Terry Gibbs - My Yiddishe Momme / And The Angels Sing album flac

Terry Gibbs Plays Jewish Melodies in Jazztime is a 1963 studio album by Terry Gibbs. It is the debut recording of Alice McLeod, who became Alice Coltrane when she married John Coltrane in 1965. Bei Mir Bist du Schön" (Sammy Cahn, Saul Chaplin, Jacob Jacobs, Sholom Secunda) – 5:01. Kazochok (Russian Dance)" (Traditional) – 2:50. Vuloch (A Folk Dance)" (Traditional) – 3:59. My Yiddish Momme" (Lew Pollack, Jack Yellen) – 3:04.

My Yiddishe Momme (3:04). And the Angels Sing (2:45). Shaine Une Zees (Pretty & Sweet) (6:26). Nyah Shere (New Dance) (4:11). Personnel: Terry Gibbs - vibraphone, marimba. Sam Kutcher - trombone. Ray Musiker - clarinet. Terry Gibbs Plays Jewish Melodies In Jazztime is a 1963 album by vibraphonist Terry Gibbs. The album has a theme which goes through different world musics, all done with a constant string of jazz. The album features Sol Sage on drums & marimba; Herman Wright on bass; Ray Musiker on clarinet; Sam Kutcher on trombone; Alan Logan on piano; and Bobby Pike on drums, but it is notable for featuring Alice McLeod on piano, who would later marry saxophonist John Coltrane. Originally released on Mercury, this CD was released in 2002 by Verve Music Group.

My Yiddishe Momme (3:04) 06. And the Angels Sing (2:45) 07. S & S (4:34) 08. Shaine Une Zees (Pretty & Sweet) (6:26) 09. Nyah Shere (New Dance) (4:11) Personnel: Terry Gibbs - vibraphone, marimba Sam Kutcher - trombone Ray Musiker - clarinet Alan Logan - piano Alice McLeod - piano Herman Wright - bass Sol Gage - drums, marimba Bobby Pike - drums.

Terry Gibbs's best-known dream band was the big band documented on an acclaimed series of unearthed recordings from the late 1950s and early '60s. His least-known dream band is the one featured on this long out-of-print album, which combines a bop-minded jazz quartet headed by Gibbs (on vibraphone and marimba) and a quartet devoted to traditional Jewish music led by his older brother, drummer Sol Gage. The album's stylistic division of labor-bop-driven jazz sections trade off with straightforward Jewish parts-sometimes reduces the music to a battle of the band. But it's a lively experiment that anticipates the recent klezmer revival in jazz; just listen to the swinging and soaring takes on "Bei Mir Bist du Schön" and "My Yiddishe Momme"-and let's not forget Ziggy Elman's "And the Angels Sing.

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