Dec 20, 1965 Dec 20 1965. The Blues Project Cafe au Go-Go, New York, NY - Dec 21, 1965 Dec 21 1965. The Blues Project Cafe au Go-Go, New York, NY - Dec 22, 1965 Dec 22 1965. The Blues Project Cafe au Go-Go, New York, NY - Dec 23, 1965 Dec 23 1965. Last updated: 8 Jun 2019, 09:32 Etc/UTC.

Verve/Folkways and Howard Solomon, entrepreneur of the Cafe Au Go Go in New York's Greenwich Village, presented a four-day concert series called the "Blues Ba. The evenings of November 24 through the 27 at the Cafe Au Go Go proved to be one of the most exciting events during a busy weekend of folk and jazz concerts. The Blues Project group topped a long show that was filled with talented and exciting performers. They not only held their audience, but they drew cries of "more, more, more" after each encore.

Live At The House Of Blues. Live Blues In Red Square. Live At The Cafe Au Go Go. Live At Town Hall. Live Wire-Blues Power. Blues Is King (Live At The International Club, Chicago/1966). Live from the Long Island Blues Warehouse. Live At The Palais Royale. Live At The House Of Blues. LIVE - That Hot Pink Blues Album. Хиты FM. Русский рок в XX веке.

Lucille 11. Boogie Everywhere I Go 12. Serve Me Right To Suffer 13. Bang Bang Bang Bang. Personnel: John Lee Hooker (vocals, guitar); John Lee Hooker Jr. (vocals); Muddy Waters, Sammy Lawhorn, Luther Johnson, Luther Tucker, Charlie Grimes (guitar); Otis Spann (piano); Mac Arnold, Lex Silver (bass); Francis Clay, Ken Swank (drums). Recorded live on August 30, 1966 and on June 11, 1972. Perhaps it's a tribute to the visceral nature of the blues that Hooker's live performances are usually more powerful than his studio recordings. Whatever the reason, this disc is no exception.