Menahem Pressler, Harry Glantz, Julius Baker, Claude Monteux, Philip Sklar - D'Indy - Suite In Olden Style For Trumpet, Two Flutes And Strings, Op. 24 / Saint-Saens - Septet For Piano, Trumpet And Strings, Op 65 album flac

Label Category Country Year. Glantz, Julius Baker, Claude.

Saint-Saëns: Septet in E flat major for piano, trumpet, 2 violins, viola, cello and double bass Op. 65. 18:31. Stradivari String Quartet, Philip Sklar, Brooks Smith, Harry Glanz.

Concerto for Trumpet, Bassoon and Strings (Hindemith, Paul). IMSLP does not assume any sort of legal responsibility or liability.

Concerto No. 1 for Piano, Trumpet and String Orchestra in C Minor, Op. 35: III. Moderato - Menahem Pressler, Harry Glantz, Theodore Bloomfield, Dimitri Shostakovitch. Открывайте новую музыку каждый день. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Миллионы композиций бесплатно и в хорошем качестве.

The unusual scoring (trumpet, piano, string quartet, double bass) of this septet may have limited its performances and recordings, but it's truly one of the most delightful chamber works of the nineteenth century. Saint-Saëns wrote it in 1881, for a Parisian music society called "La Trompette," and, given such a name, the composer could hardly have resisted working a trumpet into the piece. Inevitably, it becomes the dominant voice almost whenever it plays, but Saint-Saëns makes a valiant effort to keep the ensemble as balanced as possible. Opening with an assertive chord for piano and strings, the first movement, Préambule, establishes an energetic and dynamic mood; the trumpet then emerges with a long, calming note, subsequently embarking on a mock-pompous processional theme accompanied by sharp chords and occasional piano flourishes.

Tchaikovsky's Serenade for Strings in C major, Op. 48, was composed in 1880. Serenade for Strings has 4 movements: Pezzo in forma di sonatina: Andante non troppo - Allegro moderato. Valse: Moderato - Tempo di valse. légie: Larghetto elegiaco. Finale (Tema russo): Andante - Allegro con spirito. Tchaikovsky intended the first movement to be an imitation of Mozart's style, and it was based on the form of the classical sonatina, with a slow introduction.