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St. Vincent - Masseduction album flac

St. Vincent - Masseduction album flac Performer: St. Vincent
Title: Masseduction
Style: Indie Rock
Released: 2017
Country: US
MP3 album: 1156 mb
FLAC album: 1871 mb
Rating: 4.4
Other formats: APE FLAC AAC MIDI MP3 VOC VOX
Genre: Rock

Masseduction (stylized in all caps) is the fifth studio album by American musician St. Vincent. It was released on October 13, 2017, through Loma Vista Recordings. The album peaked at number 10 on the Billboard 200, becoming her first top ten album in the United States. The album also received universal acclaim and was the fourth-most mentioned in critics' year-end lists for 2017.

Released October 13, 2017. About MASSEDUCTION 2 contributors. Masseduction (mass-seduction, stylized as MASSEDUCTION) is the fifth studio album by Annie Clark under the name St. Vincent, released on October 13, 2017, through Loma Vista Recordings. The lead single, New York was released on the 30th of June, 2017. Additionally, the second single Los Ageless was released the same day. St. Vincent has said that the record is all about sex and drugs and sadness.

Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like a weapon Mass destruction I don't turn off what turns me on. Mass destruction Mass destruction Mass destruction Mass destruction I don't turn off what turns me on Mass destruction Mass destruction Mass destruction Mass destruction. The title track of Masseduction. The thesis for the album very well could be a lyric from this song: I can’t turn off what turns me on. It was the last track to come together. The words to all the verses and everything just came out in a torrent, and I sent them to Jack.

Lyrics to "Masseduction" song by St. Vincent: Black saint, sinner lady Playin' knockoff soul A punk rock romantic Slumped on the kitchen floor Nu. .Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like a weapon Mass destruction I don't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I can't turn off what turns me on Masseduction I hold you like.

Vincent gets called the female Bowie. Not always for her music, which has taken off from steady and skillful to expansive and gripping at exponential speed; not for her tributes and eulogies of the man, nor exactly for her gender-tweaking image. No, among the first hits for female Bowie is a British tabloid, sweeping her and model and ex-girlfriend Cara Delevingne into a world of domestic bliss and purple loo outfit. Such is the life of a woman whose artistry has been made into snackable content. Masseduction, then, is her Let’s Dance: exploding the comparatively unassuming craft of Marry Me and the comparatively tentative rhythms of her self-titled album into immediate hooks with a roaring largesse. The guitars are background squalls, compressed and oiled up with Gary Glitter tuning. Kendrick Lamar beatmaker Sounwave contributes.

Masseduction ‎(LP, Album, Dlx, Ltd, Pin). Loma Vista, Loma Vista. LVR00225, 00888072037120. Label and spindle centered. Sound has astonishing depth and clarity. Fantastic release from St Vincent. Reply Notify me 1 Helpful.

Vincent has finally admitted to who was behind - erm, in front of - the butt modeled on her Masseduction album cover.

Grammy-winning, alt-pop darling St. Vincent returns with an intriguing, well-rounded album with ‘Masseduction. Grammy-winning alternative musician St. Vincent is back. After captivating the world with Digital Witness and her Grammy-winning, self-titled album in 2014, she returns with Masseduction. Masseduction definitely isn’t your ‘everyday title,’ but it’s simply a play on words – mass + seduction. Like the title itself, Masseduction ends up being an incredibly intriguing album. Hang on Me. Hang on Me marks the first notion of strong pop influences throughout Masseduction

Tracklist Hide Credits

A1 Hang On Me
Guitar, Vocals – Annie ClarkPiano – Thomas BartlettProgrammed By, Bass, Mellotron – Jack AntonoffWritten-By – A. Clark*
2:48
A2 Pills
Bass – Mike ElizondoProgrammed By – Adam Pickrell, SounwaveSaxophone – Evan Smith , Kamasi WashingtonSynth – Daniel MintserisSynth, Piano, Bass, Drums, Programmed By – Jack AntonoffVocals – Annie Clark, Jenny Lewis, Kid MonkeyWritten-By – A. Clark*, J. Antonoff*, M. A. Spears*
4:40
A3 Masseduction
Guitar, Vocals – Annie ClarkPiano – Thomas BartlettProgrammed By – Jack AntonoffVocals – Toko YasudaWritten-By – A. Clark*, J. Antonoff*
3:17
A4 Sugarboy
Guitar, Synth, Bass – Annie ClarkSynth, Programmed By – Jack AntonoffWritten-By – A. Clark*, J. Antonoff*
4:01
A5 Los Ageless
Guitar – Tuck AndressGuitar, Vocals – Annie ClarkPedal Steel Guitar – Greg LeiszSaxophone – Evan Smith Synth, Programmed By – Jack AntonoffVocals – Patti Andress*Written-By – A. Clark*
4:41
A6 Happy Birthday, Johnny
Pedal Steel Guitar – Greg LeiszPiano – Thomas BartlettSynth – Jack AntonoffVocals – Annie ClarkWritten-By – A. Clark*, J. Antonoff*
2:58
B1 Savior
Bass – Pino PalladinoGuitar – Tuck AndressGuitar, Vocals – Annie ClarkKeyboards – Bobby SparksPedal Steel Guitar – Greg LeiszPiano – Thomas BartlettProgrammed By – Jack AntonoffSynth – Daniel MintserisVocals – Patti Andress*Written-By – A. Clark*
3:26
B2 New York
Cello – Philip A. Peterson*Piano – Thomas BartlettSynth, Programmed By – Jack AntonoffViolin – Timothy Garland*Vocals – Annie ClarkWritten-By – A. Clark*, J. Antonoff*
2:34
B3 Fear The Future
Bass – Mike ElizondoDrums, Programmed By, Synth – Jack AntonoffGuitar – Tuck AndressGuitar, Vocals – Annie ClarkSynth – Daniel Mintseris, Thomas BartlettWritten-By – A. Clark*
2:31
B4 Young Lover
Guitar, Vocals – Annie ClarkSynth – Jack AntonoffSynth, Programmed By – Lars StalforsWritten-By – A. Clark*
3:33
B5 Dancing With A Ghost
Arranged By [Strings], Synth – Jack AntonoffSaxophone – Evan Smith Strings – Margot Vocals – Annie ClarkWritten-By – A. Clark*, J. Williams*
0:46
B6 Slow Disco
Arranged By [Strings], Synth, Programmed By – Jack AntonoffSaxophone – Evan Smith Strings – Margot Vocals – Annie ClarkWritten-By – A. Clark*, J. Williams*
2:44
B7 Smoking Section
Guitar, Vocals – Annie ClarkPedal Steel Guitar – Greg Leisz, Rich HinmanPiano – Thomas BartlettSynth, Programmed By – Jack AntonoffVocals – Patti Andress*Written-By – A. Clark*
3:37

Companies, etc.

  • Licensed To – Caroline International
  • Phonographic Copyright (p) – Loma Vista Recordings
  • Copyright (c) – Loma Vista Recordings
  • Phonographic Copyright (p) – Concord Music Group, Inc.
  • Copyright (c) – Concord Music Group, Inc.
  • Published By – Big Deal Notes
  • Published By – Nail Polish Manifesto Music
  • Published By – Words & Music
  • Published By – Sony/ATV Songs LLC
  • Published By – Ducky Donath Music
  • Published By – EMI Blackwood Music Inc.
  • Published By – Here's To Me Music
  • Published By – Sony/ATV Allegro
  • Published By – Beat Bully Productions
  • Recorded At – Electric Lady Studios
  • Recorded At – Rough Consumer Studio
  • Recorded At – Compound Fracture Studio
  • Mastered At – Sterling Sound
  • Lacquer Cut At – Sterling Sound
  • Manufactured By – Memphis Record Pressing – MRP0919
  • Pressed By – GZ Media – 162211E
  • Pressed By – GZ Media – 164565E

Credits

  • Co-producer – Lars Stalfors (tracks: A3, B4)
  • Creative Director – Willo Perron & Associates
  • Design [Package] – Nonot
  • Engineer – Laura Sisk
  • Engineer [Additional] – Alonzo Lazaro (tracks: A2, B3), Annie Clark, Brent Arrowwood* (tracks: A2, B3), Jack Antonoff, Miro Mackie (tracks: A3), Sean Cook
  • Engineer [Mix] – Brandon Bost (tracks: A1, A2, A4 to B2, B5 to B7), Caesar Edmunds (tracks: A3, B3, B4)
  • Lacquer Cut By – RJ*
  • Management – Lever And Beam
  • Mastered By – Chris Gehringer
  • Mixed By – Catherine Marks (tracks: A3, B3, B4), Tom Elmhirst (tracks: A1, A2, A4 to B2, B5 to B7)
  • Photography By – Nedda Afsari
  • Producer – Jack Antonoff, St. Vincent
  • Producer [Additional] – John Congleton (tracks: A2, B1, B3)

Notes

℗ & © 2017 Lorna Vista Recordings / Concord Music Group Inc

Housed in a 2 colour screen printed PVC sleeve, 24" x 24" foldout poster, sticker sheet, download code card and 28-page A4 booklet.

'Dancing With A Ghost' listed as 'Slow Disco Interlude' on the printed PVC sleeve.

Made in Czech Republic.

Publishing
Annie Clark : Big Deal Notes / Nail Polish Manifesto Music (ASCAP) All Rights administered by Words & Music
Jack Antonoff : Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Joy Williams : Joy Williams (BMI) - EMI Blackwood Music Inc. / Here's To Me Music (BMI)
Mark Anthony Spears (Sounwave) : Mark Anthony Spears (ASCAP) - Sony/ATV Allegro / Beat Bully Productions (ASCAP)

Recorded at Electric Lady Studios in New York, NY. Additional recording at Rough Consumer Studio in Brooklyn, NY and Compound Fracture in Los Angeles, CA.

Barcode and Other Identifiers

  • Barcode (Scanned): 8 88072 03712 0
  • Matrix / Runout (Side A Etched): LVR00224-A-REI RJ
  • Matrix / Runout (Side A Stamped): STERLING MRP0919 / LVR00224 / NEW-A 164565E1/A
  • Matrix / Runout (Side B Etched): LVR00224-B RJ
  • Matrix / Runout (Side B Stamped): STERLING MRP0919 / LVR00224-B 162211E2/A1

Other versions

Category Artist Title (Format) Label Category Country Year
LVR00223 St. Vincent Masseduction ‎(CD, Album) Loma Vista LVR00223 US 2017
LVR00224 St. Vincent Masseduction ‎(LP, Album, Pin) Loma Vista LVR00224 US 2017
LVR00262 St. Vincent Masseduction ‎(LP, Album, Dlx, Ltd, Yel) Loma Vista LVR00262 US 2017
LVR00225 St. Vincent Masseduction ‎(LP, Album, Dlx, Ltd, M/Print, Pin) Loma Vista LVR00225 US 2017
LVR00223 St. Vincent Masseduction ‎(CD, Album, Promo + DVD, EP, Promo) Loma Vista LVR00223 US 2017


Comments: (8)
Kagalkree
The most anticipated album of the entire year came to me in a very disappointing packaging... There's no sleeve to hold the LP, It's just the cover / poster foldout of the album that keeps it in.... THE PVC cover is torn on the corners + the center (which bears the heaviest weight). The sticker sheet and the booklet are nice but they could've been executed better.The sound quality on this sturdy heavy LP (almost 180G) is pretty nice, no scratches, no hiss, no noise on quiet passages. I thought it will be catastrophic but she did it again which is pretty awesome.
Macill
Sound Quality: (n.b. I always clean new records using vinyl revival before playing) After first listen the vinyl pressing seems good but not amazing. No visible dust or scratches on the vinyl on arival. There are clicks and pops on the quiet parts, but not enough for me to return it, or to listen to the wav files in preference. Based on past experience I would expect the surface noise to be virtually elliminated by the 4th play or so and another clean. I did a head to head comparison with the WAV file for New York and found the vinyl to be more dynamic and have a better stereo soundscape.Packaging: There is no cardboard! The 'sleeve' is actualy a folded poster. This is inside a PVC sleeve with the album title on one side and the track listing on the other. Incidentaly the track 'dancing with ghosts' is listed as 'SLOW DISCO INTERLUDE' on mine. You also get some stickers and an A4 booklet with photos and lyrics. The record did not come in any kind of inner sleeve! it was just in there.... between the poster and the lyric booklet (that did have a plastic sleeve- the worlds gone mad!) I put my record in a poly lined sleeve straight way...I mean i wouldn't have been able to sleep otherwise.... The download card was for 16bitWAV files.Music: After 1 listen i can't really comment, but i already like it better than the previous album, which seemed bit cold and detached compared with the album before (strange mercy). I think I will be listening to this a lot, while not being quite the 'break up album' the music press led me to expect, (its more complex and rounded than that) it is definitely more emotional than its predecessor... While sounding nothing like it, It reminds me of Lou Reeds transformer. there are already several songs leaping out, most notably Happy Birthday Johhny and New York which must be one of her best songs to date. Its one of those records where you want to listen to it again immediately after its finished.
Jark
UPDATE: I find the pressing horrible. Bassy and muddy. Yes it has some dynamics but it's not clear at all and you lose most of the details. Plus, the surface noise on the quieter parts is unforgivable for an artist of this caliber. Very disappointing.
Yannara
Totally agree. Just received it and the PVC cover is already torn near the corners. This is not going to last. Also the vinyl not being in a sleeve is a big issue for me. I would probably return it if were not for the excellent music that it contains.
Celore
Packaging of this album is absolutely terrible !!! The plastic "cover" is already splitting along the seams - and as stated - no inner sleeve for the vinyl. If they were going for different it was certainly achieved. Longevity of this in a collection will require special handling.
Ironfire
Any other info on the matrix for this edition? Country of manufacturer means GZVinyl, so would like to know if it has actually been cut by a cutting engineer with initials?
Thordira
I have deluxe pink vinyl with PVC sleeve UK version, Matrix in full:side a: MRP0919/LVR00224/NEW-A (stamped) 164565E1/A LVR00224-AREI RJ STERLING (etched, except 'sterling' which is stamped)side b: MRP0919/LVR00224-B 162211E2/A2 (stamped) LVR 00224-B RJ STERLING (etched, except 'sterling' which is stamped)
kewdiepie
I have added the matrix/runout as they appear on my copy (Pink). Only has the initials RJ (Ray Janos) and the STERLING stamp.