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St. Vincent - Masseduction album flac

St. Vincent Indie Rock 2017 US

Performer: St. Vincent
Title: Masseduction
Style: Indie Rock
Released: 2017
Country: US
MP3 album: 1156 mb
FLAC album: 1871 mb
Rating: 4.4
Other formats: APE FLAC AAC MIDI MP3 VOC VOX
Genre: Rock

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Masseduction (stylized in all caps) is the fifth studio album by American musician St. Vincent. It was released on October 13, 2017, through Loma Vista Recordings. The album peaked at number 10 on the Billboard 200, becoming her first top ten album in the United States. The album also received universal acclaim and was the fourth-most mentioned in critics' year-end lists for 2017.

Released October 13, 2017. About MASSEDUCTION 2 contributors. Masseduction (mass-seduction, stylized as MASSEDUCTION) is the fifth studio album by Annie Clark under the name St. Vincent, released on October 13, 2017, through Loma Vista Recordings. The lead single, New York was released on the 30th of June, 2017. Additionally, the second single Los Ageless was released the same day. St. Vincent has said that the record is all about sex and drugs and sadness.

Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like a weapon Mass destruction I don't turn off what turns me on. Mass destruction Mass destruction Mass destruction Mass destruction I don't turn off what turns me on Mass destruction Mass destruction Mass destruction Mass destruction. The title track of Masseduction. The thesis for the album very well could be a lyric from this song: I can’t turn off what turns me on. It was the last track to come together. The words to all the verses and everything just came out in a torrent, and I sent them to Jack.

Lyrics to "Masseduction" song by St. Vincent: Black saint, sinner lady Playin' knockoff soul A punk rock romantic Slumped on the kitchen floor Nu. .Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like a weapon Mass destruction I don't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like.

Vincent gets called the female Bowie. Not always for her music, which has taken off from steady and skillful to expansive and gripping at exponential speed; not for her tributes and eulogies of the man, nor exactly for her gender-tweaking image. No, among the first hits for female Bowie is a British tabloid, sweeping her and model and ex-girlfriend Cara Delevingne into a world of domestic bliss and purple loo outfit. Such is the life of a woman whose artistry has been made into snackable content. Masseduction, then, is her Let’s Dance: exploding the comparatively unassuming craft of Marry Me and the comparatively tentative rhythms of her self-titled album into immediate hooks with a roaring largesse. The guitars are background squalls, compressed and oiled up with Gary Glitter tuning. Kendrick Lamar beatmaker Sounwave contributes.

Masseduction ‎(LP, Album, Dlx, Ltd, Pin). Loma Vista, Loma Vista. LVR00225, 00888072037120. Label and spindle centered. Sound has astonishing depth and clarity. Fantastic release from St Vincent. Reply Notify me 1 Helpful.

Vincent has finally admitted to who was behind - erm, in front of - the butt modeled on her Masseduction album cover.

Grammy-winning, alt-pop darling St. Vincent returns with an intriguing, well-rounded album with ‘Masseduction. Grammy-winning alternative musician St. Vincent is back. After captivating the world with Digital Witness and her Grammy-winning, self-titled album in 2014, she returns with Masseduction. Masseduction definitely isn’t your ‘everyday title,’ but it’s simply a play on words – mass + seduction. Like the title itself, Masseduction ends up being an incredibly intriguing album. Hang on Me. Hang on Me marks the first notion of strong pop influences throughout Masseduction

Tracklist Hide Credits

A1	Hang On Me Guitar, Vocals – Annie ClarkPiano – Thomas BartlettProgrammed By, Bass, Mellotron – Jack AntonoffWritten-By – A. Clark*	2:48
A2	Pills Bass – Mike ElizondoProgrammed By – Adam Pickrell, SounwaveSaxophone – Evan Smith , Kamasi WashingtonSynth – Daniel MintserisSynth, Piano, Bass, Drums, Programmed By – Jack AntonoffVocals – Annie Clark, Jenny Lewis, Kid MonkeyWritten-By – A. Clark, J. Antonoff, M. A. Spears*	4:40
A3	Masseduction Guitar, Vocals – Annie ClarkPiano – Thomas BartlettProgrammed By – Jack AntonoffVocals – Toko YasudaWritten-By – A. Clark, J. Antonoff	3:17
A4	Sugarboy Guitar, Synth, Bass – Annie ClarkSynth, Programmed By – Jack AntonoffWritten-By – A. Clark, J. Antonoff	4:01
A5	Los Ageless Guitar – Tuck AndressGuitar, Vocals – Annie ClarkPedal Steel Guitar – Greg LeiszSaxophone – Evan Smith Synth, Programmed By – Jack AntonoffVocals – Patti AndressWritten-By – A. Clark	4:41
A6	Happy Birthday, Johnny Pedal Steel Guitar – Greg LeiszPiano – Thomas BartlettSynth – Jack AntonoffVocals – Annie ClarkWritten-By – A. Clark, J. Antonoff	2:58
B1	Savior Bass – Pino PalladinoGuitar – Tuck AndressGuitar, Vocals – Annie ClarkKeyboards – Bobby SparksPedal Steel Guitar – Greg LeiszPiano – Thomas BartlettProgrammed By – Jack AntonoffSynth – Daniel MintserisVocals – Patti AndressWritten-By – A. Clark	3:26
B2	New York Cello – Philip A. PetersonPiano – Thomas BartlettSynth, Programmed By – Jack AntonoffViolin – Timothy GarlandVocals – Annie ClarkWritten-By – A. Clark, J. Antonoff	2:34
B3	Fear The Future Bass – Mike ElizondoDrums, Programmed By, Synth – Jack AntonoffGuitar – Tuck AndressGuitar, Vocals – Annie ClarkSynth – Daniel Mintseris, Thomas BartlettWritten-By – A. Clark*	2:31
B4	Young Lover Guitar, Vocals – Annie ClarkSynth – Jack AntonoffSynth, Programmed By – Lars StalforsWritten-By – A. Clark*	3:33
B5	Dancing With A Ghost Arranged By [Strings], Synth – Jack AntonoffSaxophone – Evan Smith Strings – Margot Vocals – Annie ClarkWritten-By – A. Clark, J. Williams	0:46
B6	Slow Disco Arranged By [Strings], Synth, Programmed By – Jack AntonoffSaxophone – Evan Smith Strings – Margot Vocals – Annie ClarkWritten-By – A. Clark, J. Williams	2:44
B7	Smoking Section Guitar, Vocals – Annie ClarkPedal Steel Guitar – Greg Leisz, Rich HinmanPiano – Thomas BartlettSynth, Programmed By – Jack AntonoffVocals – Patti AndressWritten-By – A. Clark	3:37

Companies, etc.

Licensed To – Caroline International
Phonographic Copyright (p) – Loma Vista Recordings
Copyright (c) – Loma Vista Recordings
Phonographic Copyright (p) – Concord Music Group, Inc.
Copyright (c) – Concord Music Group, Inc.
Published By – Big Deal Notes
Published By – Nail Polish Manifesto Music
Published By – Words & Music
Published By – Sony/ATV Songs LLC
Published By – Ducky Donath Music
Published By – EMI Blackwood Music Inc.
Published By – Here's To Me Music
Published By – Sony/ATV Allegro
Published By – Beat Bully Productions
Recorded At – Electric Lady Studios
Recorded At – Rough Consumer Studio
Recorded At – Compound Fracture Studio
Mastered At – Sterling Sound
Lacquer Cut At – Sterling Sound
Manufactured By – Memphis Record Pressing – MRP0919
Pressed By – GZ Media – 162211E
Pressed By – GZ Media – 164565E

Credits

Co-producer – Lars Stalfors (tracks: A3, B4)
Creative Director – Willo Perron & Associates
Design [Package] – Nonot
Engineer – Laura Sisk
Engineer [Additional] – Alonzo Lazaro (tracks: A2, B3), Annie Clark, Brent Arrowwood* (tracks: A2, B3), Jack Antonoff, Miro Mackie (tracks: A3), Sean Cook
Engineer [Mix] – Brandon Bost (tracks: A1, A2, A4 to B2, B5 to B7), Caesar Edmunds (tracks: A3, B3, B4)
Lacquer Cut By – RJ*
Management – Lever And Beam
Mastered By – Chris Gehringer
Mixed By – Catherine Marks (tracks: A3, B3, B4), Tom Elmhirst (tracks: A1, A2, A4 to B2, B5 to B7)
Photography By – Nedda Afsari
Producer – Jack Antonoff, St. Vincent
Producer [Additional] – John Congleton (tracks: A2, B1, B3)

Notes

℗ & © 2017 Lorna Vista Recordings / Concord Music Group Inc

Housed in a 2 colour screen printed PVC sleeve, 24" x 24" foldout poster, sticker sheet, download code card and 28-page A4 booklet.

'Dancing With A Ghost' listed as 'Slow Disco Interlude' on the printed PVC sleeve.

Made in Czech Republic.

Publishing
Annie Clark : Big Deal Notes / Nail Polish Manifesto Music (ASCAP) All Rights administered by Words & Music
Jack Antonoff : Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Joy Williams : Joy Williams (BMI) - EMI Blackwood Music Inc. / Here's To Me Music (BMI)
Mark Anthony Spears (Sounwave) : Mark Anthony Spears (ASCAP) - Sony/ATV Allegro / Beat Bully Productions (ASCAP)

Recorded at Electric Lady Studios in New York, NY. Additional recording at Rough Consumer Studio in Brooklyn, NY and Compound Fracture in Los Angeles, CA.

Barcode and Other Identifiers

Barcode (Scanned): 8 88072 03712 0
Matrix / Runout (Side A Etched): LVR00224-A-REI RJ
Matrix / Runout (Side A Stamped): STERLING MRP0919 / LVR00224 / NEW-A 164565E1/A
Matrix / Runout (Side B Etched): LVR00224-B RJ
Matrix / Runout (Side B Stamped): STERLING MRP0919 / LVR00224-B 162211E2/A1

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
LVR00223	St. Vincent	Masseduction ‎(CD, Album)	Loma Vista	LVR00223	US	2017
LVR00224	St. Vincent	Masseduction ‎(LP, Album, Pin)	Loma Vista	LVR00224	US	2017
LVR00262	St. Vincent	Masseduction ‎(LP, Album, Dlx, Ltd, Yel)	Loma Vista	LVR00262	US	2017
LVR00225	St. Vincent	Masseduction ‎(LP, Album, Dlx, Ltd, M/Print, Pin)	Loma Vista	LVR00225	US	2017
LVR00223	St. Vincent	Masseduction ‎(CD, Album, Promo + DVD, EP, Promo)	Loma Vista	LVR00223	US	2017

Comments: (8)

Kagalkree

The most anticipated album of the entire year came to me in a very disappointing packaging... There's no sleeve to hold the LP, It's just the cover / poster foldout of the album that keeps it in.... THE PVC cover is torn on the corners + the center (which bears the heaviest weight). The sticker sheet and the booklet are nice but they could've been executed better.The sound quality on this sturdy heavy LP (almost 180G) is pretty nice, no scratches, no hiss, no noise on quiet passages. I thought it will be catastrophic but she did it again which is pretty awesome.

Macill

Sound Quality: (n.b. I always clean new records using vinyl revival before playing) After first listen the vinyl pressing seems good but not amazing. No visible dust or scratches on the vinyl on arival. There are clicks and pops on the quiet parts, but not enough for me to return it, or to listen to the wav files in preference. Based on past experience I would expect the surface noise to be virtually elliminated by the 4th play or so and another clean. I did a head to head comparison with the WAV file for New York and found the vinyl to be more dynamic and have a better stereo soundscape.Packaging: There is no cardboard! The 'sleeve' is actualy a folded poster. This is inside a PVC sleeve with the album title on one side and the track listing on the other. Incidentaly the track 'dancing with ghosts' is listed as 'SLOW DISCO INTERLUDE' on mine. You also get some stickers and an A4 booklet with photos and lyrics. The record did not come in any kind of inner sleeve! it was just in there.... between the poster and the lyric booklet (that did have a plastic sleeve- the worlds gone mad!) I put my record in a poly lined sleeve straight way...I mean i wouldn't have been able to sleep otherwise.... The download card was for 16bitWAV files.Music: After 1 listen i can't really comment, but i already like it better than the previous album, which seemed bit cold and detached compared with the album before (strange mercy). I think I will be listening to this a lot, while not being quite the 'break up album' the music press led me to expect, (its more complex and rounded than that) it is definitely more emotional than its predecessor... While sounding nothing like it, It reminds me of Lou Reeds transformer. there are already several songs leaping out, most notably Happy Birthday Johhny and New York which must be one of her best songs to date. Its one of those records where you want to listen to it again immediately after its finished.

Jark

UPDATE: I find the pressing horrible. Bassy and muddy. Yes it has some dynamics but it's not clear at all and you lose most of the details. Plus, the surface noise on the quieter parts is unforgivable for an artist of this caliber. Very disappointing.

Yannara

Totally agree. Just received it and the PVC cover is already torn near the corners. This is not going to last. Also the vinyl not being in a sleeve is a big issue for me. I would probably return it if were not for the excellent music that it contains.

Celore

Packaging of this album is absolutely terrible !!! The plastic "cover" is already splitting along the seams - and as stated - no inner sleeve for the vinyl. If they were going for different it was certainly achieved. Longevity of this in a collection will require special handling.

Ironfire

Any other info on the matrix for this edition? Country of manufacturer means GZVinyl, so would like to know if it has actually been cut by a cutting engineer with initials?

Thordira

I have deluxe pink vinyl with PVC sleeve UK version, Matrix in full:side a: MRP0919/LVR00224/NEW-A (stamped) 164565E1/A LVR00224-AREI RJ STERLING (etched, except 'sterling' which is stamped)side b: MRP0919/LVR00224-B 162211E2/A2 (stamped) LVR 00224-B RJ STERLING (etched, except 'sterling' which is stamped)

kewdiepie

I have added the matrix/runout as they appear on my copy (Pink). Only has the initials RJ (Ray Janos) and the STERLING stamp.

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