Beethoven / Ronald Brautigam - Mondschein & Pastorale - Sonatas Opp. 26, 27 & 28 (Complete Works For Solo Piano - Volume 4) album flac

26, 27 & 28. 2006. This album has an average beat per minute of 118 BPM (slowest/fastest tempos: 60/180 BPM). See its BPM profile at the bottom of the page. 26, 27 & 28. Album starts at 98BPM, ends at BPM (-98), with tempos within the -BPM range. Try refreshing the page if dots are missing).

Ludwig van Beethoven - Ronald Brautigam - Complete Works For Solo Piano, Volume 3 - Die Verliebte - Sonatas Op. 7; O. 0 Nos. 1-3 (SACD, Hybrid, Multichannel, Album). 26, 27 & 28 (Complete Works For Solo Piano - Volume 4) (SACD, Hybrid, Multichannel, Album). Non disponibile in None. Etichetta:BIS N. cat: BIS-SACD-1473.

Ronald Brautigam (born 1954) is a Dutch concert pianist, best known for his performances of Beethoven's piano works on the fortepiano. Born in Amsterdam, Brautigam studied with Jan Wijn and left to study in London and in the United States. His skill as a pianist was recognised by Dutch musicians and in 1984 he was awarded the Nederlandse Muziekprijs. Brautigam lives in Amsterdam with his wife Mary. BBC Radio 3's In Tune program (27 January 2014). Bio at his official site. Complete Works for Solo Piano, Volume 4: Mondschein & Pastorale: Sonatas, opp. 26, 27 & 28 released: 2006. Complete Works for Solo Piano, Volume 3: Die Verliebte: Sonatas, op. 7; op. 10, nos. 1-3 released: 2006. Masterworks for Flute and Piano released: 2006. Complete Works for Solo Piano, Volume 2: Early Vienna: Sonatas, op. 2, nos. 1-3; op. 49, nos. 1-2 released: 2005.

Artist: Ronald Brautigam Title Of Album: Beethoven: Complete Works for Solo Piano, Vol. 4 Year Of Release: 2007 Label: BIS Genre: Classical Quality: MP3 Bitrate: 320 kbps Time: 01:13:30 mi. Dutch player Ronald Brautigam, who plays both fortepiano and modern instruments, has received widespread praise for his ongoing series of Beethoven piano sonatas, and this disc, the fourth in the series, does not disappoint. Several Brautigam recordings have featured instruments temporally very closely matched to the music being played, and the fortepiano here, a 2001 copy of an 1802 instrument, seems ideally matched to Beethoven's intentions. The definition of contrasts between its registers is startling. Hear the final movement of the "Moonlight" sonata, track 11 - it's.

Beethoven: Complete Bagatelle (Complete Works For Solo Piano Vo. 0). I cannot praise these performances by Ronald Brautigam of Beethoven's Piano Sonatas nos 21 to 25 highly enough. To be honest I was put off by the fortepiano sound at first, which has a good bit more "ping" than would be found on the usual Steinway or Baldwin or Bosendorfer. In the typical concert grande piano, the elements of wood and iron and steel wire produce a sound that is much more of a blend of these elements, so that no single element predominates.

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After an epic nine-album project recording Beethoven's 32 numbered sonatas, early sonatas and sonatinas, Ronald Brautigam embarks on the second leg of his traversal of the composer's music for solo piano. This volume, released in 2011, includes the complete Bagatelles: not only the three sets published during Beethoven’s lifetime, but also 13 additional pieces written throughout his career. Brautigam performs the various works on two different fortepianos to accurately represent the same type of instrument Beethoven would have had at his disposal when writing them.